ulated to Notre Dame University where he completed a bachelor degree in fine arts. &nbsp;He earned a master degree in fine arts and painting from Tulane University. &nbsp;Kevin met Grace Benedict, his wife, while they were both students at Tulane. &nbsp;Grace is an artist and active in her profession.(The Sun Herald, December 15, 2013, p. F1)</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p align=\"center\">\r\n	<img alt=\"\" src=\"/sites/default/files/u4/Lippert%2C Ellen-Dec. 12%2C 2013-OOMA.jpg\" style=\"height: 200px; width: 150px;\" /></p>\r\n<p align=\"center\">\r\n	<strong><span style=\"font-size:14px;\"><span style=\"font-family:georgia,serif;\">Ellen J. Lippert</span></span></strong></p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: georgia, serif; font-size: 14px;\">Image by Ray L. Bellande-December 7, 2013.</span></p>\r\n<p class=\"rtejustify\">\r\n	<span style=\"font-family: georgia, serif; font-size: 14px;\"><strong>Ellen J. Lippert</strong>, associate professor of art history and Western humanities at Thiel College, Greenville, Pennsylvania, was on the Coast this past weekend to introduce <strong>&lsquo;George Ohr-Sophisticate and Rube</strong>&rsquo;, her recent book on Biloxi&rsquo;s Mad Potter published by the University Press of Mississippi.&nbsp; Ellen made an appearance at the Ohr-O&rsquo;Keefe Museum of Art and Pass Christian Books.&nbsp; She held book signings as well as relating the salient points of her treatise of George Ohr as a man and potter during the Gilded Age.&nbsp; Ellen was received enthusiastically in both venues.&nbsp; She was hosted by Carol Messer of OOMA while at Biloxi.</span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>REFERENCES:</strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\">The Sun Herald, <strong>&quot;Ohr-O&#39;Keefe chief retires as final phase begins&quot;</strong>, April 24, 2013, p. A2.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\">The Sun Herald,&nbsp;</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\">&quot;[</strong><strong style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\">Kevin O&#39;Brien]</strong><strong style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\"> Opportunity to make a difference&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\">, December 15, 2013, p. F2.</span></p>\r\n<p align=\"center\">\r\n	________________________________________________________________________________________________</p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><strong>OHR-O&rsquo;KEEFE MUSEUM BIBLIOGRAPHY</strong></span></span></p>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span class=\"Apple-style-span\" style=\"font-size: 14px;\"><em>Journals</em></span></span></h1>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;The hour of Ohr&rdquo;</strong>, April 2, 1991, p. C-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Mad Potter Society to promote Biloxi&rsquo;s Ohr&rdquo;</strong>, July 12, 1992, p. F-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Some of Ohr&rsquo;s pottery comes back to grandson&rdquo;</strong>, February 18, 1993, p. B-1.</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><strong><em>2000</em></strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Main Street Wants Museum Kept Downtown&rdquo;</strong>, March 21, 2000, p. A-3.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr-O&#39;Keefe Museum could become jewel in the Coast crown&quot;</strong>, July 9, 2000.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Architect Gehry talks about Biloxi, Berlin, and Hollywood&rdquo;</strong>, October 12, 2000, p. A-1</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Gehry shares idea for museum&rdquo;</strong>, October 10, 2000, p. A-1.</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><strong><em>2001</em></strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Fanciful Forms&rdquo;</strong>, July 8, 2001.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Millions still needed to build art museum complex&rdquo;</strong>, July 8, 2001</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi-D&rsquo;Iberville Press,&nbsp;</em><strong>&ldquo;Ohr site&rsquo;s pre-history&rdquo;</strong>, July 11, 2001, p. 4.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Biloxi toasts Gehry design&rdquo;</strong>, July 12, 2001.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The New York Times,&nbsp;</em><strong>&ldquo;Recognition For Biloxi&rsquo;s Mad Potter&rdquo;</strong>, July 20, 2001, p. B-33.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr naturally&nbsp;</strong>(photo)<strong>&rdquo;</strong>, July 27, 2001, p. A-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>Museum receives Ohr scrapbook&rdquo;</strong>, July 27, 2001, p. A-6.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;$5 million in bonds sought for Ohr&rdquo;</strong>, August 18, 2001.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Museum bond vote put off by council&rdquo;</strong>, August 22, 2001, p. A-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Museum bond issue on agenda&rdquo;</strong>, August 25, 2001, p. A-5.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr museum drops request for bonds&rdquo;</strong>, August 29, 2001, p. A-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr&rsquo;s biggest artwork coming home to coast&rdquo;</strong>, August 29, 2001, p. A-8.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Carpetbagger or art savior?&rdquo;</strong>, September 11, 2001, p. A-1 and A-7.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Shedding light on bits of Ohr&rdquo;</strong>, September 13, 2001, p. A-8.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Pots were a hidden treasure&rdquo;</strong>, September 13, 2001, p. A-8.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr urn earns oohs, aahs&rdquo;</strong>, October 6, 2001, p. A-2.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;O&rsquo;Keefe trying to rally &lsquo;silent support&rsquo;&rdquo;</strong>, October 16, 2001, p. A-1.</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><strong><em>2002</em></strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Museum million hard to swallow&rdquo;</strong>, February 27, 2002.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Bay Press,&nbsp;</em><strong>&ldquo;Ohr yes-Ohr no-Ohr maybe?,</strong>&nbsp;March 1, 2002, p. 8A.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Museum fans: It&rsquo;s good business, too&rdquo;</strong>, March 2, 2002.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Bay Press,&nbsp;</em><strong>&ldquo;Ohr moves Reed House, offers blues photos&rdquo;</strong>, April 26, 2002.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Bay Press,&nbsp;</em><strong>&ldquo;Featured Artist-Brian Nettles&rdquo;</strong>, April 26, 2002, p. 2 and p. 11.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Federal grant puts museum at halfway mark&rdquo;</strong>, June 12, 2002, p. A-3.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;The next great art destination&rdquo;</strong>, June 23, 2002, p. D-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Vincent Creel says he support museum&rdquo;</strong>, June 23, 2002, p. D-7.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Bay Press,&nbsp;</em><strong>&ldquo;Ohr museum seeks funding to continue construction&quot;</strong>, July 8, 2005, p. 3.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr to partner with Smithsonian&rdquo;,&nbsp;</strong>October 2002, p. A-2.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Affiliation opens artistic doors&rdquo;</strong>, October 28, 2002, p. A-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr-O&rsquo;Keefe gets $250,000 gift&rdquo;</strong>, November 13, 2002.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Bay Press,&nbsp;</em><strong>&quot;Ohr-O&#39;Keefe Museum seeks Pleasant Reed items&quot;</strong>, November 18, 2005, p. 5.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em>&ldquo;<strong>&lsquo;Mad Potter&rsquo; finally gets respect&rdquo;,&nbsp;</strong>December 22, 2002, p. H-3.</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><strong><em>2003</em></strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr-O&rsquo;Keefe bond clears committee&rdquo;</strong>, February 21, 2003, p. A-10.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Disciples of Ohr&rdquo;</strong>, March 16, 2003, p. H-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr more than halfway to building-fund goal&rdquo;</strong>, April 2, 2003, p. A-9.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Biloxi in the spotlight&rdquo;</strong>, May 11, 2003, p. H-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;A Pleasant place to visit&rdquo;</strong>, May 14, 2003, p. A-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Biloxi to consider museum money&rdquo;</strong>, June 21, 2003, p. A-3.</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><strong><em>2004</em></strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr-O&rsquo;Keefe unveils National Council&rdquo;</strong>, January 18, 2004, p. A-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Museum Gets More County Money&rdquo;</strong>, June 15, 2004, p. A-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Bay Press,&nbsp;</em><strong>&ldquo;OOMA features Ohr at world&rsquo;s fair&rdquo;</strong>, June 25, 2004, p. 1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Beau ups its Ohr donation to $1M&rdquo;</strong>, July 9, 2004, p. A-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr-O&rsquo;Keefe takes shape in Biloxi&rdquo;</strong>, August 1, 2004, p. H-1.</span></span></p>\r\n<h3>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,</em>&nbsp;<strong>&ldquo;Students ooh and aah over Ohr-O&rsquo;Keefe&rsquo;s architecture&rdquo;</strong>,&nbsp;December 30, 2004, p. A-11.</span></span></h3>\r\n<h3>\r\n	&nbsp;</h3>\r\n<h3 class=\"rtecenter\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><em><span style=\"font-size: 14px;\">2005</span></em></span></h3>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\">The Sun Herald,&nbsp;<strong>&ldquo;Biloxi pier is project of museum&rdquo;</strong>,&nbsp;March 24, 2005, p. A2.</span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr Museum opens fund-raising drive&rdquo;</strong>, April 19, 2005, p. A6.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;And what&rsquo;s wrong with his hair&rdquo;</strong>, June 19, 2005, p. H-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong><em>&ldquo;Why Ohr?&rdquo;</em></strong><em>,&nbsp;</em>June 19, 2005, p. H-1.</span></span></p>\r\n<h3>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&ldquo;Pollack documentary to focus on Gehry, Ohr&rdquo;</strong>,&nbsp;June 19, 2005, p. H-3.</span></span></h3>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Museum to open &lsquo;d&rsquo;Ohrs&rsquo;&rdquo;</strong>, August 7, 2005, p. H-1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Starchitects&rsquo;&nbsp;</strong>[Frank Gehry]&nbsp;<strong>can&rsquo;t be ignored&rdquo;</strong>, August 7, 2005, p. H-5.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Ohr&rsquo;s ribs tickle fancy or architect&rdquo;</strong>, August 26, 2005, p. A2.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Plans for Ohr-O&#39;Keefe: Museum will reopen&quot;</strong>, October 9, 2005, p. F6.&nbsp;&nbsp;</span></span></p>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;&quot;</em>Museum members ready to rebuild&quot;, October 20, 2005, p. A8.</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;<strong>&quot;</strong></em><strong>Ohr and Pleasant Reed in Biloxi&quot;</strong>, October 23, 2005, p. A4.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;Ohr has to wait&quot;,&nbsp;</strong>November 1, 2005, p. B1.</span></span></p>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;Task force hunting Pleasant Reed items&quot;,&nbsp;November 22, 2005, p. B1.</strong></span></span></h1>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>2006</em></span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em>&quot;Ohr-O&#39;Keefe getting a boost&quot;, March 22, 2006, p. C14.</span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em>&quot;Ohr-O&#39;Keefe gets TLC&quot;, March 26, 2006, p. F11.</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Andy Warhol likes George Ohr&quot;,</strong>&nbsp;March 31, 2006, p. B1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;It is hard to be needy&quot;</strong>, April 7, 2006, p. A1.</span></span></p>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Ohr pots to make &#39;Antiques Roadshow&#39;&quot;,&nbsp;July 4, 2006, p. A6.</strong></span></span></h1>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;It&#39;s time for more Ohr&quot;-</strong>[George Ohr Rising: Gulf States Juried Exhibition]<strong>,&nbsp;August 20, 2006, p. F1.</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;KATRINA ONE YEAR LATER: WHERE WE&quot;RE GOING-Curators worry museums soon will be HISTORY&quot;,&nbsp;August 27, 2006, p. 31.</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;OHRdeal: Architect Gehry pledges to help in any way he can&quot;</strong>, December 12, 2006, p. A1.</span></span></p>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Head Ohr heels&quot;, December 16, 2006, p. A11.</strong></span></span></h1>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Ohr joins Mississippi&#39;s Hall of Fames&quot;</strong>, December 16, 2006, p. A4.</span></span></p>\r\n<h1 align=\"center\">\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><em>2007</em></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Beachfront needs Ohr-O&#39;Keefe Museum of Art to help rouse its recovery&quot;, February 14, 2007, p. C6.</strong></span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Ohr going back to beach&quot;, February 15, 2007, p. A1.</strong></span></span></h1>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Ford Foundation gives $365,000 to Ohr-O&#39;Keefe&quot;</strong>, August 14, 2007, p. A2.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;The Pods are coming! The Pods are coming!&quot;</strong>, October 30, 2007, p. A4.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em><strong>&quot;Museum cleanup brings out volunteers&quot;,&nbsp;</strong>November 11, 2007, p. A6.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;The Dance begins at pods&quot;</strong>, November 27, 2007, p. B8.</span></span></p>\r\n<h5>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Ohr&#39;s grandson&nbsp;[Joe Moran&#39;s photographs]&nbsp;in the spotlight&quot;, November 27, 2007, p. B8.</span></span></h5>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&ldquo;Dances with Trees&quot;</strong>, November 30, 2007, p. B8.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;An artistic marriage&quot;</strong>, December 1, 2007, p. A3.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;Hundreds take tour of Ohr pods&quot;</strong>, December 2, 2007, p. A2.</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p align=\"center\">\r\n	<strong><span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>2008</em></span></span></strong></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&ldquo;Reed House rises again&quot;</strong>, January 29, 2008, p. B8.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Gowdy leaving Ohr at the end of year&quot;, February 28, 2008, p. A10.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;Ohr building to get $700,000 grant&quot;</strong>, March 12, 2008, p. A9.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;Ohr Pods honored by Time&nbsp;</strong>[magazine]<strong>&quot;,&nbsp;</strong>April 5, 2008, p. A4.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;Private sector bets millions on success of Ohr-O&#39;Keefe&quot;</strong>. May 25, 2008, p. B8.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;A rare find&nbsp;</strong>[three pots owned by John Morywas]<strong>&quot;,&nbsp;</strong>June 15, 2008, p. A1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi-D&rsquo;Iberville Press,&nbsp;</em><strong>&ldquo;Ohr Museum &amp; hands on create public art&rdquo;</strong>, June 26, 2008, p. B4.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Ohr&#39;s words put to music&nbsp;[by Logan Skelton]&quot;, September 8, 2008, p. A2.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;North Carolinian&nbsp;[Denny Mecham]&nbsp;selected as head of Ohr-O&#39;Keefe&quot;, September 9, 2008, p. A6.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Meet Denny Mecham&quot;, October 14, 2008, p. C10.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Designs on 2010: Ohr-O&#39;Keefe moves forward with Gehry&quot;, December 17, 2008, p. A1.</span></span></p>\r\n<p align=\"center\">\r\n	&nbsp;</p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em><strong>2009</strong></em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Mad Potter of Biloxi takes a bow at the Met&quot;, January 17, 2009, p. A3.</span></span></p>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Mr. Ohr goes to Jackson&nbsp;[Mississippi Hall of Fame]&quot;,&nbsp;May 24, 2009, p. F1.</span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Campaign for more Ohr&quot;,&nbsp;July 11, 2009, p. A2.</span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Ohr-O&#39;Keefe aims for a finish with energy, excitement&quot;,&nbsp;July 12, 2009, p..&nbsp;B6.</span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Council delays Ohr vote&nbsp;[on request for $500,000]&quot;,&nbsp;September 9, 2009, p..&nbsp;A2.</span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Treasure trove&quot;,&nbsp;September 20, 2009, p..&nbsp;F1.</span></span></h1>\r\n<p align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em><strong>2010</strong></em></span></span></p>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;[Biloxi City]&nbsp;Council looking for ways to fund Ohr-O&#39;Keefe opening&quot;,&nbsp;February 24, 2010, p. A8.</span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&ldquo;Ohr pods offer &#39;amazing&#39; glimpse&quot;</strong>, May 21, 2010, p. A2.</span></span></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;<strong>&ldquo;History rests on History&quot;</strong>, July 26, 2010.</span></h1>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-weight: bold;\"><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Architect <strong>[Frank Gehry</strong></span></span><span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><strong>]</strong>&nbsp;gets first look at Ohr-O&#39;Keefe museum&quot;, August 6, 2010, p. A2.</span></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-weight: bold;\"><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&nbsp;&ldquo;Inside Gehry&#39;s Ohr Museum&quot;</span></span></span><span class=\"Apple-style-span\" style=\"font-weight: bold;\"><span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\">, September 5, 2010, p. A1.</span></span></p>\r\n<p>\r\n	<font class=\"Apple-style-span\" face=\"\'times new roman\', times, serif\" size=\"4\"><span class=\"Apple-style-span\" style=\"font-size: 14px;\"><b><i><span class=\"Apple-style-span\" style=\"font-family: monospace, &quot;lucida console&quot;, &quot;trebuchet ms&quot;; font-size: 12px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;George Ohr: One of a Kind&quot;, </span></span></strong></span></i><span class=\"Apple-style-span\" style=\"font-family: monospace, &quot;lucida console&quot;, &quot;trebuchet ms&quot;; font-size: 12px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\">October 10, 2010, p. F1.</span></span></strong></span></b></span></font></p>\r\n<div>\r\n	<strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;OHR-ography&quot;, October 10, 2010, p. F1.</span></span></strong></div>\r\n<div>\r\n	&nbsp;</div>\r\n<div>\r\n	<span class=\"Apple-style-span\" style=\"font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>,&quot;Design power: the meaning of Frank Gehry&quot;, October 31, 2010, p. F1.</span></span></strong></span></div>\r\n<h1>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em><span class=\"Apple-style-span\" style=\"font-family: monospace, &quot;lucida console&quot;, &quot;trebuchet ms&quot;; font-size: 12px; font-style: normal; font-weight: normal;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr architect to return for opening Gehry: keep the small scale of East Biloxi&quot;, October 31, 2010, p. F.</span></span></strong></span></em></span></span></h1>\r\n<p>\r\n	<strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr-O&#39;Keefe Museum of Art debuts&quot;, October 31, 2010.</span></span></strong></p>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr &amp; Anderson&quot;, November 3, 2010, p. C2.</span></span></strong></span></h1>\r\n<h1 style=\"font-family: monospace, &quot;lucida console&quot;, &quot;trebuchet ms&quot;; font-size: 12px;\">\r\n	<font class=\"Apple-style-span\" face=\"\'times new roman\', times, serif\" size=\"4\"><span class=\"Apple-style-span\" style=\"font-size: 14px;\"><span class=\"Apple-style-span\" style=\"font-style: normal;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;A weekend of legacies&quot;, November 5, 2010, p. A1.</span></span></strong></span></span></font></h1>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Knight Foundation gives $3 million dollars to Ohr-O&#39;Keefe Museum &quot;, November 3, 2010, p. A1.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;The O&#39;Keefe connection&quot;, November 5, 2010, p. B1.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;This could be a springboard to a world class destination&quot;, November 5, 2010, p. B1.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Full Circle&quot;, November 5, 2010, p. B1.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr-O&#39;Keefe Museum of Art timeline&quot;, November 5, 2010, p. B3.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;At the Museum&quot;, November 5, 2010, p. B3.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;<strong>[Bobby]</strong>&nbsp;Mahoney creates Ohr-iginal T-shirts&quot;, December , 2010, p. A2.</span></span></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Door auction, book signing set for Ohr&quot;, December 29, 2010, p. A3.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr-O&#39;Keefe named best new museum </span></span></strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\">[by Southern Living in its January 2011 issue]</span></span><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\">&quot;, December 31, 2010, p. B1.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Door auction, book signing set for Ohr&quot;, December 29, 2010, p. A3.</span></span></strong></span></p>\r\n<p class=\"rtecenter\">\r\n	<em><span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\">2011</span></span></strong></span></em></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Doors to Ohrs&quot;, January 9, 2011, p. F1.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Supporters get an early glimpse at d&#39;Ohrs of Ohr&quot;, January 16, 2011, p. .</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr on the Edge-Museum president: We need city&#39;s help to survive&quot;, July 24, 2011, p. A1.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Letters to the Editor-Ohr-O&#39;Keefe Museum is a luxury, not a necessity&quot;, July 26, 2011, p. A9.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Museum officials hold off on pitch to Biloxi Council&quot;, July 27, 2011, p. A2.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;</span></span></strong></span><span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\">Letters to the Editor-Don&#39;t write off the Ohr-O&#39;Keefe</span></span></strong></span><span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\">&quot;, July 31, 2011, p. B3.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Mayor [A.J. Holloway]</span></span></strong><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"> says Biloxi can&#39;t fund museums&quot;, August 4, 2011, p. A1.</span></span></strong></span></p>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Letters to the Editor-The Ohr is incredible ugly</span></span></strong><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\">&quot;, August 7, 2011, p. B9.</span></span></strong></span></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Did Katrina end Ohr management agreement?&quot;, Augsut 10, 2011, p. A1.</span></span></strong></span></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Museum asks city for $365K for expenses&quot;, September 7, &nbsp;2011, p. A7.</span></span></strong></span></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 15px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Seafood museum&#39;s $18K restored; Ohr financing tabled&quot;, &nbsp;September 28, 2011, p. A1.</span></span></strong></span></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 15px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Deciding the fate of the Ohr-O&#39;Keeefe Museum has been put off long enough&quot;, &nbsp;September 29, 2011, p. C2.</span></span></strong></span></h1>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 15px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr Museum funding a step closer&quot;, &nbsp;September 30, 2011, p. &nbsp;A3.</span></span></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 15px; font-weight: bold;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Consolidate all museums at the Ohr-O&#39;Keefe&quot;, &nbsp;October 2, 2011, p. B9.</span></span></strong></span></p>\r\n<div>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 15px; font-weight: bold; background-color: rgb(241, 237, 224);\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr-O&#39;Keefe is a good fodder for barbs and jokes&quot;, October 2, 2011, p. B9.</span></span></strong></span></div>\r\n<div>\r\n	<h1>\r\n		<span class=\"Apple-style-span\" style=\"font-size: 12px;\"><span class=\"Apple-style-span\" style=\"font-family: monospace, &quot;lucida console&quot;, &quot;trebuchet ms&quot;; font-size: 12px; background-color: rgb(241, 237, 224);\"><span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Ohr-O&#39;Keefe is a money pit&quot;, October 5, 2011, p. C3.</span></span></strong></span></span></span></h1>\r\n</div>\r\n<h1>\r\n	<strong><span class=\"Apple-style-span\" style=\"font-size: 12px;\"><span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Magazine says Ohr-O&#39;Keefe is a top destination&quot;, October 6, 2011, p. A9.</span></span></span></span></strong></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: monospace, &quot;lucida console&quot;, &quot;trebuchet ms&quot;; font-size: 12px; background-color: rgb(241, 237, 224);\"><span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;Look at the Ohr-O&#39;Keefe from a different perspective&quot;, &nbsp;October 9, 2011, p. B9.</span></span></strong></span></span></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><strong><span style=\"font-family: &quot;times new roman&quot;, times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald</em>, &quot;The Ohr-O&#39;Keefe receives a reprieve&quot;, October 2011, p. 8B.</span></span></strong></span></h1>\r\n<p>\r\n	<strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><em>The Sun Herald</em>, &quot;Diamonds Ohr Forever</strong><strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"> [Gala]</strong><strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\">&quot;, October 30, &nbsp;2011, p. F1.</strong></p>\r\n<p>\r\n	<strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><em>The Sun Herald</em>, &quot;Let the Ohr-O&#39;Keefe go belly-up&quot;, October 30, 2011, p. C3.</strong></p>\r\n<h1 class=\"rtejustify\">\r\n	<strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><em>The Sun Herald</em>, &quot;Tiffany &amp; Co. donates Gehry sculptures [Torque Collection] to the Ohr-O&#39;Keefe&quot;, &nbsp;</strong><strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\">July 20, 2012, p.&nbsp;A3.</strong></h1>\r\n<div>\r\n	<h1 class=\"rtejustify\">\r\n		<strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><em>The Sun Herald</em>, &quot;&quot;, &nbsp;2012, p.&nbsp;</strong></h1>\r\n</div>\r\n<div>\r\n	<strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><em>The Sun Herald</em>, &quot;&quot;, &nbsp;201, p.&nbsp;</strong></div>\r\n<div>\r\n	<strong style=\"font-family: &quot;times new roman&quot;, times, serif; font-size: 14px;\"><em>The Sun Herald</em>, &quot;&quot;, &nbsp;201, p.&nbsp;</strong></div>\r\n<h1 align=\"center\">\r\n	&nbsp;</h1>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>Magazines</em></span></span></h1>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\">Garth Clark,&nbsp;<em>Antiques</em>,&nbsp;<strong>&ldquo;Directions: George E. Ohr&rdquo;</strong>, September 1985, Vol. 128, No. 3.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>Harper&rsquo;s Bazaar</em>,&nbsp;<strong>&ldquo;Frank Gehry and Berta Aguilera&rdquo;</strong>, June 2001.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>Esquire</em>,&nbsp;<strong>&ldquo;Gehry&rdquo;</strong>, July 2001.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>Worth</em>,&nbsp;<strong>&ldquo;The next great art destination&rdquo;</strong>, June 2002.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>Architectural Digest</em>, May 2003.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"><em>Smithsonian</em>,&nbsp;<strong>&ldquo;The Mad Potter of Biloxi&rdquo;</strong>, February 2004, pp. 88-94.</span></span></p>\r\n<p>\r\n	<em><span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\">Vanity Fair, </span></span></em><strong><span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\">&quot;Architecture in the age of [</span></span></strong><span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\">Frank]</span></span><strong><span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\"> Gehry&quot;, </span></span></strong><span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\">No. 600,</span></span><strong><span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\">&nbsp;</span></span></strong><span style=\"font-family: times new roman,times,serif;\"><span style=\"font-size: 14px;\">August 2010, p. 156.</span></span></p>\r\n<p>\r\n	<span style=\"font-size: 14px;\"><span style=\"font-family: times new roman,times,serif;\"><em>Southern Living</em>, &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; January 2011.</span></span></p>\r\n<p class=\"rtecenter\">\r\n	_________________________________________________________________</p>\r\n<p class=\"rtecenter\">\r\n	<strong><span style=\"font-size:16px;\"><span style=\"font-family:georgia,serif;\">HISTORY OF THE OOMA TRACT</span></span></strong></p>\r\n<p class=\"rtecenter\">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 10px;\"><span style=\"font-size: 14px;\"><strong>L</strong><b>IVE OAK&rdquo;: Three Centuries on the Pass of Biloxi, Mississippi</b></span></span></p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Section 33, T7S-R9W, Harrison County, Mississippi.</span></span></p>\r\n<h5 align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Abstract</span></span></h5>\r\n<h5 align=\"left\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&ldquo;Live Oak&rdquo; is the 19<sup>th</sup>&nbsp;Century name appropriately attached to a three-acre tract of live oak, graced landscape fronting Deer Island on the Pass of Biloxi.&nbsp; Today this ancient arbor is alive with engineers, contractors and laborers who are toiling diligently in the long shadows of its stately oaks, erecting The Ohr-O&rsquo;Keefe Museum, a 21<sup>st</sup>&nbsp;Century creation of internationally acclaimed architect, Frank Gehry.&nbsp; George E. Ohr and Frank O. Gehry are well-matched, as Ohr, a 19<sup>th</sup>&nbsp;Century, avant-garde, art potter is regarded by art historians as totally unique, while Gehry is the unrivaled master designer of bold, imaginative, futuristic structures.</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; font-weight: normal;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></h5>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Previous archeological investigations indicate that &ldquo;Live Oak&rdquo; was once the pre-historic local of Native American culture.&nbsp; By the late 19<sup>th</sup>&nbsp;Century, it became the scene of large, gracious summer homes of affluent businessmen and professional people, primarily from New Orleans.&nbsp; From the land deed records, it appears that only one Biloxi native has ever possessed a portion of &ldquo;Live Oak&rdquo;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The recorded chronology of &ldquo;Live Oak&rdquo; begin with an 1807 Spanish land grant to a Louisiana native of Acadian heritage, Valentine Docette Richard (1776-1868), better known as Dorsette Richards.&nbsp; By 1835, Richards had vended or bartered his 443-acre donation claim.&nbsp; George Holley (1800-1883) was the primary recipient of his acreage.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In 1888, the parcel known as &ldquo;Live Oak&rdquo; was created when Joseph Kuhn (1819-1903), a Hungarian immigrant and local lumber merchant, sold a 3-acre tract from his large land holdings in the Dorsette Richards land claim on the Biloxi peninsula, to Edward Langevin of St. Paul, Minnesota.&nbsp; After Langevin&rsquo;s demise circa 1891, the lot became possessed by George H. Dunbar (1844-1917), a seafood processing magnate from New Orleans.&nbsp; In 1892, Mr. Dunbar split &ldquo;Live Oak&rdquo; into two lots of equal area.&nbsp; His brother, Francis B. Dunbar (ca 1848-1908), acquired the western tract.&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Dunbar&rsquo;s had the quarters on their East Beach lot demolished in February 1892.&nbsp; In September 1892, they contracted with Charles Dudley, an architect and builder from Jackson, Mississippi, to erect two edifices for them at a cost of $11,000.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">From 1917 until 1946, the E/2 of &ldquo;Live Oak&rdquo; was owned by the New Orleans families of E.B. Johnson, Ernest L. Jahnke, and Cyprian A. Sporl.&nbsp; C.A. Sporl (1880-1936) was the owner of a large marine insurance business at New Orleans.&nbsp; He also operated the Hotel New Orleans.&nbsp; Sporl&rsquo;s avocation was yachting.&nbsp; In 1946, an affluent California attorney, Lynden Bowring (1889-1980), and Wilda Lopez (1899-1977), his Biloxi wife, acquired the lot from Mr. Sporl&rsquo;s heirs.&nbsp; Hurricane Camille in August 1969, destroyed the Bowring home.&nbsp; They relocated to Ocean Springs.&nbsp; Bowring legated his East Beach Biloxi land to Patricia Tarr Leavant, his niece-in-law.&nbsp; It was sold in June? 2000, to the City of Biloxi by real estate developers who had acquired and option on it from Mrs. Leavitt, in 1993.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The W/2 of &ldquo;Live Oak&rdquo; was vended in February 1914, by Anna Tourne&rsquo; Dunbar (1845-1919), the widow of Francis B. Dunbar, to Ora Nelmes Logan, the wife of George W. Logan of New Orleans.&nbsp; She conveyed it to Mary Byrne McGee of Laurel, Mississippi in May 1915.&nbsp; Mrs. McGhee defaulted on her mortgage and the property was repossessed.&nbsp; In April 1917, Mrs. Nelms conveyed her estate to Lucinda Davis Stamps Farrar (d. 1946).&nbsp; Lucinda S. Farrar was the spouse of Judge Edgar H. Farrar (1849-1922) of New Orleans.&nbsp; He was a lawyer, linguist, and ethnologist.&nbsp; E.H. Farrar was the CEO of Farrar, Goldberger, &amp; Dufour, a prominent legal firm of the Crescent City.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In June 1924, Mrs. Lucinda S. Farrar subdivided the W/2 of &ldquo;Live Oak&rdquo; into three lots, designated Lot A, Lot B, and Lot C.&nbsp; She sold Lot A to George E. Williams of New Orleans at this time.&nbsp; In August 1944, Mr. Williams vended Lot A to Sam Mitchell of Biloxi.&nbsp; In a prior agreement with Louis W. Harvey (1904-1970), Mr. Mitchell traded Lot A for cash and a Harvey parcel elsewhere in Biloxi.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Lot B was conveyed in March 1968, to Wilda Lopez Bowring by the Heirs of Lucinda Stamps Farrar: Mrs. Ralph (Jane) B. Wood (Harrison Co., Ms.), Mrs. Richard Goldsborough (Wayne Co, NY), Edgar H. Farrar III (Bell Co. Texas), Stamps Farrar II (San Francisco Co., Calf.), Maud Ellen Farrer (Orleans, Parish, La.), B.H. Goldberger (District of Columbia), Joseph H. Goldberger (Canadian Co., Oklahoma), Mrs. Michael Warnock (Bonneville Co. Idaho), and Bruce Sharp, Robert Sharp, and Donald Sharp, all of Orleans Parish, Louisiana.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Lot C was sold in August 1924, by Lucinda Stamps Farrar, the widow of Edgar H. Farrar, a resident of Hancock County, Mississippi to Stamps Farrar, her son.&nbsp; In May 1947, Stamps Farrar to Lucille G. Minor.&nbsp; In December 1956, Lucille G. Minor to&nbsp;<strong>Lynden Bowring</strong>&nbsp;&ldquo;Live Oak&rdquo; Lot which he had acquired in July 1946, from the Sporl family of New Orleans.</span></span></p>\r\n<h5 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Colonial Biloxi</span></span></h5>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; When the French Colonial government abandoned its post at Biloxi in the 1720s, for New Orleans on the Mississippi River, some of the recent immigrants from Western Europe and French Canada remained on the Mississippi coast.&nbsp; They made their livelihood as sailors, fishermen, and subsistence farmers.&nbsp; Cattle and tar production provided barter and cash items with the larger settlements of Mobile and New Orleans.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; During the Spanish Colonial occupation of the area, land donations on the Biloxi peninsula were granted by the Spanish representative at Mobile.&nbsp; From present day Point Cadet on the east, to the present day Biloxi City Cemetery on the west, these grantees were Jacques Mathurin (Ladner), Dorsette Richards, Jean-Baptiste Carquote (Carco), Angelique Fasiar (Fayard), and Louis Fasiar (Fayard).</span></span></p>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Valentine Docette Richard</span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Valentine Docette Richard (1776-1868) was the original claimant of the land upon which &ldquo;Live Oak&rdquo; was erected.&nbsp; He is referred to in legal documents as&nbsp;<em>Dorsette</em>&nbsp;<em>Richards,&nbsp;</em>and this nomenclature will be used throughout this essay.&nbsp; Richards was born at St. Gabriel, Louisiana, the son of expelled Acadians, Amant Richard and Marie Braux.&nbsp; His first wife, Susanne Marque, expired shortly after birthing their son in 1798.&nbsp; In 1800, Dorsette Richards wedded Marguerite Babin (1770-1829), a native of Belle Isle en Mer, France.&nbsp; Her parents were also exiled Acadians, who immigrated to Louisiana post-1777.(<em>Cassibry, 1986, p. 77)</em></span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; font-weight: normal;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></h1>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Dorsette Richard Claim-Section 33, T7S-R9W</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Dorsette Richards family settled at Biloxi in 1807.&nbsp; He received a Spanish land grant on the Biloxi peninsula at this time.(American State Papers, Vol. III, p. 38)&nbsp; His donation was designated by the Federal government as Claim No. 146 in the District East of the Pearl River.&nbsp; It was confirmed in 1819, by the Federal government.&nbsp; In 1824, his land was surveyed and was shown to consist of 443.38 acres and designated as Section 33, T7S-R9W.(HARCO, Ms. Tract Bk. 1, p. 36)&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;A land patent for Section 33, T7S-R9W was issued to Dorsette Richards by the Federal government on October 1, 1840.(HARCO, Ms. Land Deed Bk. 2, pp. 290-292)</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>George L. Holley</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In June 1835, Dorsette Richards traded all of his merchantable land in Section 33 T7S-R9W to George L. Holley for Lot 1 of Section 23, T7S-R10W, which contains 110.68 acres.(HARCO, Ms. Land Deed Bk. 1, pp. 143-144).</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">George L. Holley (1800-1883) came to the Mississippi coast from New York in the late 1820s, with his family.&nbsp; It appears from Federal census data that there were six children, all born in New York:&nbsp;<strong>George Holley</strong>&nbsp;(1800-1883), Benjamin Holley (1802-1860+), William Holley (1803-1850+), Charles Holley (1805-1857), Rebecca H. Norberg (1809-1880+), and Nicholas Holley (1810-1860+).&nbsp; Their mother, Rebecca Holley (1783-1860+), was born at New York.&nbsp; Their father was a native of Rhode Island, and appears to have died before 1850.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">George L. Holley made his livelihood as carpenter and probate judge.&nbsp; In July 1859, he married Jane Elizabeth Rand, an English lady.&nbsp; Married Sarah M. Bounds in July 1877??</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">New Orleans Summer Resort</span></span></h1>\r\n<h1>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Affluent people of New Orleans used Biloxi and over villages of the Mississippi Gulf Coast as summer retreats.&nbsp; Escaped the heat and Yellow Fe</strong>ver.&nbsp; In 1893, George Dunbar, F.T. Howard, H.T. Howard, E. Bell, L. Valle, J. Vandorf, August Bohne, J.B. Blakemore, and Judge Tisso were among the wealthy Crescent City gentlemen maintaining elegant summer homes at Biloxi.(T.H. Glenn, 1893, p. 59)</span></span></h1>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Joseph Kuhn</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In August 1865, Joseph Kuhn bought about 125 acres in the Dorsette Richard Claim from George Holley for $1000.(HARCO, Ms. Land Deed Bk. 4, pp. 578-581) &nbsp;Does not appear to be &ldquo;Live Oak&rdquo;.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Joseph Kuhn (1819-1903) was a native of Budapest, Hungary.&nbsp; He arrived in America in 1840, and Biloxi, Mississippi in 1864.&nbsp; At Harrison County, in October 1868, he married Sarah Drake (1839-1921), a native of Ohio.&nbsp; Their children were: Christian Kuhn (1871-pre 1900); Elizabeth Kuhn (1873-1929); Sophia Kuhn (1875-1927+) m. Ulysses Desporte (1861-1927); Rosa Kuhn (1878-1942) m. A. J. Bourdon (1873-1912) and May Adele Kuhn (1881-1930).&nbsp; Kuhn made his livelihood as a lumber merchant.&nbsp; At the time of his demise, the Kuhn family resided on the corner of Holley Street and Beach Boulevard.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In February 1878, Joseph Kuhn conveyed to his wife, Sarah Kuhn, all of his real property in Harrison County, Mississippi, for $2000.&nbsp; Kuhn stated that&nbsp;<strong>&ldquo;he owed no debts to anyone and further the transfer of his property to Sarah Kuhn was not for the purpose of defrauding anyone but to secure to her a support in case of his death&rdquo;.&nbsp;</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Included in this transaction was a piece of property described as follows: a lot having a front, four hundred feet on the front bay of Biloxi, running back due North between two parallel lines to the back Bay of Biloxi bounded West by a street and on the East by estate of Toledano.(HARCO, Ms. Land Deed Bk. 16, pp.47-48)</span></span></p>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Edward Langevin</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In April 1888, Joseph Kuhn and Sarah Kuhn conveyed to&nbsp;<strong>Edward Langevin</strong>&nbsp;of St. Paul, Minnesota for $4,000 a parcel of land described as: bounded on the south by the Gulf of Mexico or pass between Deer Island and the main shore; east by Toledano Estate; north by Langevin Street; and west by Kuhn Street.&nbsp; The lot measured 432 feet on the Gulf and 321 feet north-south.&nbsp; The terms of the sale were $1000 cash and $3000 to be paid on April18, 1891, with 6% interest per annum.(HARCO, Ms. Land Deed Bk. 23, p. 75)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In April 1888, Edward Langevin also acquired Lots 1 and 2 of the Samuel Friedlander Estate from W.I. Hodgson, an auctioneer at New Orleans, for $2375.(3)&nbsp; The conveyance included the brick residence, outbuildings, and dependencies.&nbsp; Lot 1 had 85 feet on the Gulf, 281 feet on Magnolia, 81 feet with Lot 2, and 281 feet (east).(3)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In November 1891, Eleanor Langevin of St. Paul, Minnesota, the widow of Edward Langevin, conveyed Lots 1 and 2 of the Friedlander Estate to Frederick William Elmer for $2700.(4)&nbsp; Her daughters, Mary Michand and Emma Flanagan, and their husbands, Achille Michand and Thomas J. Flanagan, signed the warranty deed.&nbsp; Charles and Mary E. Michand of St. Paul gave Elmer a quitclaim deed on the property in April 1892.(5)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">On January 19, 1892, Joseph Kuhn and Sarah Kuhn acknowledged that the Langevin mortgage of $3045 on a parcel of land known as &ldquo;The Oaks&rdquo; had been paid.(HARCO, Ms. Land Deed Bk. 27, pp. 310-311)</span></span></p>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">George H. Dunbar</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In December 1891, the Heirs of Edward Langevin, Mary Michaud, Achille Michaud, Emma Flanagan, Thomas J. Flanagan, and Eleanor Langevin, conveyed their Beach front lot to&nbsp;<strong>George H. Dunbar</strong>&nbsp;for $5500. (HARCO, Ms. Land Deed Bk. 27, pp. 308-309).&nbsp; Same description as above.&nbsp; Emma Flanagan signed at Quebec, Canada.&nbsp; Mary Michaud wife of Charles Michaud, Achille Michaud, T.J. Flanagan, and Eleanora Langevin signed at Ramsay County, Minnesota.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">George H. Dunbar (1844-1917) was born at New Orleans, the son of George W. Dunbar (1816-1878) of Bridgewater, Massachusetts, and Charlotte Z. Hacker (1822-1910).&nbsp; Siblings:&nbsp; He was educated at Georgetown University and almost immediately after graduation, he enlisted in the Confederate States of America Army and served as an aide-de-camp on the staff of General Buisson.&nbsp; Post-Bellum, Dunbar returned to his native New Orleans and entered business.(<em>The Daily Herald, October 19, 1917, p. 1)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">G.H. Dunbar was married three times.&nbsp; His final spouse was Susan Foucher.&nbsp; Children: F. Foucher Dunbar; George W. Dunbar (Guinnes, Havana, Cuba); Mrs. Stephen Voorhies (5527 Prytania, NOLA); Mrs. Alcee J. Gelpi (124 S. Cortez, NOLA; and Mrs. Auguste Capdeville (2453 Esplanande, NOLA).&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mrs. Foucher Dunbar was the daughter of E.C. Fenner.&nbsp; Lived on Lee Street.<em>(The Daily Herald, April 19, 1912, p. 8)</em></span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Inventor</strong></span></span></p>\r\n<h1>\r\n	&nbsp;</h1>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Public Life</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Buried St. Louis No. 3.</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Lopez, Dunbar&rsquo;s Sons &amp; Co.</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Lopez, Dunbar&rsquo;s Sons &amp; Company was commenced in 1884, when Lazaro Lopez (1850-1903) and W.K.M. Dukate (1852-1916) resigned from the Biloxi Canning Company.&nbsp; The Biloxi Canning Company was located in Section 27, T7S-R9W, in the city of Biloxi, Mississippi on the Back Bay of Biloxi, at the head of Reynoir Street.&nbsp; It was originally called The Lopez, Elmer and Company.&nbsp; This company was organized in 1881, with a capital stock of $8,000 by Lazaro Lopez, F. William Elmer (1847-1926), W.K.M. Dukate, William Gorenflo (1844-1932), and James Maycock (1826-1892).(1)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Lopez, Dunbar&rsquo;s &amp; Sons was situated on East Beach in Biloxi.&nbsp; In 1895, it was the second largest oyster canning plant in the United States.&nbsp; The factory utilized the Norton Brothers machinery to pack its shrimp with the patented muslin bag insuring a good product.&nbsp; Its shrimp were marketed under the &ldquo;Dunbar Standard&rdquo;, &ldquo;Deer head&rdquo;, &ldquo;Lion Head&rdquo;, and &ldquo;Pelicans&rdquo; labels.</span></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(see&nbsp;<em>The Biloxi Herald</em>, &ldquo;Biloxi Chief Industry&rdquo;, September 12, 1892, p. 4)</span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Lot Division</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In February 1892, the Dunbars had the families residing on their East Beach tract vacate their quarters.&nbsp; Immediate demolition was ordered for all buildings on their scenic home site.(<em>The Biloxi Herald, February 6, 1892, p. 4)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">On March 31, 1892, George H. Dunbar divided&nbsp; &ldquo;The Oaks&rdquo; lot into two equal parts, which he conveyed to his wife, Susie Foucher Dunbar (1858-1920) and brother, Francis B. &ldquo;Frank&rdquo; Dunbar (ca 1848-1908).&nbsp; Mrs. George H. Dunbar received the east half and Francis B. Dunbar, the west half.&nbsp; The dimensions of each lot were 217 feet by 417 feet.&nbsp; Francis B. Dunbar paid his brother $2250 while his spouse paid only $1.(HARCO, Ms. Land Deed Bk. 27, pp. 444-445)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;Immediately thereafter on the same day, Francis B. Dunbar conveyed his western lot to his wife, Anna Therese Tourne&rsquo; Dunbar (1845-1919), for $1.(HARCO, Ms. Land Deed Bk. 27, pp.445-446)</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Two Homes</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In late September 1892, the Dunbar brothers contracted with Charles Dudley, an architect and builder, formerly of Jackson, Mississippi, but now established in Biloxi, to erect two homes.&nbsp; Their completed cost was approximated at $11,000.(<em>The Biloxi Herald, September 28, 1892, p. 4)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Cost of building materials in Biloxi at this time: rough lumber-$7-$10 per thousand board feet at the sawmill; dressed lumber-$8-$17 per thousand board feet; brick-$8-$12 per thousand; cypress shingles-$2-$3&nbsp;&nbsp; 75 per thousand.(<em>The Biloxi Herald, April 29, 1893, p. 8)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Francis B. Dunbar resided at 2326 Esplanade Avenue in New Orleans.&nbsp; Two sons, F.B. Dunbar and James V. Dunbar (622 Canal Commercial Bank &amp; Bldg.); and a daughter, Mrs. Emile Christ (705 Calhoun, NOLA).&nbsp; Expired in New Orleans at his home.&nbsp; Head of Dunbar Cannery interests at the time.(<em>The Biloxi Daily Herald, January 31, 1908, p. 1)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Mr. and Mrs. Francis Dunbar and Miss Alice Dunbar of New Orleans are now occupying their summer residence here.(<em>The Biloxi Herald, June 10, 1893, p. 8)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;In late June, the family left Biloxi for Chicago where they planned to remain for several weeks.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">(<em>The Biloxi Herald, July 1, 1893, p. 8)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Mrs. Dunbar expired in May 1919, at New Orleans.&nbsp; She resided at No. 3 Everett Place at the time.(<em>The Daily Herald, May 31, 1919, p. 3)</em></span></span></p>\r\n<p class=\"rtecenter\">\r\n	___________________________________________________________________________________</p>\r\n<p class=\"rtecenter\">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; font-weight: bold;\">West Half of &ldquo;Live Oak&rdquo;</span></p>\r\n<div style=\"text-align: center;\">\r\n	<strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Ora Nelms Logan</span></strong></div>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In February 1914, Anna T. Tourne&rsquo; Dunbar of New Orleans, the widow of Francis B. Dunbar, conveyed her home and lot in Biloxi to Ora Nelmes Logan for $8000.&nbsp; $6500 was financed for three years at 6% interest by Mrs. Logan.&nbsp; Included in the sale were all buildings and improvements, a &frac12; interest in an artesian water well and all furniture and personal property contained in the house, except boats and some family portraits.&nbsp; Mrs. Logan was required to carry insurance of not less than $6000 on the buildings.(HARCO, Ms. Land Deed Bk. 107, pp. 91-92)&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In mid-February 1914,&nbsp;<em>The Daily Herald&nbsp;</em>announced that Miss Jessie A. Smyly&rsquo;s agency had arranged the sale from Mrs. Dunbar to G.W. Logan of New Orleans.&nbsp; Her home was lauded as&nbsp;<strong><em>&ldquo;one of the most beautiful and attractive homes in Biloxi or anywhere on the Coast&rdquo;</em></strong><em>.(The Daily Herald, February 12, 1914, p. 1)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Lien cancelled by Mrs. Anna Tourne&rsquo; Dunbar on May 3, 1915.(HARCO, Ms. Land Deed Bk. 111, pp. 405-406)</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<h5 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Mary Byrne McGee, et al</span></span></h5>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In May 1915, Ora Nelms Logan, the spouse of George W. Logan of New Orleans, sold to Mary Byrne McGhee, Addison F. McGee Jr. and Marie Jones McGee, wife of Addison F. McGee Jr. of Laurel, Mississippi, for $8000, the W/2 of &ldquo;The Oaks&rdquo;.&nbsp; The sale included all buildings and improvements, a &frac12; interest in an artesian water well, all furniture and personal property in the house, except all religious pictures, a large quantity of galvanized roofing material, pulleys and ropes, and the gas machine.&nbsp; Financed and had to carry $6000 of insurance on the buildings.(HARCO, Ms. Land Deed Bk. 111, pp.407-408)</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Ora Nelms Logan</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In February and March 1916, Mary Byrne McGee of Laurel, Marie Jones McGee, wife of Addison F. McGee, and a resident of Jacksonville, Duval County, Florida, and Addison F. McGee of West Point, Troup County, Georgia, defaulted on their promissory notes and returned their property to Ora Nelms Logan of New Orleans.(HARCO, Ms. Land Deed Bk. 115, pp.71-74)</span></span></p>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Lucinda Stamps Farrar</span></span></h1>\r\n<p class=\"rtecenter\">\r\n	<strong><span style=\"font-family: georgia, serif;\">909 East Beach Drive</span></strong></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In April 1917, Ora Nelms Logan of Hancock County, Mississippi conveyed to&nbsp;<strong>Lucinda Davis Stamps Farrar</strong>&nbsp;(1857-1946) of New Orleans for $7750.&nbsp; Included all buildings and improvements, &frac12; interest in artesian water well, all furniture and fixtures in and personal property in buildings, bathhouse, pier, and riparian rights.&nbsp; At this time, the former Frank Dunbar home was described as having fourteen rooms and a large beautiful lawn.&nbsp; The Jessie A. Smyly real estate agency handled the transaction.<em>(The Daily Herald, April 9, 1917, p. 4 and&nbsp;</em>HARCO, Ms. Land Deed Bk. 118, p.430)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Lucinda S. Farrar was the wife of&nbsp;<strong>Judge Edgar Howard Farrar</strong>&nbsp;(1849-1922).&nbsp; He was born in Concordia Parish, Louisiana, the son of Thomas Prince Farrar and Anna Mary Girault.&nbsp; Young Farrar was educated at the University of Louisiana and in 1871, received his Masters degree from the University of Virginia.&nbsp; He married Lucinda Davis Stamps at New Orleans in June 1878. &nbsp;Lucinda was the daughter of Captain Issac Davis Stamps and Mary Humphreys. &nbsp;Their children were:&nbsp;<strong>Edgar Howard Farrar Jr</strong>. (1879-1911) m. May Clara Spearing;&nbsp;<strong>Mary Humphreys Farrar&nbsp;</strong>(1881-1969) m. Dr. Joseph Goldberger (1875-1929);&nbsp;</span></span><span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Lucinda Farrar&nbsp;</strong></span></span><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(1881-1910);&nbsp;</span><span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Anna Girault Farrar</strong>&nbsp;(1882-1970) m. Richard F. Goldsborough (b. 1871);&nbsp;</span></span><span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Edith Barnes Farrar</strong>&nbsp;(1884-1959);<strong>&nbsp;Mildred Maury Farrar</strong>&nbsp;(1887-1967);&nbsp;</span></span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Jane Kempe Farrar&nbsp;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(1889-1982) m. Ralph Bouligny Wood (1884-1967);&nbsp;</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Issac Davis&nbsp;Stamps Farrar,</strong><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;called Stamps</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;(1894-1950) m. Maude Tobin White, the daughter of Albert Sidney Johnson White (1866-1934) and Ellen Tobin;&nbsp;</span><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">and&nbsp;<strong>Thomas Prince Farrar</strong>&nbsp;(1901-1951) m. Beatrice Howard (1886-1933+).</span><em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(The Daily Herald, January 7, 1922, p. 1</em><em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;</em><em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">and 1900 Orleans Parish, Louisiana Federal Census T623_574, p. 11A, ED 102)</em></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Although Judge Farrar and family had a residence at New Orleans, they planned to stay at Biloxi for sometime, especially the summer season.<em>(The Daily Herald, April 9, 1917, p. 4)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-size: 14px;\"><span style=\"font-family: \'times new roman\', times, serif;\">Lucinda Stamps Farrar expired at 909 East Beach on November &nbsp;1946. &nbsp;Her funeral service was held at the Church of the Redeemer with the Reverend E.A. DeMiller attending. &nbsp;Mrs. Farrar&#39;s corporal remains were sent to NOLA for burial in the Metairie Cemetery.<em>(The Daily Herald, November 13, 1946, p. 5)</em></span></span></p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>FARRAR CHILDREN</strong></span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>Edgar Howard Farrar Jr.</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Edgar H. Farrar Jr. (1879-1911) like his father was a New Orleans attorney.&nbsp; He also matriculated to the University of Virginia.&nbsp; Young Farrar was shot to death by two thieves in early November on the corner of Peniston and Magnolia Streets in the Crescent City.&nbsp; He was the nephew of Mrs. E.M.D. Anderson of 210 West Water Street in Biloxi.(<em>The Daily Herald, November 2, 1911, p. 8 and November 3, 1911, p 8.)</em></span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>Stamps Farrar</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Stamps Farrar was an attorney with his father&rsquo;s law firm.</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>Anna F. Goldsborough</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Anna Girault Farrar (1882-1970) married Richard F. Goldsborough (b. 1871), a Maryland native and New York attorney, on January 31, 1904 at NOLA. She was living at Biloxi in 1922.&nbsp; In May 1930, she and her daughter,&nbsp;<strong>Ellen Goldsborough</strong>, were at Biloxi were involved in interior decoration as their wall panels were sent to a new country club at Birmingham, Alabama.&nbsp; Anna had a son,&nbsp;<strong>Frances Goldsborough</strong>, who graduated from Biloxi High School and went to New York to work a branch of the Hibernia Bank situated in NYC.&nbsp; He was appointed assistant manger of the bank in May 1930.<em>(The Daily Herald, May 27, 1930, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Anna Farrar Goldsborough passed on December 1970.</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>Mary F. Goldberger</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Living in Washington in 1922.</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>Mildred M. Farrar</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Mildred Maury Faurer (1887-1967) was a native of New Orleans.&nbsp; She resided at 909 East Beach in Biloxi since 1927.&nbsp; She was an Episcopalian and interred in the Metairie Cemetery.(<em>The Daily Herald, February 2, 1967, p. 2)</em></span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>Jane K. Farrar Wood</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Jane Kempe Farrar (1889-1982) married Ralph Bouligny Wood (1884-1967) of New Orleans at the Church of the Redeemer in Biloxi, on September 12, 1916.&nbsp; The young couple honeymooned at Asheville, North Carolina, before traveling to their home in Cuba, where Mr. Wood was employed with the Cuban-American Sugar Company.(<em>The Daily Herald, September 13, 1916, p. 3)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In retirement, the Wood family lived in the Hermann House at 523 East Beach in Biloxi.&nbsp; Ralph B. Wood retired as the executive vice president of the Cuban American Sugar Company.&nbsp; A daughter, Mrs. James Pringle of Long Beach.&nbsp; Both interred at the Southern Memorial Park Cemetery in Biloxi.(<em>The Daily Herald, October 26, 1967, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Jane died on May 12, 1982.&nbsp; A daughter, Mrs. Leo Seal.</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span class=\"Apple-style-span\" style=\"font-size: 14px;\"><strong>Thomas P. Farrar</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Thomas Prince Farrar (1901-1951) was born at New Orleans and practiced architect there.&nbsp; He lived at Biloxi where he did scenic painting and costume designs.&nbsp; In June 1933, he married Beatrice Howard (1886-1933+), formerly Mrs. Robert C. Ocher, of New York. &nbsp;Mr. Farrar relocated to New York City and worked in theatre design until his death there in June 1951. &nbsp;His corporal remains were interred in the Metairie Cemetery at NOLA.(The Daily Herald, June 1, 1933, p. 2 and The Times Picayune, June 12, 1951, p. 3)</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span class=\"Apple-style-span\" style=\"font-size: 14px;\"><strong>Edith B. Farrar</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Edith Barnes Farrar lived at Chicago in 1922.</span></span></p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>West Half-Lot A (Harvey House)</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In June 1924, Lucinda Stamps Farrar subdivided her W/2 lot into three lots, which were designated as Lot A, Lot B, and Lot C.&nbsp; The three lots were surveyed by J.D. Ferguson in July 1923.&nbsp; Mrs. Farrar conveyed Lot A to George E. Williams of New Orleans for $14,000.&nbsp; Right of ingress-egress granted as an easement across the south end of Lot B, but not to be carried when Williams sells Lot A.(HARCO, Ms. Land Deed Bk. 141, pp. 585-587)</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>George E. Williams</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">George Elliot Williams (1886-1944+) married Adele Monroe (1889-1944+) in Orleans Parish, Louisiana on June 7, 1911.(Orleans Parish Marriage Record Bk. Volume 33, p. 320)&nbsp; In December 1929, George Elliot Williams (1886-1944+) of NOLA to Adele Monroe Williams (1889-1944+) of New Orleans, Lot A, for $14,000.&nbsp; Included all household fixtures and furniture located in the dwelling house.(HARCO, Ms. Land Deed Bk. 184, pp.246-247)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In August 1944, George E. Williams and Adele Monroe Williams to Sam Mitchell and Mae Pringle Mitchell for $15,000.&nbsp; Royse R. Aiken had an unrecorded lease dated September 16, 1943.&nbsp; A notice was sent to Aiken to cancel his lease.(HARCO, Ms. Land Deed Bk. 267, p. 288)</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Sam Mitchell</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In July 1944, Sam Mitchell (1903-1984), native of Hancock County, Mississippi, entered into an agreement with Louis H. Harvey, Mrs. Louis H. Harvey and Miss Irma E. Harvey.&nbsp; The Harvey&rsquo;s owned a lot on the northwest corner of Beach Boulevard and Fayard Street. Mitchell agreed to buy the G.E. Williams lot and then trade it for the Harvey property and also give $5000 to the Harveys.&nbsp; It was also agreed that in the event that the houses on each lot were destroyed by fire or damaged to make them unfit for habitation, before the contract was consummated, the contract would be voided. &nbsp;&nbsp;</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Sam Mitchell owned &ldquo;The Bungalow&rdquo; on West Beach Boulevard.</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(HARCO, Ms. Land Deed Bk. 266, pp. 126-129)&nbsp; Sold in August 1944.(Bk. 267, pp. 303-304) &nbsp;</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In August 1944, Sam Mitchell conveyed Lot A to Irma E. Harvey and Louis W. Harvey.(HARCO, Ms. Land Deed Bk. 267, pp. 301-302).</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Louis W. Harvey</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Louis Wachenfeld Harvey (1904-1970) was the son of Louis H. Harvey (1874-1913) and Christina Wachenfeld (1872-1931).&nbsp; He married Mary L. Barnes (1910-1999) of Handsboro, Mississippi.&nbsp; Children: Louis W. Harvey (1934-1996), Philip I. Harvey (b. 1941), and Kenneth Karl Harvey (1951-1990).(<em>The Sun Herald, November 14, 1999, p. A-11)</em></span></span></p>\r\n<p class=\"rtecenter\">\r\n	<strong><span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">ROW</span></span></strong></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In September 1954, ROW easement granted to Mississippi State Highway Commission by Louis H. Harvey.(Bk. 387, pp. 390-391).</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&nbsp;</span></p>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">West Half-Lot B (909 East Beach)</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In January 1943, Lucinda Davis Stamps Farrar drafted her will.&nbsp; In this instrument she devised and bequeathed to her daughters, Edith Barnes Farrar of Chicago, Illinois, and Mildred Maury Farrar (1887-1967) of Biloxi, Mississippi, her home situated on the corner of Kuhn and Beach Street at Biloxi, Mississippi, for the period of their natural lives.&nbsp; Mrs. Farrar included all furniture, fixtures, and contents of her house.&nbsp; She excepted from this donation all appurtenances that had been designated for other family members.&nbsp; In addition, her spinster daughters were provided an annual income from a trust fund created from cash, stocks, and bonds owned by their mother.&nbsp; A.S. Gorenflo was the trustee.&nbsp; After her daughters demise, her remaining assets to be divided by her living heirs.(HARCO, Ms. Chancery Court Will Bk. 9, pp. 241-243)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The other heirs at law of Lucinda Davis Stamps Farrar were: Mary Farrar Goldberger, Anna Farrar Goldberger, Jane Farrar Wood, Thomas Prince Farrar, Issac D.S. Farrar Jr. and Maud Ellen Farrer.(HARCO, Ms. Chancery Court Cause No. 53,890, Mrs. Jane Farrar Wood v. The Unknown Heirs of Edgar Howard Farrar and Lucinda Davis Stamps-May 1967).</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Lucinda Davis Stamps Farrar died on November 22, 1946.&nbsp; She lived at BiloxI, but was a legal resident of Louisiana.&nbsp; Mildred M. Farrar resided in her home at 909 East Beach until her death on February 8, 1967.&nbsp; She was a native of New Orleans and had lived at Biloxi since 1927.&nbsp; Funeral services at the Episcopal Church of the Redeemer.&nbsp; Her remains interred in the Metairie Cemetery.(<em>The Daily Herald, February 8, 1967, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">After Miss Mildred M. Farrar&rsquo;s demise, her home became the property of her mother&rsquo;s living heirs.&nbsp; These were determined by the probate court to be: Anna Farrar Goldsborough, a daughter; Jane Farrar Wood, a daughter; Edgar Howard Farrar III, only child of a son now dead; Dr. Joseph Goldberger, Mrs. Mary G. Sharp, and Mr. Benjamin Goldberger,&nbsp;<strong>children of Mildred Maury Farrar</strong>; Miss Maud Ellen Farrar and Mr. Stamps Farrar II.&nbsp;&nbsp; (HARCO, Ms. Chancery Court Cause No. 53,890-May 1967-Mrs. Jane Farrar Wood v. The Unknown Heirs of Edgar Howard Farrar and Lucinda Davis Stamps-May 1967).</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Fifteen shares of stock in the Borgnemouth Realty Company, a Louisiana Corporation.(Bk. 589, pp. 152-154)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In March 1968, Mrs. Ralph (Jane) B. Wood (Harrison Co., Ms.), Mrs. Richard Goldsborough (Wayne Co, NY), Edgar H. Farrar III (Bell Co. Texas), Stamps Farrar II (San Francisco Co., Calf.), Maud Ellen Farrer (Orleans, Parish, La.), B.H. Goldberger (District of Columbia), Joseph H. Goldberger (Canadian Co., Oklahoma), Mrs. Michael Warnock (Bonneville Co. Idaho), and Bruce Sharp, Robert Sharp, and Donald Sharp, all of Orleans Parish, Louisiana conveyed to&nbsp;<strong>Wilda Lopez Bowring</strong>, the following: &nbsp;</span></span><span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong><em>That certain lot or parcel of land situated on the northeast corner of East Beach Boulevard and Kuhn Street having a frontage on the Gulf of Mexico of 84 feet and extending back in a northerly direction for a distance of 230 feet, more or less, being bounded on the South by the Gulf of Mexico, East by the property of Williams now of Harvey, North by the property of Bowring, west by Kuhn Street in the City of Biloxi.</em></strong></span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(HARCO, Ms. Land Deed Bk. 610, pp. 340-344)</span></p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>West Half-Lot C-909A East Beach</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In August 1924,&nbsp;<strong>Lucinda Stamps Farrar</strong>, the widow of Edgar H. Farrar, a resident of Hancock County, Mississippi sold Lot C to&nbsp;<strong>Stamps Farrar</strong>, her son.(HARCO, Ms. Land Deed Bk. 142, pp. 484-485)</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Stamps Farrar</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In October 1938, Stamps Farrar opened his home for the weekend of the Laurence Moore Barkley and Malcolm Tullis wedding, which was held at the Church of the Redeemer.&nbsp; Their guests for the Barkley-Tullis nuptials were Mrs. Farrar&rsquo;s mother, Mrs. Albert Sidney White, and Ellene White, her sister.&nbsp; Mrs. Lillian Lewis and Hampden Lewis also of New Orleans stayed at the Farrar summer home on East Beach.<em>(The Daily Herald,</em></span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><em>October 9, 1938, p. 3)</em></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Lucille Gillis Minor</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In May 1947, Stamps Farrar to&nbsp;<strong>Lucille G. Minor</strong>&nbsp;for $6000.(HARCO, Ms. Land Deed Bk. 298, pp. 338-339)&nbsp; Lucille Gillis Minor (1889-1954) was born in New Orleans, Louisiana on March 6, 1889, the daughter of Alfred Barr Gillis and Lucille Bohn (living in 1956).&nbsp; She married&nbsp;<strong>John Duncan Minor</strong>&nbsp;(1876-1937), a native of Southdown Plantation, Terrebonne Parish, Louisiana.&nbsp; They were the parents of&nbsp;<strong>Lucille M. Minor</strong>, the spouse of Hastings Mortimer, and&nbsp;<strong>Joan Minor</strong>&nbsp;(1915-1956).&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">John D. Minor was the son of Henry C. Minor (d. 1898) of Houma and Anna Louise Butler, the daughter of Judge Thomas Butler of West Feliciana Parish.&nbsp; Both families were Southern aristocratic.&nbsp; His grandfather, William J. Minor (d. 1869), was the founder of Southdown Plantation near Houma, Louisiana.&nbsp; His sister was Mrs. David Pipes Jr., of Southdown.&nbsp; Young J.D. Minor attended Tulane University where he was a member of the Alpha Tau Omega social fraternity.&nbsp; He returned immediately to manage the business operations at Southdown upon the passing of his father in 1898.&nbsp; Mr. Minor retired from the sugar business in 1912. (<em>The Daily Herald, August 9, 1937, p. 8)</em></span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Southdown Plantation</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">It would be remiss without providing some chronology of the&nbsp;Southdown Plantation situated at Houma, Louisiana.&nbsp; Here in the 1820s, on a former Spanish land grant, William J. Minor, the son of Stephen Minor, a resident of the Natchez District and friend of Manuel Luis Gayoso de Lemos, who administered the government of Spanish Louisiana from 1797-1799, began to cultivate indigo.&nbsp; By 1830, he was growing sugarcane and by 1846, a sugar mill had been erected at Southdown.&nbsp; In 1859, a one-story Greek Revival, brick edifice was erected for the Minor family.&nbsp; After W.J. Minor&rsquo;s demise in 1869, his seven children inherited Southdown.&nbsp; Soon, Henry C. Minor and sister, Katherine Lintot Minor, acquired the interest of their siblings and ran the plantation for many years.&nbsp; In 1893, a second floor and round turrets were integrated into the former Greek Revival building metamorphosing the structure to the Queen Anne architectural style.&nbsp; After Miss Kate L. Minor passed in 1923, the sugarcane plantation survived until the 1930s, when it was sold to commercial entities.&nbsp; In the 1970s through the efforts of Esther B. McCollam of Ellendale Plantation and the Terrebonne Parish Historical &amp; Cultural Society, Southdown was placed on the National Register of Historic Places.&nbsp; In July 1975, Valhi Inc., the corporate owner, donated Southdown, its servant&rsquo;s outbuildings and about 5 acres to the local historical society.&nbsp; The former Minor plantation was open for public touring in 1986 and today remains an integral part of the history of Houma and Terrebonne Parish, Louisiana.<em>(Antiques Gazette, June 1993, p. 7)</em>&nbsp;&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In August 1915, John Duncan Minor acquired for $5500 from Oscar G. Keller, Lot 3, being share No. 3, in the partition of the Estate of John H. Keller at Biloxi, Mississippi.(HARCO, Ms. Land Deed Bk. 112, pp. 346-347)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Here at 543 East Beach, eighty-feet west of Lee Street, the Minor family made their home until August 1930, when Mr. and Mrs. Minor sold their estate to Winifred C. Green for $9900.(HARCO, Ms. Land Deed Bk. 187, p. 166)&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">John D. Minor&rsquo;s aunt, Katherine Lintot Minor (1849-1923), the daughter of Captain William J. Minor and Rebecca Ann Gustine , passed at New Orleans, in late 1923.&nbsp; She resided at Houma, Louisiana, but was prominent in the ladies auxiliary at the Touro Infirmary in the Crescent City.(<em>The Daily Herald, December 4, 1923, p. 3)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">John Duncan Minor expired at his home at 3211 Prytania Street where he had resided since 1932.&nbsp; He had been active in the social circles of the Crescent City in regards the Mardi Gras and its carnival organizations.&nbsp; Minor&rsquo;s corporal remains were interred in the Magnolia Cemetery at Houma, Louisiana.(<em>The Daily Herald, August 9, 1937, p. 8)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Lucille G. Minor passed on June 25, 1954 at her home at 909A East Beach in Biloxi.&nbsp; Her daughter, Joan Desmond Minor resided here until she became ill in</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Mrs. Lucille Minor Mortimer</strong>&nbsp;inherited.&nbsp; In 1925, she was living at Biloxi and attending school in the North.&nbsp; Visited Mr. and Mrs. Edward Caffery, her relatives, at Havana, Cuba in the summer of 1925.(<em>The Daily Herald, August 27, 1925, p. 3)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In late August 1928.&nbsp;<strong>Miss Joan Minor</strong>&nbsp;returned to Biloxi after a two-month stay at Camp Allegheny in West Virginia.&nbsp; Guests at the Minor home compliments of Miss Lucille Minor were: Miss Maud Werner, Hastings Mortimer, Miss Mildred Brown, and John Stafford all of NOLA.<em>(The Daily Herald, September 1, 1928, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">&nbsp;In December 1956, Lucille G. Minor Mortimer conveyed to&nbsp;<strong>Lynden Bowring</strong>&nbsp;(1980) for $6000.(HARCO, Ms. Land Deed Bk. 416, p. 343)&nbsp; Title cleared in November 1961, when Lucille G. Mortimer&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ?&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (HARCO, Ms. Land Deed Bk. 487, pp. 491-492)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Sister, Joan Minor expired in Louisiana on May 29, 1956.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Lynden Bowring also owned the East Half of the &ldquo;Live Oak&rdquo;, which he had acquired in July 1946, from the Sporl family of New Orleans.</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">East Half of &ldquo;Live Oak&rdquo; Lot</span></span></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">In July 1917, Mrs. George H. Dunbar of New Orleans to Edwin B. Johnson for $1 cash in hand.(HARCO, Ms. Land Deed Bk. 119, pp. 310-311)</span></h1>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span class=\"Apple-style-span\" style=\"font-size: 14px;\">Edwin B. Johnson</span></span></h1>\r\n<h1 class=\"rtejustify\">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; font-weight: normal;\"><strong>Edwin B. Johnson</strong>&nbsp;(1862-1930+) was born in Mississippi during the Civil War. &nbsp;Circa 1889, he married&nbsp;<strong>Martha Moss</strong>&nbsp;(1864-1930+), a Tennessee native. &nbsp;Their only child was born before 1900, but did not survive. &nbsp;In 1900, the Johnsons were domiciled at Clarksdale, Coahoma Co., Mississippi where he was a merchant.(1900 Coahoma Co., Mississippi Federal Census T623_805, p. 11A, ED 25) &nbsp;</span></h1>\r\n<h1 class=\"rtecenter\">\r\n	<span class=\"Apple-style-span\" style=\"font-size: 12px; font-weight: normal;\"><span style=\"font-size: 14px;\"><span style=\"font-family: \'times new roman\', times, serif;\">In December 1924, &nbsp;<strong>E.B. Johnson and Mattie Moss Johnson&nbsp;</strong></span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>sold</strong></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;their</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;residence at</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>941 East Beach</strong></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">to</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>Cora Stanton Jahncke</strong>(1885-1970),<strong>&nbsp;the wife&nbsp;</strong>of<strong>&nbsp;Ernest Lee Jahncke</strong>&nbsp;(1877-1960)<strong>&nbsp;of NOLA</strong>, for $15,000. &nbsp;The Johnson family planned to return t<strong>o their home at&nbsp;</strong>Clarksdale, Mississippi. &nbsp;The Johnsons lived here for some time and always had the welfare and civic improvement at heart. &nbsp;Mr. Jahnke will use the home as a summer residence. &nbsp;</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">When the Jahnckes bought the house, they borrowed the money from Cyprian A. Sporl. &nbsp;By 1930, the Johnsons were domicled on John Street living in their own home valued at $10,000. &nbsp;Mr. Johnson&#39;s occupation was &#39;rental property collector&#39;. &nbsp;No further information.</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(The Daily Herald, December 18, 1924, p. 3,&nbsp;</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">HARCO, Ms. Land Deed Bk. 143, p. 412 and 1930 Coahoma Co., Mississippi Federal Census R1142, p. 9A, ED 13)</span></span></h1>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\"><strong>Commodore&nbsp;</strong></span><span class=\"Apple-style-span\" style=\"font-size: 14px; font-weight: bold;\">Ernest Lee&nbsp;</span><span class=\"Apple-style-span\" style=\"font-size: 14px;\"><strong>Jahncke</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Commodore Ernest L. Jahncke was a native of New Orleans.&nbsp; He was a speedboat driver-racer and owner of the several fast watercraft<em>.&nbsp;&nbsp;</em>At the 13<sup>th</sup>&nbsp;Annual Regatta of the Biloxi Yacht Club held in July 1912, Captain Jahncke introduced the&nbsp;<strong><em>Humpty Dumpty</em></strong>, a most unusual hydroplaning vessel.&nbsp; In outline, she appeared to be the integration of a boat and rocking chair.&nbsp;&nbsp;<strong><em>Humpty Dumpty</em></strong>&nbsp;was constructed of mahogany and finished with a high luster varnish.&nbsp; On the water, she had a top speed approaching thirty miles per hour.&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Much interest had developed at the July regatta, as there were innuendos that the&nbsp;<strong><em>Bella L.</em></strong>, the very fast motorboat of Julius M. Lopez (1886-1958) would meet in a match race.(<em>The Daily Herald, July 12, 1912, p. 1)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Unfortunately neither Captains Jahncke nor Lopez could agree on a racing rules format&nbsp;for a match race in Biloxi at the July summer regatta.&nbsp; No future contest was planned.(<em>The Daily Herald, July 12, 1912, p. 1)</em></span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">July 1916 Storm</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Following his actions during and post July 1916 tempest, Comodore Ernest Lee Jahncke of the Southern Yacht Club, was dubbed &ldquo;the hero of the recent storm&rdquo;.&nbsp; He spent $2000 of his own finances in assisting Biloxians by taking mail to New Orleans on the&nbsp;<strong><em>Clarabelle, as</em></strong>&nbsp;the train and telegraph were inoperative.&nbsp; Commodore Jahncke sent a tug boat to the Coast to take vessels to deep water and tow the pile driver working at the Biloxi Yacht Club to safety, as well as assist boats during and after the hurricane.(<em>The Daily Herald, July 10, 1916, p. 2)</em></span></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">In early August 1919, Captain Jahncke moored the</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>&nbsp;<em>Aunt Dinah</em></strong></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, his expansive houseboat, at Biloxi with his spouse and family aboard.&nbsp; As usual, the Jahnckes planned to spend some vacation time in Biloxi.&nbsp; In May 1923,&nbsp;</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><em>The Daily Herald&nbsp;</em></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">related that&nbsp;</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong><em>&ldquo;this boat has been coming to Biloxi for the summer season for a number of years and its presence adds much to the pleasure of the summer colony of visitors who come to spend the season.</em></strong></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><em>(The Daily Herald, August 4, 1919, p. 4 and The Daily Herald, May 28, 1923, p. 3)</em></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">While a resident of Biloxi, Jahncke built an eye-catching fence on the south elevation.&nbsp; The fence was replicated from that of an old English estate of renown.&nbsp; The fence pillars were constructed of brick.<em>(The Daily Herald, November 5, 1964)</em></span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span class=\"Apple-style-span\" style=\"font-size: 14px; font-weight: bold;\">Adele Townsend Jahncke</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In 1926, the Jahncke&rsquo;s daughter, Adele Townsend Jahncke (1909-1993), was a student at Sophie Newcomb College in New Orleans.&nbsp; She was captain of the freshman basketball team and was considered one of the best competitive sailors along the Gulf Coast. After graduating from Newcomb, Adelle made her debut at New Orleans and Washington D.C.&nbsp; In 1933, Miss Jahncke married Charles W. Dotson (1898-1974), an attorney at Farmer City, Illinois.&nbsp; He was a graduate of the University of Illinois.&nbsp; One son?, Charles W. Dotson Jr. (1936-1998).(<em>The Daily Herald, December 10, 1926, p. 4 and October 13, 1933, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In May 1928, Lee Jahncke was lauded for the fine improvements made to his East Beach home.<em>(The Daily Herald, May 24, 1928, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Captain Ernest Lee Jahncke defaulted on his mortgage payment to Sporl and in December 1932, Hanun Gardner, trustee, sold the Jahncke home to Cyprian A. Sporl for $6500.(HARCO, Ms. Land Deed Bk. 196, pp. 342-343)</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; font-weight: bold;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Cyprian A. Sporl</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Purchased by Cyprian A. Sporl (1880-1936) on December 10, 1932, from Hanun Gardner, Trustee, for $6500.(HARCO, Ms. Land Deed Bk. 196, pp. 342-343)&nbsp; C.A. &ldquo;Many&rdquo; Sporl was the son of Cyprian A. Sporl and Louise Soule (d. August 1930) of New Orleans and Bay St. Louis.&nbsp; He had two brothers, Edward F. Sproul (18-1956+) and Walter Sproul, and four sisters, Alice Sproul (1956+)l, Elsie Sproul (1956+), Hilda Sproul, and Laura Sporl&nbsp; Killeen (d. March 1956), the spouse of Joseph L. Kileen (.(<em>The Daily Herald, August 28, 1930, p. 5&nbsp; and The Daily Herald, March 6, 1956, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">At New Orleans, Many Sproul resided at 6550 Oakland Drive with his wife, Adrienne de Lappe, and children, Harold D. Sporl and Cyprian A. Sporl II (1905-1999).&nbsp; He was a member of the Southern Yacht Club and owned a fifty-five foot motor vessel,&nbsp;<strong><em>Wendy.&nbsp;&nbsp;</em></strong>In early July 1913, Sporl participated in the nearly three hundred mile, New Orleans to Pensacola motor boat race.&nbsp; His watercraft was propelled by a 40 hp Murray &amp; Tregurtha engine.<em>(The Daily Herald, July 3, 1913, p. 4)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-size: 14px;\"><span style=\"font-family: \'times new roman\', times, serif;\">Cyprian A. Sporl II (1905-1999) donated&nbsp;<em><strong>Cocheco</strong></em>, his $30,000, 76-foot disel yacht, to the USCG in April 1941. He also enlisted in the USCG at this time. &nbsp;The&nbsp;<strong><em>Cocheco</em></strong>&nbsp;was to be used for patrol duty.<em>(The Daily Herald, April 21, 1941, p. 5)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In September 1936, the Sporl property was adjudicated by the Harrison County Chancery Court to Adrienne de Lappe Sporl, C.A. Sporl II, and H.D. Sporl.(HARCO, Ms. Land Deed Bk. 212, p. 253)</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">WWII</span></span></h1>\r\n<h1>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; font-weight: normal;\">During WWII, the Sporl family of NOLA allowed their home to be used by the Women&rsquo;s U.S.O. for a small rental.<em>(The Daily Herald, November 5, 1964)</em></span></h1>\r\n<p align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><font class=\"Apple-style-span\" size=\"4\"><span class=\"Apple-style-span\" style=\"font-size: 14px;\"><img alt=\"\" src=\"http://biloxihistoricalsociety.org/sites/default/files/u4/lynden%20bowring.jpg\" style=\"width: 200px; height: 300px;\" /></span></font></span></p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Lynden Bowring</strong>&nbsp;(1889-1980)</span></span></p>\r\n<h1 align=\"center\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">&ldquo;LYNOAKS&rdquo;-Lynden Bowring</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In July 1946, for $30,000 the Sporl family conveyed their Biloxi home to&nbsp;<strong>Lynden Bowring</strong>.(HARCO, Ms. Land Deed Bk. 288, pp. 517-518)&nbsp; Mr. Bowring called his mansion,<strong><em>Lynoaks</em></strong>.&nbsp; In later years, lived on 1<sup>st</sup>&nbsp;floor and rented the 2<sup>nd</sup>&nbsp;and 3<sup>rd</sup>&nbsp;floors.(Clara L. D&rsquo;Aquilla, October 23, 2000)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Lynden Bowring</strong>&nbsp;(1889-1980) was born in Los Angeles, California.&nbsp; Made his livelihood as an attorney and rumored to have made money in the movies business in Hollywood.&nbsp; Described as a loner and eccentric.(Bache Whitlock, October 19, 2000)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">During his life, Bowring was married three times.&nbsp; He had two children with his first wife, but they as well as his spouse, preceded him in death.&nbsp; His second nuptial ended in divorce.&nbsp; Lynden married Wilda Lopez (1899-1977), the daughter of Lazro Lopez II (1877-1918) and Eurilda Seal (1879-1966).&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Miss Wilda Lopez was the valedictorian of the 1915 Class of Biloxi High School and delivered an appropriate speech to her nine classmates and audience.&nbsp; She went on to study at Randolph Macon College at Lynchburg, Virginia.&nbsp; Wilda&rsquo;s other siblings were: Clara Lopez Tarr Froede (1902-1936), Beverly Lopez Berggren (1904-1991), Florian Seal Lopez (1911-1957), John Beverly Lopez (1915-1970).<em>(The Daily Herald, May 29, 1915, p. 1)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Prior to her marriage to Lynden Bowring, Wilda Lopez had married Dr. James Edward Wallace (1877-1942) in the Roman Catholic Church at Biloxi, Mississippi on January 9, 1920.(HARCO, Ms. MRB 31, p. 493)&nbsp; Dr. Wallace was a native of Natchitoches, Louisiana.&nbsp; He came to Biloxi in 1914, and was affiliated with Dr. Hyman M. Folkes (1871-1926), the husband of Teresa Lopez (1873-1951).&nbsp; Mrs. Folkes was Wilda&rsquo;s aunt.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Bowring affiliated with C.T. Bowring and Co. Ltd. of London, England, a shipping firm. &nbsp;Owned a one-half interest in the Carlton Apartments on Union Drive in Los Angeles.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Owned the&nbsp;<strong><em>Rum Runner</em></strong>, a large motor yacht (65 feet in length) and a relict of the Prohibition era.&nbsp; Moored in front of the East Beach home.&nbsp; Built boat house and slip for it in Ocean Springs.&nbsp; Boat never utilized, but full-time employee maintained the craft.(Bache Whitlock, October 19, 2000)</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Ocean Springs</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In August 1969, Hurricane Camille destroyed the Bowrings&rsquo; Biloxi home.&nbsp; In 1970?, The Bowrings relocated to Ocean Springs.&nbsp; Bruce Duckett remember Mr. Bowring as an elderly gentleman approcahing him to buy his home on Helmers Lane.&nbsp; Lynden wanted a site on the Inner harbor at Ocean Springs for the&nbsp;<strong><em>Wilda B (</em></strong><em>aka<strong>&nbsp;Rum Runner)</strong></em>.&nbsp; He convinced ? a golfer to relocate to Gulf Hills and bought his home and land at 207 General Pershing Avenue.(Bruce Duckett, October 10, 2000)&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In July 1970, Wilda Lopez Bowring acquired from Lester B. Larson and Jennie C. Larson the following property in Ocean Springs.&nbsp; Their residence address was 207 General Pershing Avenue.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Commencing at the southwest corner of Hellmers Lane and General Pershing Avenue: Go south 92.5 feet to the POB.&nbsp; Thence south 331.5 feet along the west margin of General Pershing Avenue to the waters edge of the OS small craft harbor, thence N 70 degrees 20&rsquo; W 200 feet along the waters edge of the small craft harbor to the fence line dividing the Larson and Howell property; thence N 19 degrees 20&rsquo;E 257 feet along an old fence line; thence S84 degrees 20&rsquo;E 128 feet along an old fence line to the point of beginning.&nbsp; Said land lying in Section 37, T7S-R8W.</strong></span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(JXCO, Ms. Land Deed Bk. 381, pp. 587-588)</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">In May 1971, Mrs. Bowring acquired from Earl W. Paul and Ilsedore Paul, the following: &nbsp;</span><span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Commencing at the southwest corner of Hellmers Lane and General Pershing Avenue: Go south 92.5 feet; thence N84 degrees 20&rsquo;W 128 feet along a wire fence; thence north 66.3 feet along a wire fence to the south margin of Hellmers Lane; thence N84 degreesE127 feet along the south margin of Hellmers Lane to the POB.</strong></span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(JXCO, Ms. Land Deed Bk. 401, pp.338-339)</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Their residence address was 207 General Pershing Avenue.&nbsp; There was a rental house on one of the lots. &nbsp;</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">House fire caused by lightening destroyed most of their home September 13, 1977.&nbsp; Mr. Bowring was led out of the burning house by Alice Duckett.&nbsp; Mrs. Wilda L. Bowring suffered burns and smoke inhalation and died in late October as a result of injuries from the conflagration.&nbsp; She was a member of the Colonial Dames, Daughters of the American Revolution, Les Masques carnival club, and the Biloxi Yacht Club.&nbsp; Member of St. Alphonsus Catholic Church.&nbsp; Buried at the Biloxi Cemetery.(<em>The Ocean Springs Record, September 15, 1977, pp. 1-2 and The Daily Herald, October 27, 1977, p. A-2)</em></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Mrs. Wilda Bowring left an estate valued at approximately $300,000.&nbsp; Her principal beneficiaries were: Patricia T. Leavitt of Ocean Springs, Mississippi, Barbara T. Kroningen of Downers Grove, Illinois, (JXCO, Ms. Chancery Court Cause No. 33566)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In June 1978, Lynden Bowring, executor of the Estate of Wilda Lopez Bowring, sold to Charles E. Carr and Joy R. Carr, the two parcels above.(JXCO, Ms. Land Deed Bk. 621, p. 501).&nbsp; In 1996, Dr. William Pontius built a large home, &ldquo;Lattiude&rdquo;, at Hellmers Lane on the former site of Bowring&rsquo;s boathouse.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">When Lynden Bowring expired on April 8, 1980, he was living at his apartment house at 414 East Howard Avenue in Biloxi.&nbsp; He willed his real estate at 900 East Beach Biloxi to&nbsp;<strong>Beverly Lopez Berggren</strong>, his sister-in-law, and&nbsp;<strong>Patricia Tarr Leavitt</strong>, his niece-in-law.(HARCO, Ms. 2<sup>nd</sup>&nbsp;JD Chancery Court Cause No. 9853)</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<h5 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Cause No. 9853-Estate of Lynden Bowring-1980</span></span></h5>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Patricia Tarr Leavitt, executrix of Lynden Bowing&#39;s estate. Bowring was married three times. His first wife died and he divorced his second spouse. Two children born of first marriage, but children died.&nbsp; Wife preceded him in death.&nbsp; No children.&nbsp; Left property at 900 East Beach Biloxi to Beverly Lopez Berggren, his sister-in-law, and Patricia Tarr Leavitt, his niece-in-law.&nbsp; Mr. Bowring was affiliated with C.T. Bowring and Co. Ltd. of London, England.&nbsp; He owned a one-half interest in the Carlton Apartments on Union Drive in Los Angeles.&nbsp; Lynden Bowring died on April 8, 1980.</span></span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: georgia, serif;\"><span style=\"font-size: 14px;\">Berggren-Leavitt</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Beverly Lopez Berggren</strong>&nbsp;(1904-1991), called Bee and Lillie, was the daughter of Lazaro Lopez II and Eurilda Seal.&nbsp; She was educated at the Sacred Heart Academy and Mississippi Southern College.&nbsp; Miss Lopez married Captain Oscar E. Berggren (1893-1964).&nbsp; No children.&nbsp; They resided on Suter Street at Biloxi.&nbsp; She was a charter member of Les Masques carnival club.&nbsp; Passed on at Biloxi on October 26, 1991.(<em>The Sun Herald, October 29, 1991)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Captain Oscar E. Berggren was a native of Fjallbacka, Sweden.&nbsp; He made his livelihood on the sea.&nbsp; During his forty-six year naval career, Captain Berggren had worked for the Waterman and Morgan steamship lines.&nbsp; During WWII, he sailed on merchant vessels from Canada to Europe facing the relentless pursuit of German U-Boats.&nbsp; He was fortunate as on several occasions, his ship had close encounters with German torpedoes.&nbsp; Captain Berggren was a member of the Masters, Mates, and Pilots Association.(<em>The Daily Herald, January 6, 1964, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Mrs. Beverly Lopez Berggren legated her interest in Live Oak to Patricia T. Leavitt.&nbsp; Clara Lopez Campbell D&rsquo;Aquilla (b. 1936) was her executrix.&nbsp; Mrs. D&rsquo;Aquilla was legated Mrs. Berggren&rsquo;s home at 1092 West Beach Blvd. in Biloxi.(HARCO, Ms. 2<sup>nd</sup>&nbsp;JD Chancery Court Cause No. P-2077B)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Patricia Tarr Leavitt</strong>&nbsp;(b. 1919) was the daughter of Leslie R. Tarr (1897-1972) and Clara Lopez (1902-1936).&nbsp; Leslie R. Tarr met Miss Lopez during WWI, when he was a sailor posted at the Gulfport Naval Station.&nbsp; They eloped and were married at Ocean Springs, Mississippi on December 8, 1918, by Judge O.D. Davidson (1872-1938).&nbsp; Mr. Tarr resided at Glendale, California where he was employed as a newspaperman in Los Angeles.&nbsp; Miss Lopez was a student at Newcomb College in New Orleans, at the time of her nuptials.&nbsp; (<em>The Daily Herald September 6, 1919, p. 4 and&nbsp;</em>JXCO, Ms. MRB 11, p. 573)&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Tarrs had another daughter,&nbsp;<strong>Barbara Tarr Kroninger</strong>&nbsp;(1921-1983), who was born at Biloxi, Mississippi on February 15, 1921.&nbsp; Her mother had come here from California for a visit with her family and Barbara was born here.<em>&nbsp;&nbsp;</em>Barbara Tarr was a stewardess for Delta Airlines and during WWII had been a Navy nurse. &nbsp;She married Lt. (j.g.) Nolan Kroninger, USN, a native of Cowden, Illinois, on September 26, 1946. &nbsp;He was aboard the<u><strong><em>&nbsp;USS Lexington</em></strong></u>&nbsp;when it was sunk by Japanese aircraf in 1942. &nbsp;The Kronigers eventually settled at Downers Grove, Illinois.(<em>The Daily Herald,</em></span></span><em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;February 18, 1921, p. 3,</em><em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;October 7, 1946, p. 6</em><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;and Clara L. D&rsquo;Aquilla, October 23, 2000)</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Clara L. Tarr divorced Leslie R. Tarr in California.&nbsp; He was a resident of Santa Barbara, California in 1941, and passed on at Newport Beach, California in July 1972.&nbsp; Clara then married Paul O. Froede (1896-1968) in New York on May 28, 1929.&nbsp; Mr. Froede was a native of Brooklyn and had been a regular visitor to Biloxi.&nbsp; The newly weds planned a six-weeks honeymoon trip through New England and Canada before returning to Biloxi.(<em>The Daily Herald, June 5, 1929, p. 2)</em></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Patricia Jeanne Tarr married&nbsp;<strong>Clyde M. Leavitt</strong>&nbsp;(b. 1910), a naval architect, from Syracuse, New York.&nbsp; He was the son of Clyde Leavitt and Patricia McGowen.&nbsp; Miss Tarr was a student at the University of Mississippi when they met.&nbsp; Mr. Leavitt was employed at Ingalls Shipbuilding Corporation in Pascagoula at the time.&nbsp; They married in Jackson County, Mississippi on June 7, 1941.&nbsp; Two daughters were born from this union.(Clara L. D&rsquo; Aquilla and JXCO, Ms. MRB 33, p. 550)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In April 1974, the Leavitts bought Lots 1 and 2 of Block 50 Gulf Hills on 13901 Puerto Drive from W.H. Mecom Jr.(JXCO, Ms. Land Deed Bk. 495, p. 549)&nbsp; Sold Gulf Hills home in November 1994 to Phillip L. Severson Jr.&nbsp; The Leavitts moved to Las Cruces, New Mexico, where they reside presently.(JXCO, Ms. Land Deed Bk. 1053, p. 156)&nbsp; Mrs. Leavitt suffered a stroke recently and is recovering.(Claire L. D&rsquo;Aquilla, October 18, 2000)</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Phillip D. Ward</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In March 1984, Mary L. Harvey sold her lot to Phillip D. Ward.(Bk. 142, p. 585)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In March 1984, Bergrren-Leavitt sold their lot to Phillip D. Ward.(Bk. 142, p. 587)</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Robert E. Hebert</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In April 1987, Robert E. Hebert took a Deed of Trust from Phillip D. Ward on the property.&nbsp; He defaulted on his payments to Hebert.&nbsp; In April 1988, James B. Person, Substitute Trustee, sold the lot to Hebert.(Bk. 200, pp. 68-69)</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">When Hebert defaulted on his performance, conditions, and provisions of his deed of trust with Harvey and Leavitt-Bergreen, Larry C. Corban Jr., Trustee, sold on July 3, 1989, to Mary L. Harvey for $83,656.14.(Bk. 211, pp. 208-210)&nbsp; Corban sold the other lot to Berggren-Leavitt for $153,537.75.(Bk. 211, pp. 212-214)</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Mrs. Berggren Dies</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">When Mrs. Beverly Lopez Berggren passed, she legated her interest in Live Oak to Patricia T. Leavitt.&nbsp; Mrs. Berggren was known as Bee and Lillie.&nbsp; Clara Lopez Campbell D&rsquo;Aquilla (b. 1936) was her executrix.&nbsp; Mrs. D&rsquo;Aquilla was legated Mrs. Berggren&rsquo;s home at 1092 West Beach Blvd. in Biloxi. .(HARCO, Ms. 2<sup>nd</sup>&nbsp;JD Chancery Court Cause No. P-2077B-March 1993)</span></span></p>\r\n<p class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>Frederick J. Burmont</strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">In March 1993, for $5000, Patricia T. Leavitt and Mary L. Harvey (1910-1999) sold an option to purchase the site to Frederick J. Burmont in March 1993.&nbsp; If option selected, the selling price would be $800,000.(HARCO, Ms. 2<sup>nd</sup>&nbsp;JD, Land Deed Bk. 53, p. 417)</span></span></p>\r\n<p>\r\n	<span style=\"font-size: 14px; font-family: \'times new roman\', times, serif;\">In October 1993, Patricia T. Leavitt and Mary L. Harvey sold &ldquo;Live Oak&rdquo; to the Oak Place Development Company, a Mississippi corporation.(HARCO, Ms. 2</span><sup style=\"font-family: \'times new roman\', times, serif;\">nd</sup><span style=\"font-size: 14px; font-family: \'times new roman\', times, serif;\">&nbsp;JD, Land Deed Bk. 262, pp. 84-85)</span><span style=\"font-size: 14px; font-family: \'times new roman\', times, serif;\">&nbsp; &nbsp;&nbsp;</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Oak Place Development Company led by Frederick J. Burmont and headquartered at Daytona Beach, Florida.&nbsp; In May 1994, the stockholders voted to sell their Biloxi land to Ronald W. Blacklidge for $1,700,000.&nbsp; Sold in June 1994, to Blacklidge with Oaks at Tullis, Inc. of Gulfport.(HARCO, Ms. 2<sup>nd</sup>&nbsp;JD Land Deed Bk. 271, pp.421-434)</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<h1 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Oaks at Tullis</span></span></h1>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Oaks at Tullis, Inc. to City of Biloxi, Mississippi.(HARCO, Ms. 2<sup>nd</sup>&nbsp;JD Land Deed Bk. 358, pp. 78-86)</span></span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong>REFERENCES:</strong></span></span></p>\r\n<h6 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Chancery Court Causes</span></span></h6>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Harrison County, Mississippi Chancery Court Cause No. 14868,&nbsp;<strong>&ldquo;Ex Parte: Mrs. Adrienne De Lappe Sporl, et al&rdquo;</strong>, September 1936.</span></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Harrison County, Mississippi Chancery Court Cause No. 24,334,&nbsp;<strong>&ldquo;The Estate of Lucinda Davis Stamps&rdquo;</strong>, December 1946.(Will Book 9, pp. 241-243)</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Harrison County, Mississippi Chancery Court Cause No. 37,904,&nbsp;<strong>&ldquo;The Estate of Joan Minor&rdquo;</strong>, October 1961.</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Harrison County, Mississippi Chancery Court Cause No. 53,890,&nbsp;<strong>&ldquo;Mrs. Jane Farrar Wood v. The Unknown Heirs of Edgar Howard Farrar and Lucinda Davis Stamps&rdquo;</strong>, May 1967.</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Harrison County, Mississippi Chancery Court 2<sup>nd</sup>&nbsp;Judicial District, Cause No. 9853,&nbsp;<strong>&ldquo;The Estate of Lynden Bowring,&nbsp;</strong>1980.</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Harrison County, Mississippi Chancery Court 2<sup>nd</sup>&nbsp;Judicial District Cause No. P-2077B,&nbsp;<strong>The Estate of Beverly Lopez Berggren&rdquo;</strong>, March 1993.</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Mississippi State Highway Commission v. Mildred Farrar, Mrs. Ralph B. Wood, Edith Barnes Farrar, Mrs. Joseph Goldsberger, Mrs. Richard F. Goldsborough, Maude Ellen Farrar, Stamps Farrar, and Edward H. Farrar.&nbsp;&nbsp;<u>Cause No. 12,936,</u>&nbsp;(HARCO, Ms. Land Deed Bk. 399, pp. 44-45)</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong><u>Cause No. 27,220 Clara M. Campbell</u></strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Jackson County, Mississippi Chancery Court Cause No. 33,566,&nbsp;<strong>&ldquo;The Estate of Wilda Lopez Bowring&rdquo;</strong>, January 1979.</span></p>\r\n<p align=\"center\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong><em><u>Books</u></em></strong></span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><strong><u>American State Papers</u></strong>, Volume III, Public Lands (1815-1824), (The Southern Historical Press, Inc.: Greenville, South Carolina-1994)</span></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Nap L. Cassibry II,&nbsp;<strong><u>Early Settlers and Land Grants At Biloxi</u></strong>, Volume 1 and Volume II, Special Issue No. 5, (Mississippi Coast Historical &amp; Genealogical Society: Biloxi, Mississippi-1986).</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; font-weight: bold;\">Charles H. Dyer,&nbsp;<strong>Along The Gulf</strong>, (Women of the Trinity Episcopal Church: Pass Christian, Mississippi-1971)</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">T.H. Glenn,&nbsp;<strong><u>The Mexican Gulf Coast Illustrated</u></strong>, (Graham &amp; Delchamps: Mobile, Alabama-1893)</span></p>\r\n<p class=\"rtecenter\">\r\n	&nbsp;</p>\r\n<p class=\"rtecenter\">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; font-weight: bold;\">Magazines</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Antiques Gazette,&nbsp;<strong>&ldquo;Southdown Plantation Now Historic House and Museum&rdquo;</strong>, June 1993.</span></span></p>\r\n<h6 class=\"rtecenter\">\r\n	&nbsp;</h6>\r\n<h6 class=\"rtecenter\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Journals</span></span></h6>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Herald,&nbsp;</em><strong>&ldquo;Local Happenings&rdquo;</strong>, February 6, 1892.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Herald,&nbsp;</em><strong>&ldquo;Biloxi Chief Industry&rdquo;</strong>, September 12, 1892.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Herald,&nbsp;</em><strong>&ldquo;Local Happenings&rdquo;</strong>, September 28, 1892.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Herald,&nbsp;</em><strong>&ldquo;Local Happenings&rdquo;</strong>, April 29, 1893.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Herald,&nbsp;</em><strong>&ldquo;Local Happenings&rdquo;,&nbsp;</strong>June 10, 1893.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Herald,&nbsp;</em><strong>&ldquo;Local Happenings&rdquo;,&nbsp;</strong>July 1, 1893.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>&ldquo;Kuhn-Desporte&rdquo;</strong>, May 1, 1903, p 5.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>&ldquo;Joseph Kuhn&rdquo;</strong>, November 25, 1903.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>&ldquo;Necrology-Frank Dunbar&rdquo;</strong>, January 31, 1908.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>&ldquo;Kuhn-Bourdon&rdquo;</strong>, December 20, 1909, p. 8.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;New Orleans Man Killed by Robbers&rdquo;</strong>, November 2, 1911.</span></span></p>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Biloxi News&rdquo;</strong>, November 3, 1911.</span></span></h2>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>Humpty Dumpty, Speed Marvel, Is Sensation of Biloxi Motor Races&rdquo;</strong>, July 13, 1912, p. 1.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Will Be No Race Between Speeders&rdquo;</strong>, July 12, 1912.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Speed Boats Off on Long Cruise&rdquo;</strong>, July 3, 1913.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Dunbar Property on East Beach Has Been Sold to New Orleanian&rdquo;</strong>, February 12, 1914.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Thieves Ransack The Dunbar Home&rdquo;</strong>, June 22, 1914.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Ten graduates are given diplomas at closing exercises&rdquo;</strong>, May 29, 1915.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Jahncke is hero of recent &ldquo;Blow&rdquo;</strong>, July, 10, 1916.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Wood-Farrar&rdquo;</strong>, September 12, 1916.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Wood-Farrar&rdquo;</strong>, September 13, 1916.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Judge Farrar To Come To Biloxi&rdquo;</strong>, April 9, 1917.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Geo. H. Dunbar Dies In New Orleans&rdquo;</strong>, October 19, 1917.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Prominent Man Dies In New Orleans&rdquo;</strong>, October 24, 1918.</span></span></p>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,<strong>&nbsp;&ldquo;Mrs. Frank Dunbar Dead&rdquo;</strong>, May 31, 1919.</span></span></h2>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Ernest Lee Jancke Here&rdquo;</strong>, August 4, 1919.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Girl of Southern Noted Family Joins Husband in Los Angeles&rdquo;</strong>, September 6, 1919.</span></span></p>\r\n<p>\r\n	<em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Daily Herald,&nbsp;</em><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&ldquo;Mrs. Dunbar Dead&rdquo;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, February 9, 1920, August 27, 1925.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,</em><strong>&nbsp;&ldquo;Biloxi News Paragraphs&rdquo;</strong>, February 18, 1921.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Prominent Biloxian (Sarah Kuhn) Dead&rdquo;</strong>, April 26, 1921.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Daily Herald,&nbsp;</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&ldquo;Death Claims Prominent Biloxi Resident in Judge E.H. Farrar&rdquo;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, January 7, 1922.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Farrar Remains Buried&rdquo;</strong>, January 9, 1922.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Edgar H. Farrar&rdquo;</strong>, January 9, 1922.</span></span></p>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Miss Kate Minor Dead&rdquo;</strong>, December 4, 1923.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Aunt Dinah in Local Port&rdquo;</strong>, May 28, 1923.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Biloxi News</strong>&nbsp;(Lucille Minor)<strong>&rdquo;</strong>, August 27, 1925</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Miss Jahncke Captain&rdquo;</strong>, December 10, 1926.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Improving Williams Home&rdquo;</strong>, May 24, 1928.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Biloxi News&rdquo;</strong>, September 1, 1928.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Elizabeth Kuhn Dies&rdquo;</strong>, June 17, 1929, p. 2.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Froede-Tarr Nuptials&rdquo;</strong>, June 5, 1929.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Goldsborough Bank Head&rdquo;</strong>, May 27, 1930.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Mrs. C.A. Sporl Dies&rdquo;</strong>, August 28, 1930.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;May Adele Kuhn Dies&rdquo;</strong>, December 3, 1930, p. 2.</span></span></h2>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Farrar-Howard&rdquo;</strong>, June 1, 1933.</span></span></h2>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Miss Jahncke To Marry&rdquo;</strong>, October 13, 1933.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;C.A. Sporl Dies&rdquo;</strong>, January 27, 1936.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Attend Sporl Funeral&rdquo;</strong>, January 29, 1936.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;C.A. Sporl Dies&rdquo;</strong>, January 31, 1936.</span></span></p>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Mrs. Paul Froede Dies&rdquo;</strong>, September 24, 1936.</span></span></h2>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;John Duncan Minor Dies&rdquo;</strong>, August 9, 1937.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Barkley-Tullis Wedding&rdquo;</strong>, October 9, 1938.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><em>The Daily Herald</em>,&nbsp;</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&quot;Sporl gives yacht to Coast Guard&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, April 21, 1941.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Dr. James Wallace World War Captain Dies at Biloxi&rdquo;</strong>, October 28, 1942.</span></span></p>\r\n<p>\r\n	<em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Daily Herald,&nbsp;</em><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&ldquo;Kroninger-Tarr&rdquo;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, October 7, 1946.</span></p>\r\n<p>\r\n	<em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Daily Herald,&nbsp;</em><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&ldquo;Mrs. Farrar dies: Burial in New Orleans&rdquo;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, November 13, 1946.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Mrs. Laura Sporl Kileen&rdquo;</strong>, March 6, 1956.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Know Your Coast&rdquo;</strong>, &ldquo;The Biloxi House With The English Fence&rdquo;, 1956.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Mrs. Joan Minor&rdquo;</strong>, May 29, 1956.</span></span></p>\r\n<h2>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">The Daily Herald,&nbsp;<strong>&ldquo;Minor Rites&rdquo;</strong>, May 31, 1956.</span></span></h2>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Capt. Berggren Taken By Death&rdquo;</strong>, January 6. 1964.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Know Your Coast&rdquo;</strong>,&nbsp;<strong><em>&ldquo;The Biloxi House With The English Fence&rdquo;</em></strong><em>,&nbsp;</em>November 5, 1964.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Miss Mildred Farrar&rdquo;</strong>, February 8, 1967.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;R.B. Wood&rdquo;,&nbsp;</strong>October 26, 1967.</span></span></p>\r\n<p>\r\n	<em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Daily Herald,</em><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&ldquo;Widow&nbsp;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">[Mary H. Farrar]&nbsp;</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">of Dr. Goldberger dies in Biloxi home&quot;</strong><em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">,&nbsp;</em><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">September 12, 1969.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Louis W. Harvey&rdquo;</strong>, January 20, 1970.</span></span></p>\r\n<p>\r\n	<em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Daily Herald,&nbsp;</em><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&ldquo;Mrs. Wilda Lopez Bowring&rdquo;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, October 27, 1977.</span></p>\r\n<h5 align=\"left\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Ocean Springs Record,&nbsp;</em>&ldquo;Saved From Fire&rdquo;, September 15, 1977.</span></span></h5>\r\n<h5 align=\"left\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em>&ldquo;Mrs. Beverly Berggren&rdquo;, October 29, 1991.</span></span></h5>\r\n<h5 align=\"left\">\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\"><em>The Sun Herald,&nbsp;</em>&ldquo;Mary L. Harvey&rdquo;,&nbsp;November 14, 1999.</span></span></h5>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Married</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;[Anna G. Farrar and Richard F. Goldsborough]<strong>&quot;</strong>, January 1, 1905.</span></p>\r\n<div>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Miss Lucy Farrar&#39;s brilliant career ends sadly in Paris&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, October 28, 1910.</span></div>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Dr. Goldberger pellagra&#39;s foe dies for science&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, January 18, 1929.</span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>&quot;Jahncke named to special duty with Navy here</strong></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>&quot;</strong></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, May 19, 1941.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Mrs. Farrar, 89 expires at Biloxi&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, November 213, 1946.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Stamps Farrar last rites held&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, May 4, 1950.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Stamps Farrar&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, May 5, 1950.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Thomas P. Farrar dies in New York&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, June 12, 1951.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Deaths&nbsp;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">[Edith Barnes Farrar]</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, February 21, 1959.</span></p>\r\n<p>\r\n	<span style=\"font-size: 14px;\"><span style=\"font-family: \'times new roman\', times, serif;\">The Times-Picayune,&nbsp;<strong>&quot;</strong>[Ernest Lee]<strong>&nbsp;Jahncke rites planned today&quot;</strong>, November 17, 1960.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;&quot;Mrs. Jahncke rites planned&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, March 20, 1970.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,&nbsp;</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&quot;Deaths&nbsp;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">[Anna Farrar Goldsborough]</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, December 12, 1970.</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Times-Picayune,&nbsp;</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">[Anna Farrar Goldsborough]</span><strong style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;Ex-cartoonist&#39;s rites are held&quot;</strong><span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">, February 2, 1971.</span></p>\r\n<p>\r\n	&nbsp;</p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>Personal Communication:</strong></span></p>\r\n<p>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">A. Bruce Duckett-telephone conversation on October 10, 2000, at Ocean Springs, Mississippi</span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Bache Whitlock-telephone conversation on October 19, 2000, at Ocean Springs, Mississippi.&nbsp;</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Clara L. D&rsquo;Aquilla-telephone conversation on October 18, 2000 at Biloxi, Mississippi.</span></span></p>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Clara L. D&rsquo;Aquilla-interview at 1092 Beach Blvd. on October 23, 2000, at Biloxi, Ms.</span></span></p>\r\n<h5>\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">Cause No. 9853-Estate of Lynden Bowring-1980</span></h5>\r\n<p>\r\n	<span style=\"font-family: \'times new roman\', times, serif;\"><span style=\"font-size: 14px;\">Patricia Tarr Leavitt, executrix of his estate. Married three times. First wife died, divorced second. Two children born of first marriage, but children died.&nbsp; Wife preceded him in death.&nbsp; No children.&nbsp; Left property at 900 East Beach Biloxi to Beverly Lopez Berggren, his sister-in-law, and Patricia Tarr Leavitt, his niece-in-law.&nbsp; Bowring affiliated with C.T. Bowring and Co. Ltd. of London, England.&nbsp; Owned a one-half interest in the Carlton Apartments on Union Drive in Los Angeles.&nbsp; Bowring died April 8, 1980.</span></span></p>\r\n', NULL, '2');
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('book', 0, 74, 77, 'en', 0, '<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<img alt=\"\" src=\"/sites/default/files/u4/jalanivich portrait.jpg\" style=\"width: 186px; height: 350px; \" /></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-size: 14px; \"><strong><span style=\"font-family:times new roman,times,serif;\"><span style=\"font-size:16px;\">MANUEL EUGENE JALANIVICH</span></span> (1898-1944)</strong></span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; \">[Courtesy of Gertrude Jalanivich Medlock]</span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:16px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong><em>Chronology</em></strong></span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1897-</strong>Born on June 24<sup>th</sup>, at Biloxi, Mississippi, son of Luca Jalanivich (1866-1902) and Manuella Morranna (1859-1929).</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1902-&nbsp;</strong>Luca Jalanivich expired at Biloxi on August 20, 1902, from heat prostration.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1905-</strong>Mrs. Manuella M. Jalanivich married Francisco Mueso (1860-1940), a Spanish immigrant, at Biloxi on November 18<sup>th</sup>.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1903-1914-</strong>Manuel E. Jalanivich studied art in the Biloxi public school system with Miss Mary Ethel Dismukes (1870-1952).&nbsp; She had training in oils and watercolor with J.H. Twatchman (1853-1902) and&nbsp;Kenyon Cox (1856-1919) of New York City, among others.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1910?-1912?-</strong>Studied pottery with George E. Ohr (1857-1918), &ldquo;The Mad Potter&rdquo; of Biloxi.&nbsp;</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1915-</strong>Operated his own pottery booth on Howard Avenue next to Keller&#39;s Barbershop.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1917?-</strong>Studied at the Niloak Pottery in Benton, Arkansas.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1918-1919-</strong>Enlisted in the US Navy at New Orleans, Louisiana on March 28, 1918. Stationed at&nbsp;Newport, Rhode Island.&nbsp; Discharged here on March 12, 1919, with the rating of Seaman 2<sup>nd</sup>&nbsp;Class.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1919-1921?&nbsp;</strong>Durant Kilns to study with Leon Volkmar (1879-1959) at the Bedford Village Pottery, Westchester County, New York City.&nbsp; Here he met his life long companion, Ingvardt Olsen (1888-1959), a 1908 Danish immigrant from Copenhagen who had been trained as a technician at the Royal Danish Copenhagen Chinese Kilns.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1921?</strong>-Jalanivich and Olsen went to Central America and worked in Panama for awhile.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1922</strong>-Moved to San Francisco.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\" style=\"line-height: 28px; \">1925- Taught a short pottery course at the National Academy of Design in Honolulu,&nbsp;Hawaii. &nbsp;&nbsp;</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1927</strong>-Jalanivich showed several pieces of his California pottery at the 1<sup>st</sup>&nbsp;Gulf Coast Art Association Exhibit held at the Biloxi Public Library in February.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1929-</strong>Jalanivich&rsquo;s mother expired in July on Lameuse Street at Biloxi, Mississippi.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1937-1939</strong>-Taught at the California School of Fine Arts, San Francisco, now the San Francisco Art Institute.&nbsp; Jalanivich instructed his students primarily</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1938-</strong>&nbsp;Jalanivich-Olsen commenced a ceramics school for women in the San Francisco Bay area.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1939</strong>-Jalanivich and Olsen works, a bowl and table pieces on loan from the S.G. Gump Company of San Francisco, displayed at the San Francisco Golden Gate International Exposition.&nbsp; Closed San Francisco studio and moved to Belmont, California.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1940</strong>-Moved to Belmont, California and built a home in rural setting at 901 Holly Road.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1942-1943</strong>&nbsp;Jalanivich and Olsen taught art and pottery to recovering wounded American veterans of the South Pacific theatre at the Letterman Hospital in Presidio at San Francisco.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong>1944-</strong>Expired at Belmont, San Mateo County, California on June 15, 1944.&nbsp; Buried at Woodlawn Memorial Park in Colma, California.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	&nbsp;</p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><font class=\"Apple-style-span\"><span class=\"Apple-style-span\"><img alt=\"\" src=\"/sites/default/files/u4/jalanivich bust-2002_small.jpg\" style=\"border-style: initial; border-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; width: 600px; height: 328px; \" /></span></font></span></span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Jalanivich bust</strong></span></span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">(courtesy of Maxine McGraw Palmer.&nbsp; Image by Mary Himel Wichmann-2002)</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	&nbsp;</p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>MANUEL E. JALANIVICH (1897-1944):</strong>&nbsp;Biloxi&rsquo;s Bootblack Potter</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Manuel Eugene Jalanivich who was born at Biloxi, Mississippi on June 24, 1897, the son of&nbsp;<em>Luca Gevenilovich, Genovish, Givulinovich</em>&nbsp;or&nbsp;<em>Giovulnovich&nbsp;</em>(1861-1902), anglicized to Jalanivich, and Manuella Morrano (1858-1929), often spelled Morano.&nbsp; He was baptized&nbsp;<em>Emmanuel Genovish</em>&nbsp;(sic) in the Roman Catholic Church of the Nativity of the Blessed Virgin Mary at Biloxi, on December 25, 1897.(Lepre, 1991, p. 131)</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">In the 1900 Federal Census of Harrison County, Mississippi, Luca Jalanivich listed Austria as his country of origin, which indicates that he was probably a Croatian immigrant.&nbsp; Family lore relates that Luca may have come from Trieste.&nbsp; Jalanivich had been in the&nbsp;United States&nbsp;for ten years.&nbsp; Mrs. Jalanivich was born at New Orleans, Louisiana of Louisiana born parents, although in the 1910 Federal Census, they are listed as being French.&nbsp; In 1900, the Jalanivich family resided on Croesus Street in Biloxi, Mississippi.(1900 Federal&nbsp;Census&nbsp;Harrison&nbsp;County, Ms., p. 46 and Gertrude Jalanivich Medlock,&nbsp;January 11, 2002)</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<img alt=\"\" src=\"/sites/default/files/u4/jalanivich and mother-california redwood forest [small]_0.jpg\" style=\"width: 266px; height: 400px; \" /></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<strong><span style=\"font-family:times new roman,times,serif;\"><span style=\"font-size:14px;\">Manuel Jalanivich and Mauella Morano Jalanivich Mueso (1858-1929) in the redwoods of California</span></span></strong></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-family:times new roman,times,serif;\"><span style=\"font-size:12px;\">[Courtesy of Gertrude Jalanivich Medlock]</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \">Luca and Manuella Jalanivich married&nbsp;at the Nativity of the Blessed Virgin Mary Mother Roman Catholic Church in&nbsp;Biloxi, Mississippi on&nbsp;October 13, 1894.&nbsp;&nbsp;&nbsp;They were also the parents of John Matthew Jalanivich (1895-1967) and Mary Amelia Louise J. Sablich (1900-1991).(Lepre, 1991, p. 132 and&nbsp;&nbsp;HARCO, Ms. MRB 10, p. 264)&nbsp;</span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">In 1902, Luca Jalanivich was employed as a cook.&nbsp; He expired from a heat stroke on August 20, 1902.&nbsp; His corporal remains were interred in the Biloxi Cemetery.(<em>The Biloxi Daily Herald, August 22, 1902, p. 6)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'Trebuchet MS\', \'Lucida Console\'; line-height: 28px; font-size: 22px; \"><strong><span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Francisco Mueso</span></span></strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \">On November 18, 1905, Mrs. Manuella M. Jalanivich married Francisco Mueso (1860-1940) at Biloxi.&nbsp; Frank Mueso was a native of Spain.&nbsp; At Biloxi, he made his livelihood as a fisherman at an oyster factory.&nbsp; In 1914, the Muesos were living at 519 Lameuse Street.(<em>The Biloxi Herald, November 20, 1905, p. 4,&nbsp;&nbsp;</em>The Biloxi City Directory, 1914, p. 155, and 1910 Federal Census, Harrison County, Ms., p. 266)</span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Early art training</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">At an early age, Manuel E. Jalanivich demonstrated an artistic ability, which was observed in his Biloxi public school classroom by Mary Ethel Dismukes (1870-1952).&nbsp; Miss Dismukes, the daughter of George Dismukes (d. 1909) and Adella McDonald (1846-1924), was a native of Pulaski, Tennessee.&nbsp; She came to Biloxi in 1897, with her family.&nbsp; Mary Ethel, called Ethel, was an artist and photographer.&nbsp; She made her livelihood as the supervisor of arts for the Biloxi Public Schools, until her retirement in May 1914.&nbsp; As early as 1910, Ethel Dismukes taught art classes on a private basis.&nbsp; As late as May 1949, she was having public displays in Biloxi of her student&rsquo;s work in pencil, wax crayons, oil, and watercolor.<em>(</em>&nbsp;<em>The Daily Herald, May 30, 1910, May 22, 1914, p. 2, and&nbsp; May 31, 1949, p. 5)</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Miss Dismukes worked in oil, watercolor and ceramics.&nbsp; Her art education was with John Henry Twachtman (1853-1902) and Kenyon Cox (1856-1919) of New York City, Louis Loeb (1866-1909) and Clifford Carlton (1867-1946).&nbsp; She was an active member of the Gulf Coast Art Association, New Orleans Art Association, Nashville Art Association, among others.&nbsp; Ethel Dismukes had art studios at Pulaski, Tennessee, San Antonio, Texas, and New York City.(Sutton, 1929, pp. 168-169)</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">It is apparent that Manuel Jalanivich was enrolled as a private art pupil of Miss Dismukes prior to May 1913.&nbsp; At this time, she held a display of her students&rsquo; works in china painting, charcoal, and watercolor.&nbsp; It was described as,<strong><em>&ldquo;one of the most attractive and artistic exhibits that has ever been arranged in Biloxi.&rdquo;&nbsp;&nbsp;</em></strong>Of Miss Dismukes&rsquo; twenty pupils, nineteen were female, young Jalanivich being the lone male.&nbsp; He was described as,&nbsp;<strong><em>&ldquo;Biloxi&rsquo;s talented little bootblack artist.&rdquo;</em></strong><em>(The Daily Herald, May 21, 1913, p. 8)</em></span></span></p>\r\n<h2 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<strong><span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Biloxi School days</span></span></strong></h2>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Manuel Jalanivich began to win recognition and awards for his artwork in the Biloxi Central School as early as the seventh grade.&nbsp; The Thanksgiving holiday of 1913 was celebrated in the public school with songs, recitations, and dances.&nbsp; Jalanivich&rsquo;s contribution to the program, which was well lauded, was a series of illustrations depicting scenes from the daily regimen of the Pilgrims.&nbsp; As each picture was shown to the student audience, an appropriate paragraph was read describing the action.<em>(The Daily Herald, April 11, 1914, p. 8 and December 4, 1913, p. 6)</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">In mid-May 1914, Miss Dismukes of Biloxi public school art department, held an exhibition of student arts and crafts in the Central school art room.&nbsp; Pupils from both the high school and primary schools of the city had their art on review for their family and friends.&nbsp; A highlight of the student exhibition was a three-masted vessel built by Manuel Jalanivich.&nbsp; The model ship was about 1 &frac12; feet in length.&nbsp; During the past winter, Jalanivich had sold more than $30 of his sketches and paintings.<em>(The Daily Herald, May 22, 1914, p. 1)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<strong><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; line-height: 28px; font-size: 14px; \">Souvenir pamphlet</span></strong></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">In the spring of 1914, Manual Jalanivich was preparing a small book on Biloxi.&nbsp; His marvelous watercolor illustrations were of Biloxi landmarks and scenes: Beauvoir; the Biloxi Lighthouse; the new Biloxi High School; the Elks Club; the U.S. Post Office; the Back Bay bridge; the Biloxi Yacht Club; the Country Club; the Biloxi Hotel; Benachi Avenue; East Beach; West Beach; Back Bay; Beach piers; large watermelons; Piney Woods; and a private yacht.&nbsp; Jalanivich&rsquo;s narrative of Biloxi was excellently illustrated in calligraphy.<em>(The Daily Herald, April 11, 1914, p. 8)</em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>George E. Ohr Jr.-Joseph Fortune Meyer</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">In addition to Miss Dismukes, another artistic neighbor of the Jalanivich family was&nbsp;George E. Ohr Jr. (1857-1918), &ldquo;The Mad Potter&rdquo; of Biloxi.&nbsp; Ohr&rsquo;s art pottery was situated on Delauney Street, only 500 feet, as the crow flies, from the Jalanivich residence at 519 Lameuse Street.&nbsp;&nbsp; Here on the west side of Lameuse Street near the corner of McElroy Street, the Mueso-Jalanivich family resided in a &ldquo;double shot-gun house&rdquo;. (Sanborn Map-Biloxi 1914, Sheet-6)</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">A young Manuel Jalanivich was taken in by Ohr, the retired genius potter, and taught to use the potter&rsquo;s wheel.&nbsp; Manuel worked as a shoeshine boy on the streets of Biloxi possibly to succor his family or buy art supplies.&nbsp; Joseph Fortune Meyer (1848-1931), the tutor and sponsor of George E. Ohr and master potter at Newcomb College, also resided at Biloxi during Jalanivich&rsquo;s adolescent years.<em>(Evans</em>, 1973, p. 24 and<em>&nbsp;The Biloxi News, February 13, 1927, p. 11)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>Pottery booth</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">In March 1915, Manual Jalanivich opened a pottery booth on Howard Avenue next to Keller&#39;s Barbershop.&nbsp; The young potter made his wares at his home on Reynoir Street.&nbsp; Here he had a lathe [potter&#39;s wheel] and had built an oven [kiln] for burning [firing] his green ware.&nbsp; Jalanivich acquired his clay on Back Bay and up the Tchoutacabouffa River, as did George E. Ohr.<em>(The Daily Herald, March 13, 1915, p. 2)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'Trebuchet MS\', \'Lucida Console\'; line-height: 28px; font-size: 22px; \"><strong><span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Niloak in Arkansas</span></span></strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Circa 1917,&nbsp;Manuel Jalanivich left Biloxi to study at the Niloak Pottery, which was situated at Benton, Arkansas about fifteen miles southwest of Little Rock.&nbsp; Niloak is a palindrome of kaolin.&nbsp; The Arkansas pottery was named for the fine deposits of very, pale, white clay found here.&nbsp; Post Civil War, John Hyten began potting here making utilitarian items for local farmers and families such as, jugs, crocks, and butter churns.&nbsp; His sons, Paul, Charles, and Lee Hyten continued the business.<em>(The Biloxi News, February 13, 1927, p. 11 and&nbsp;</em>hhtp://www.geocities.com/niloakpottery)</span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>WW I (1918-1919)</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">After a year in Arkansas,&nbsp;Manuel Jalanivich enlisted in the US Navy on March 28, 1918, at New Orleans.&nbsp; He trained for military duty at Newport, Rhode Island.&nbsp; While there, he made the acquaintance of a wealthy patron who was enamored with his artistic creativity and exceptional ceramic forms.&nbsp; Unfortunately, she expired during his tenure in Rhode Island, but her correspondence to the &ldquo;Bedford Village Pottery&rdquo; in New York, where he later found employment.&nbsp; In March 1919, Jalanivich was discharged from the US Navy at Newport with the rating of Seaman 2<sup>nd</sup>Class.(National Archives and Records Administration-Military record and&nbsp;<em>The Biloxi News, February 13, 1927, p. 11)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>Durant Kilns (1919-1920)</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">The Durant Kilns were located at Bedford Village, New York.&nbsp; Mrs. Jean Durant Rice, the wife of a wealthy ophthalmologist, sponsored this Westchester County pottery, lead by American master potter, Leon Volkmar (1879-1959).&nbsp; Volkmar came from a family of artisans.&nbsp; His father, Charles Volkmar II, was a renowned painter and potter, while Leon Volmar&rsquo;s grandfather, known as Carl Volkmar, specialized in portraiture.(Cloutier and Schmid, 1985, pp. 3-4)&nbsp;</span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">It was at the Durant Kilns that Manuel Jalanivich&rsquo;s would met the two men, Ingvardt Olsen (1888-1959) and Leon Volkmar, who would most deeply influence his personal as well as creative life.&nbsp; With Ingvardt Olsen, Jalanivich formed a life long bond that would result in their harmonious enterprise, the Jalan Pottery at San Francisco and Belmont, California.&nbsp; Arguably, Leon Volkmar was the dominant artistic influence in Manuel&rsquo;s Jalanivich&rsquo;s brief but prolific ceramic career.&nbsp; It was from Volkmar that he adopted his interest in the ancient pottery styles of the Orient and Mediterranean basin.&nbsp; Like Volmar, Jalanivich would also flourish as a teacher of ceramics.&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Biloxi News&nbsp;</em>reported that while employed at the Durant Kilns, Manuel E. Jalanivich worked on a $3,000 pottery project for a Vanderbilt dinner.&nbsp; This is corroborated as table and art ware were significant products of Durant from its conception until the demise of Mrs. Rice in 1919.&nbsp; After her death, Leon Volkmar&rsquo;s work at the Durant Kilns became more like studio pottery.&nbsp; As with George &ldquo;No two alike&rdquo; E. Ohr Jr., duplication was not Volkmar&rsquo;s modus operandi.<em>(The Biloxi New, February 13, 1927, p. 11 and&nbsp;</em>Cloutier and Schmid, 1985, p. 4)</span></span></p>\r\n<h2 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<img alt=\"\" src=\"/sites/default/files/u4/jalanivich and olsen-1973.jpg\" style=\"width: 350px; height: 330px; \" /></h2>\r\n<h2 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<strong><span style=\"font-family:times new roman,times,serif;\"><span style=\"font-size:14px;\">Ingvardt Olsen (1888-1959) and Jalanivich-April 1973</span></span></strong></h2>\r\n<h2 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<strong><span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Ingvardt Olsen</span></span></strong></h2>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">While at the Durant Kilns in eastern New York, Manuel Jalanivich met Ingvardt Olsen (1888-1959).&nbsp; Olsen was a native of Copenhagen, Denmark and had studied at the Royal Danish Copenhagen Chinese Kilns. He came to the United States in 1908.&nbsp; Jalanivich and Olsen became close friends and eventually settled together at San Francisco where Olsen had been an interior decorator.<em>(The Biloxi News, February 13, 1927, p. 11)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; line-height: 28px;\"><strong><span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Hawaii-1924</span></span></strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Manuel E. Jalanivich and Ingvardt Olsen left San Francisco on March 1, 1924 aboard the <strong><em>SS President Adams</em></strong> for Honolulu, Hawaii and taught ceramics for several weeks at the National Academy of Design.<em>(Crew Lists of Vessels arriving at Honolulu August 1912-November 1954, A3422 R 75 and The Biloxi News, February 13, 1927, p. 1)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1927 Gulf Coast Art Association Exhibit</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">The Gulf Coast Art Association, which was led by Professor William Woodward (1859-1939) and Mary Ethel Dismukes (1870-1952), held its first exhibit at the Biloxi Public Library from February 4<sup>th</sup>&nbsp;until February 20<sup>th</sup>, 1927.&nbsp; The show, which was composed of oil paintings, water colors, pastels, lithographic drawings, block prints, sculpture, photography, pottery, metal work, and embroidery, was juried by Will H. Stevens of Newcomb College at New Orleans, Sarah K. Smith of Gulf Park College at Gulfport, Mississippi, and Edmund C. DeCelle of Mobile.<em>(The Daily Herald, February 3, 1927, p. 2)</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Those exhibiting at the Biloxi show were:&nbsp;<strong>Peter Anderson</strong>&nbsp;(1901-1984)-Ocean Springs;&nbsp;<strong>Gertrude Burton</strong>(Ocean Springs); Grace Cheeseman (Gulfport); Alethia B. Clemens (Biloxi); Edmund C. DeCelle (Mobile);&nbsp;<strong>Mary Ethel Dismukes</strong>&nbsp;(1870-1952)-Biloxi; Camille J. Ehrenfels (NOLA);&nbsp;<strong>Robert H. Holmes</strong>&nbsp;(1869-1949)-Ocean Springs; Dorothy Hopkins (Biloxi); Charles W. Hutson (Biloxi); <strong>Charles E. Hultberg</strong> (1874-1948)-(Biloxi);&nbsp;<strong>Manuel E. Jalanivich</strong>&nbsp;(1898-1944)-Biloxi/California<strong>; Louise Mallard</strong>&nbsp;(1900-1975)-Biloxi); William H. Muir (Gulfport); Anne Wells Munger (Pass Christian); Christine Northrop (Pass Christian); Mrs. Granville Osoinach (Gulfport); Sarah K. Smith (Gulfport); Miss C.R. Tibb (Biloxi); Clara Tucker (Biloxi); Alice Walsh (Gulfport);&nbsp;<strong>Louise Giesen Woodward</strong>&nbsp;(1862-1937)-Biloxi; and&nbsp;<strong>William Woodward</strong>&nbsp;(1859-1939)-Biloxi.<em>(The Daily Herald, February 5, 1927, p. 5)</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">On opening night of the juried exhibition, the winning artists selected by the three jurors were as follows: Gold Medal sponsored by The Peoples Bank for the best oil painting,&nbsp;<strong><em>&ldquo;A Western Scene&rdquo;,&nbsp;</em></strong>by Charles E. Hultberg; Gold Medal given by the Biloxi City Commissioners for the best Mississippi coast scene,&nbsp;<strong><em>&ldquo;Our Street&rdquo;</em></strong>;&nbsp;by&nbsp;William Woodward;&nbsp;and Ribbon for honorable mention was won by Edmund C. DeCille for&nbsp;<strong><em>&ldquo;Mardi Gras&rdquo;</em></strong>.&nbsp;<em>(The Daily Herald, February 5, 1927, p. 5)</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">On February 8, 1927, three pieces of&nbsp;<strong><em>Jalan pottery</em></strong>&nbsp;for the Biloxi exhibit arrived from California.&nbsp; They consisted of a large jardini&egrave;re worth $150.00, and two pieces, a light blue bowl and a small jar, valued at $20.00 apiece. These works of Manuel Jalanivich were lauded for their form, color, and glazing.&nbsp; The ceramic art of Peter Anderson of the Shearwater Pottery at Ocean Springs was also praised.<em>(The Daily Herald, February 9, 1927, p. 2)</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">The final award for the first Gulf Coast Art Association Exhibit was given by The First National Bank on the basis of votes placed by visitors to the show.&nbsp; The Gold Medal for the &ldquo;most popular picture&rdquo; was won by Miss Mary Ethel Dismukes for&nbsp;<em>&ldquo;<strong>The Burden Bearer&rdquo;</strong></em>.&nbsp; Professor Woodward&rsquo;s large oil painting of potters, Joseph Meyer and George Ohr, placed second.&nbsp; Miss Dismukes photograph titled&nbsp;<strong><em>&ldquo;Sunshine and Shadow&rdquo;&nbsp;</em></strong>was third in popularity.&nbsp; Woodward&rsquo;s painting of two of the Biloxi Boys hangs in the Ohr-O&rsquo;Keefe Museum at Biloxi, on loan from the Biloxi Library.<em>(The Daily Herald, February 21, 1927, p. 2)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>Mother&rsquo;s death</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Mrs. Manuella M. J. Mueso expired at the residence of her daughter, Mary L. Sablich, on July 1, 1929.&nbsp; Mrs. Julius Sablich lived at 629 Lameuse Street.&nbsp; Manuella was a Roman Catholic and member of the Woman&rsquo;s Benefit Association.&nbsp; Her survivors were: Francisco Mueso, John Jalanivich of Biloxi, Manuel Jalanivich of San Francisco, and Mary L. Sablich.&nbsp; Manuel Jalanivich was touring in Mexico at the time of his mother&rsquo;s demise.<em>(The Daily Herald, July 2, 1929, p. 12)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<img alt=\"\" src=\"/sites/default/files/u4/jalanivich on potter\'s wheel.jpg\" style=\"width: 350px; height: 273px; \" /></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<strong><span style=\"font-family:times new roman,times,serif;\"><span style=\"font-size:14px;\">Jalanivich on his potter&#39;s wheel</span></span></strong></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; \">[Courtesy of Gertrude Jalanivich Medlock]</span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'Trebuchet MS\', \'Lucida Console\'; line-height: 28px; font-size: 22px; \"><strong><span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Jalan Pottery</span></span></strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Jalan Pottery was the name chosen by Jalanivich and Olsen to produce commercial ceramic ware in California.&nbsp; It was identified by its large scale, simple form, color, style, and crackled glaze.&nbsp; Jalanivich created wheel-thrown forms and also did extensive clay modeling, while Ingvardt Olsen specialized in glazing.&nbsp; Olsen&rsquo;s Persian or faience blue and &ldquo;egg-plant&rdquo; glazes were well accepted.&nbsp; W.F. Dietrich in 1928, described the Jalan Pottery as: &nbsp;</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong><em>Jalanivich and Olsen are making an attractive line of glazed pottery using a buff-burning body and lead glazes.&nbsp; Their output is hand-molded on a potter&rsquo;s wheel.&nbsp; It is fired in a round kiln, approximately 3 feet inside diameter of their own design and built by the gas company, city gas being used for fuel.&nbsp; The clay, from California sources, is fired to 2000 F and the glaze to 1500-1700 F.</em></strong></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">&nbsp;</span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \">In June 1941, <em>The American Home, </em>a monthly magazine published from 1928-1977 by Nelson Doubleday<em>, </em>featured an article<em>-</em><strong>&#39;What&#39;s Happening in the USA&#39;</strong>, which was very complimentary of the Jalan Pottery ceramics. &nbsp;It related Jalanivich&#39;s boyhood Biloxi mentors, Miss Dismukes and George E. Ohr, and the struggles that he and Olsen indured to establish their name in the California commercial market. &nbsp;They spent almost nine years experimenting and perfecting the Jalan glazes that made their ceramic wares a treasure to buyers and now collectors.<em>(The Daily Herald, June 11, 1941, p. 7)</em></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Jalanivich and Olsen marketed their ceramics well.&nbsp; In addition to their Bay area patronage, Gumps Department Store in San Francisco vended Jalan Pottery.&nbsp; Jalan&rsquo;s adaptation to a Chinese-style form met with great success in San Francisco, as many affluent citizens were decorating their domiciles with teak furniture, Coromandel screens, lacquered chests, and Middle Eastern of Oriental rugs.<em>(Bray, 1980, p. 43)</em></span></span></p>\r\n<h2 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<strong><span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">1929-1939 Depression years</span></span></strong></h2>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Jalanivich and Olsen were kind spirited gentlemen, as they believed that they had the responsibility to share their experience and knowledge with others.&nbsp; For this and financial reasons they taught private studio lessons on one day or evening each week from 1929 to 1938.&nbsp; Students worked in clay modeling utilizing slab and coil techniques as well as molds.&nbsp; (Bray, 1980, p. 43)</span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<strong><span style=\"font-family:georgia,serif;\"><span style=\"font-size: 14px;\">1932-1933 South Sea Islands</span></span></strong></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family: georgia, serif;\">In March 1933, Mary Jalanivich Sablich, Manuel&#39;s siter, received a letter from Manuel relating that he had spent eight months in the South Sea Islands and would be returning to his San Francisco studio by April 10, 1933.(The Daily Herald, March 20, 1933, p. 2)</span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>San Francisco Art Institute</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Manuel Jalanivich taught at the California School of Fine Arts, now the San Francisco Art Institute, from 1937 to 1939.&nbsp; In 1937, he and Ingvardt Olsen commenced a ceramics school for women at their Baker Street home in San Francisco.&nbsp; Their students ranged from socialites to schoolgirls.&nbsp; Jalanivich said of his pupils:&nbsp;<strong><em>&ldquo;most find a deep joy in working with their hands.&nbsp; School teachers, weary of tussles with youngsters, come and find a curious peace in attempting to express some kind of beauty.&rdquo;</em></strong><em>(Evans, 1973, p. 25 and The San Francisco Chronicle, November 1, 1937)</em></span></span></p>\r\n<h2 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<strong><span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Vivika T. Heino</span></span></strong></h2>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Vivika Timeriasieff Heino (1910-1995) who would later marry Otto Heino was a student of Jalanivich at the California School of Fine Arts.&nbsp; Vivika also took private classes with him.&nbsp; She went on to study with Glen Lukens (1887-1967) at USC and was awarded the second MFA degree from the New York State College of Ceramics at Alfred University in 1944.&nbsp; Vivika and her husband, Otto Heino (b. 1915) were honored in October 1995, with an exhibit, &ldquo;The Vivika and Otto Heino Retrospective&rdquo;, which was held at Alfred University.&nbsp; She had taught pottery to Otto Heino (b. 1915) and they eventually married and settled at Ojai, Ventura County, California.&nbsp; Today in California, Otto continues his highly praised ceramic work<strong>.(</strong>Bray, 1980, p. 43 and&nbsp;<a href=\"http://www.ottospottery.com/\" style=\"text-decoration: underline; color: rgb(21, 120, 150); \">www.ottospottery.com</a>&nbsp;and http:nyscc.alfred.edu/mus/heino)</span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Belmont, California</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">In 1939, Olsen and Jalanivich closed their San Francisco ceramic operation and relocated to the sleepy, &ldquo;Peninsula&rdquo; town of Belmont, San Mateo County, California with a population of only three thousand.&nbsp; Here, they built a modest home in 1940, at 901 Holly Road.&nbsp; Their domicile is extant and situated in a quasi-rural, hillside environment, surrounded by over twenty-five thousand people, with a view of San Francisco Bay.<em>(San Mateo County Auditor&rsquo;s Records and Joan M. Levy, January 9, 2002)</em>&nbsp;&nbsp;&nbsp;&nbsp;</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">A review of the telephone books of Belmont, California from 1938 until 1946, reveal that the names of Jalanivich and Olsen first appeared in the white pages there in September 1941.&nbsp; The listing is Jalanivich &amp; Olsen Pottery on Holly Road, phone number 1264.&nbsp; In March 1943, their listing was Manuel E. Jalanivich Holly Road, phone number 1264 and Ingvardt Olsen, same phone number.&nbsp; After June 1945, there is no listing for either men.<em>(Joan M. Levy, January 9, 2002)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>WW II</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Manuel E.&nbsp;</strong>Jalanivich and Ingvardt Olsen taught art and pottery to recovering wounded American veterans of the South Pacific theatre at the Letterman Hospital in the Presidio at San Francisco.<em>(Evans, 1973, p. 25)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Deaths</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Manuel Jalanivich expired at Belmont, California on June 15, 1944.&nbsp; There are inconsistencies in the reporting of the cause and place of his death.&nbsp;&nbsp;<em>The Courier Bulletin</em>, a local journal, related that he expired&nbsp;<strong><em>&ldquo;in a Belmont sanitarium after a long illness&rdquo;</em></strong><em>,&nbsp;</em>while&nbsp;<em>The San Francisco Chronicle&nbsp;</em>wrote that his death was&nbsp;<strong><em>&ldquo;at his Belmont home following a brief illness&rdquo;</em></strong><em>.&nbsp;</em>&nbsp;In Biloxi, Mississippi, Jalanivich&rsquo;s demise was reported by&nbsp;<em>The Daily Herald&nbsp;</em>as a sudden heart attack at his home in Belmont, California.<em>( The Courier Bulletin</em>,&nbsp;<em>June 23, 1944,</em>&nbsp;<em>The San Francisco Chronicle, June 21, 1944, and The Daily Herald, June 19, 1944, p. 6)</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">On June 15, 1944, Manuel Jalanivich&rsquo;s corporal remains were interred in Section N of the Woodlawn Memorial Park cemetery at Colma, California.&nbsp; Private funeral services preceded his burial in the chapel of Crosby-N. Gray &amp; Company at Burlingame.&nbsp;</span><em style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\">(The Courier Bulletin, June 23, 1944, p. 3)</em></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Ingvardt Olsen passed on July 9, 1959, at San Francisco.&nbsp; He was survived by a cousin, Edward W. Neison, of San Francisco.&nbsp; Olsen&rsquo;s corporal remains were interred at Woodland Memorial Park, Colma, California, next to those of Manuel Eugene Jalanivich.<em>(San Francisco Examiner, July 14, 1959)</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px;\"><strong>Jalanivich&rsquo;s Estate</strong></span></p>\r\n<h3 align=\"left\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Lucida Console\', monospace, georgia; font-size: 14px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">In March 1945, Ingvardt Olsen, the executor and only heir of the Estate of Manuel E. Jalanivich, filed for probate in the Superior Court of California of San Mateo County, California.&nbsp; Jalanivich&rsquo;s estate consisted of: real property in San Francisco, California, probably Baker Street, appraised at $8500; a 1938 Chevrolet Town Sedan appraised at $540; and $834.64 in cash in a commercial account on deposit in the Redwood City Branch of the Bank of America.&nbsp; The market value of Jalanivich&rsquo;s estate for tax purposes was established at $11,373.46 of which Mr. Olsen paid $792.64 in inheritance taxes.(The Superior Court of California, San Mateo County, Case No. 11473, March 1945)</span></span></h3>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<strong><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; line-height: 28px; font-size: 14px; \">Sablich remembers &ldquo;Uncle Manuel&rdquo;</span></strong></p>\r\n<p align=\"left\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">James Eugene Sablich Sr. (1921-2005) was interviewed by Ray L. Bellande in May 2002, at his home on 440 Porter Avenue in Biloxi, Mississippi.&nbsp; Present at the meeting were his wife, Shannon Randazzo Sablich, and Gertrude Jalanivich Medlock (b. 1924), a niece of Manuel Jalanivich.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; line-height: 36px; font-size: 14px; \">Bellande-<strong>Jim, give us your early recollections of your Uncle Manuel (Jalanivich) in Biloxi?</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>Sablich<strong>-</strong>The earliest recollection that I have is that he came down to visit Biloxi and his sister (Jim&rsquo;s mother) and brother, Johnny Jalanivich, with his friend, Ingvardt Olsen.&nbsp; That was when we lived on 626 Lameuse Street and that wasn&rsquo;t yesterday.&nbsp; That was quite a few years ago.</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; line-height: 36px; font-size: 14px; \">Bellande-<strong>How old were you then?</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; line-height: 36px; font-size: 14px; \">Sablich-I was in the fifth or sixth grade-about ten, eleven, or twelve years old.&nbsp; About 1931.&nbsp; He (Manuel) came down to visit us and stayed with mother and daddy in the house with us.&nbsp; He took over my bedroom and my brother&rsquo;s bedroom.&nbsp; Before he left Biloxi to go back, he had to sit down to make chalk crayon pictures of me and my brother.</span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande<strong>-Were they pastels or colored chalks?</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich<strong>-</strong><em>Colored chalk.&nbsp; I was so proud of that.</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Were they a good likeness?</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich<strong>-</strong><em>Very good.</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande<strong>-Did he (Jalanivich) ever talk about Ethel Dismukes?</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich-<em>Oh, all the time.&nbsp; She lived and had her studio on Lameuse Street, one block from the beach.&nbsp; I visited that place many times too.</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; line-height: 36px; font-size: 14px; \">Bellande-<strong>Did she (Dismukes) recognize his early art talent in the Biloxi Public School system?</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich-<em>Well, this is something that I don&rsquo;t know anything about.</em></span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>When Manuel came here (Biloxi) did he ever visit her (Miss Dismukes)?</strong></span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Sablich-</strong><em>Every time he came to Biloxi he visited Miss Dismukes and he would go to Ocean Springs to see Mr. Peter Anderson because they came up together and he would go down and watch him do his work.</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; line-height: 36px; \">Bellande-<strong>Did he (Jalanivich) ever talk about his early life in Biloxi?</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich-<em>No.&nbsp; But my mother (Mary Jalanivich Sablich) did.&nbsp; My mother told me that when he was just a little tot that he would always go around Mr. Ohr&rsquo;s&nbsp; pottery shop on Delauney Street.&nbsp; Mr. Ohr took a liking to him and gave him a broom to clean up his shop after him.&nbsp; As the years went by, he taught my Uncle Manuel to do this pottery work.&nbsp; As far as I know, he stayed here long enough to learn enough to go to California to start his own pottery.</em></span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Did Jalanivich have his own pottery shop on Lameuse Street in Biloxi?</strong></span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich<strong>-</strong><em>I don&rsquo;t know anything about that.</em></span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Did Manuel make any pottery when he visited Biloxi?</strong></span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich<strong>-</strong><em>To my knowledge, no.</em></span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Do you know anything about him (Jalanivich) going off to the Navy?</strong></span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich<strong>-&nbsp;</strong><em>Yeah.&nbsp; I don&rsquo;t know if whether it was the Navy or Army, but that&rsquo;s where he made the little statue that I got while he was in camp in Louisiana.&nbsp; The war ended before he got any further and he came back to Biloxi.</em></span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Do you know anything about him (Jalanivich) meeting a wealthy woman in Virginia?</strong></span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich<strong>-</strong><em>I don&rsquo;t know anything about that.</em></span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Is there anything else about his visits to Biloxi?</strong></span></span></h1>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich-<em>He always visited friends involved in pottery and art.</em></span></span></h1>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Was there anyone besides Miss Dismukes or Peter Anderson or Ohr?</strong></span></span></h1>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich-<em>I knew somebody else in those days.&nbsp; My daddy cut her hair.&nbsp;&nbsp;<strong><u>Jesse Smiler</u></strong>.&nbsp; I think she was involved with Miss Dismukes.&nbsp; She was a real estate agent.</em></span></span></h1>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Did you know Miss Dismukes sister-in-law?</strong></span></span></h1>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich-<em>Well, I met her every time I went to see Miss Dismukes.</em></span></span></h1>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Did you ever go anywhere with him (Jalanivich) in Biloxi?</strong></span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich-<em>We always went to the beach-Wachenfeld&rsquo;s Pier and Hagan&rsquo;s Pier or the Riviera Pier.</em></span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>How long would he (Jalanivich) stay in Biloxi?</strong></span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich<strong>-</strong><em>Maybe two weeks.</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Bellande-Do you have anything to add Gertrude (Medlock)?</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Medlock<strong>-</strong><em>The time that I remember him coming to see us, he had a convertible touring car.&nbsp; That&rsquo;s about all that I can remember about him.</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Sablich<strong>-</strong><em>He had a big, big Buick.&nbsp; I remember Uncle Manuel and Ingvardt both made an extended trip to Africa and stayed there a year or better.&nbsp; He made some pottery over there and as I told you earlier I have a statue made of a native and she had a big to do or bonnet or something.&nbsp; When my mother and daddy moved out there over on the beach, I had it outside to load in the car</em>&nbsp;<em>and I forgot it.&nbsp; I&rsquo;d give every damn thing in the world if I could find it.</em></span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Bellande-<strong>Did he (Jalanivich) make several trips to Biloxi?</strong></span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Sablich-</strong><em>Yes, I bet he made about three trips to Biloxi.&nbsp; He brought Ingvardt when he made my picture.</em></span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Jalanivich-Olsen exhibitions:</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>The following are some of the known dates and locations of which the ceramics of the Jalan Pottery have been on public display:</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>1927 Gulf Coast Art Association Exhibit, Biloxi, Mississippi</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1935-California-Pacific International Exhibition, San Diego, California.</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1936- National Ceramic Exhibition, Museum of Fine Art, Syracuse, New York also known as the Fifth National Ceramic Exhibition (Robineau Memorial) and named for American art potter, Adelaide Alsop Robineau (1865-1929), of Syracuse, New York.&nbsp; The Amberg-Hirth Gallery, San Francisco, California.</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1937-Contemporary Crafts Exhibition, Philadelphia, Pennsylvania and Oakland Art Gallery&rsquo;s Exhibition of Sculpture where work received an honorable mention.</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1939-Decorative Arts Exhibition of the Golden Gate International Exposition at San Francisco.</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1948-(Ingvardt Olsen and Charles Nye) 7<sup>th</sup>&nbsp;Annual Pacific Coast Ceramic Exhibition, Rotunda Gallery, San Francisco, California.</strong></span></span></p>\r\n<h2 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">1978-Oakland Museum, Oakland, California</span></span></h2>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1978</strong>-<strong>Lang Gallery of Scripps College, Claremont, California</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1993-Oakland Museum, Oakland, California.</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1994-Renwick Gallery of the National Museum of American Art, Smithsonian Institution, Washington D.C.</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>1994-Cincinnati Art Museum-Cincinnati, Ohio.</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>&nbsp;2003-The Ohr-O&#39;Keefe Museum of Art-Biloxi, Mississippi, &quot;Born of Biloxi-Joseph Meyer, George Ohr, and Manuel Jalanivich&quot;.</strong></span></span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><img alt=\"\" src=\"/sites/default/files/u4/Jalanivich and busts_small.jpg\" style=\"border-style: initial; border-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; width: 300px; height: 200px; \" /></span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Manuel E. Jalanivich with sculptures</strong></span></span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">(Linda Jalanivich Seymour was inspired by the bust of the African woman in the center of this image)</span></span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">(photo courtesy of Maxine McGraw Palmer)</span></span></p>\r\n<p align=\"center\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>Contemporary &quot;Jalanivich&quot; artists</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Linda Jalanivich Seymour (b. 1947), the daughter of &nbsp;David W. Jalanivich (1920-1980) and&nbsp;Faye Winton Krohn (1919-1999), resides in the St. Martin community north of Ocean Springs.&nbsp; Like Manuel E. Jalanivich, her great uncle, Linda works in clay, primarily as a hand builder.&nbsp; Linda was inspired by the bust of an African woman that Manuel E. Jalanivich had created.&nbsp; In 2001, she studied pottery with Brian Nettles at the Ohr-O&#39;Keefe Museum of Art and sculpture with Dee Shaughnessey at the Spiral Gallery.&nbsp; Linda J. Seymour had a show, &quot;Just Faces&quot;, at the Art House in Ocean Springs in October 2005.&nbsp; Twenty-five pieces of her sculptures were featured.<em>(The Ocean Springs Record, October 6, 2005, p. B4)</em></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>Epilogue:</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">The Biloxi Boys, J.F. Meyer, G.E. Ohr Jr., and M.E. Jalanivich, were among the most notable American potters of the late 19<sup>th</sup>&nbsp;and 20<sup>th</sup>&nbsp;Century.&nbsp; Being reared at Biloxi on the Mexican Gulf, they experienced the humid subtropical climate, tropical cyclones or hurricanes, and shared the joie de vivre provided by the unique southern European culture, which proliferated here until post-WW II.&nbsp; While Meyer and Ohr were instrumental in the art scene at New Orleans being instructors in the early years of the Newcomb College art program instituted by William Woodward (1859-1939), Manuel E. Jalanivich shared his ceramic knowledge with eager students at the California School of Fine Arts in San Francisco.&nbsp;</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Today, each of these native Biloxi art potters is remembered for his uniqueness: Meyer for his glazes, simple forms and affiliation with Newcomb Pottery; Ohr for his skill on the potter&rsquo;s wheel, exciting glazes, and marketing schemes; and Jalanivich for his large forms and moulds.&nbsp; All are collectible.&nbsp; In recent years, the value of Ohr pottery has risen geometrically.&nbsp; Meyer&rsquo;s Newcomb Pottery has also become very valuable.&nbsp; Jalanivich&rsquo;s works are located primarily on the West Coast and are still reasonably priced if they can be located.&nbsp; Ebay is an excellent place to commence a search for the works of these artists. &nbsp;&nbsp;</span></span><span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \">&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong><u>Local Jalan collections</u>-</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; line-height: 14px; font-size: 14px; font-weight: bold; \">Robert Guy Chatham (1950-2002)-see obituary,&nbsp;<em>The Sun Herald</em>, May 27, 2002, p. A-6.&nbsp;&nbsp;Courthouse Road, Gulfport, Mississippi&nbsp;(228) 896-9006</span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>Andrew W. &ldquo;FoFo&rdquo; Gilich II</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">2026 Tulleries Drive, Biloxi, Mississippi 39531-(228) 385-1232</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>Maxine McGraw Palmer (b. 1939)</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">279 Palmer Cove, Jackson, Mississippi 39272-(601) 372-7385</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>James E. Sablich</strong>&nbsp;(1921-2005)</span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">440 Porter Avenue, Biloxi, Mississippi 39530-(228) 374-7321.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	&nbsp;</p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span class=\"Apple-style-span\" style=\"font-family: \'times new roman\', times, serif; font-size: 14px; \"><strong>REFERENCES:</strong></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong><u>The Arts and Crafts Movement in California</u></strong>, (Oakland Museum and Abbeville Press: New York-1993).</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong><u>Biloxi City Directory, 1913-1914</u></strong>, (Piedmont Directory Company: Ashville, North Carolina-1914)</span></span></span></p>\r\n<h3 align=\"left\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Lucida Console\', monospace, georgia; font-size: 14px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\" style=\"font-weight: normal; line-height: 20px; \">Jean M. Bragg and Dr. Susan Saward,&nbsp;<strong><u>The Newcomb Style</u></strong>:&nbsp;Newcomb College Arts &amp; Crafts and Art Pottery-Collector&rsquo;s Guide, (Jean Bragg Gallery: New Orleans, La.-2002)</span></span></span></h3>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\">Hazel V. Bray,&nbsp;<strong><u>The Potter&rsquo;s Art In California 1885 to 1955</u></strong>, (Oakland Museum Art Department; Oakland, California-1980)</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\">Garth Clark, Robert A. Ellison Jr., and Eugene Hecht,&nbsp;<strong><u>The Mad Potter of Biloxi</u></strong>, (Abbeville Press: New York-1989)</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\">Dane Cloutier and Bob Schmid,&nbsp;<strong>Journal of the American Art Pottery Association,&nbsp;<em>&ldquo;Leon Volkmar: The Master Potter Who Made History&rdquo;</em></strong><em>,&nbsp;</em>Vol. 1, No. 3, May-June 1985.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\">Paul E. Cox,&nbsp;<strong><u>Potteries of the Gulf Coast</u></strong>, (Iowa State College: Iowa-1935), p. 197.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\" style=\"line-height: 18px; font-weight: bold; \">Paul Evans,&nbsp;&ldquo;Jalan: Transitional Pottery of San Francisco&rdquo;,&nbsp;Spinning&nbsp;Wheel&nbsp;(April 1937), p. 24.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\">David E. Gifford,&nbsp;<strong><em>&ldquo;A Brief History of Arkansas Art Pottery-Ouachita, Niloak, and Camark&rdquo;</em></strong>,&nbsp;<strong>The National Society of Art Pottery Collectors,&nbsp;</strong>Vol. 1, No. 1, Spring/Summer 1996.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\">Lois Lehner,&nbsp;<strong><u>Lechner&rsquo;s Encyclopedia of U.S. Marks on Pottery, Porcelain &amp; Clay</u></strong>, (Collector Books: Padukah, Kentucky-1988), p. 226.</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\">Jerome Lepre,&nbsp;<strong><u>Catholic Church Records Diocese of Biloxi, Mississippi</u></strong>, Vol. I, (Catholic Diocese of Biloxi: Biloxi, Mississippi-1991).</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\"><strong><u>The Potter&rsquo;s Art in California 1885-1955</u></strong>, (Oakland Museum Art Department: Oakland, California-1980)</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\">Cantey Venable Sutton,&nbsp;<strong><u>History of Art in Mississippi</u></strong>, (The Dixie Press: Gulfport, Mississippi-1929)</span></span></span></p>\r\n<h3 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Lucida Console\', monospace, georgia; font-size: 14px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Circuit Court</span></span></h3>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">HARCO, Ms. Circuit Court Marriage Record Book 10,&nbsp;<strong><em>Giurilinovich-Morano</em></strong>, October 13, 1894, p. 264.</span></span></p>\r\n<h3 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Lucida Console\', monospace, georgia; font-size: 14px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Superior Court of California</span></span></h3>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">San Mateo County, California Case No. 11473,&nbsp;<strong><em>&ldquo;In the Matter of the Estate of Manuel E. Jalanivich&rdquo;</em></strong><em>,&nbsp;</em>March 1945.</span></span></p>\r\n<p class=\"rtecenter\" style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><span class=\"Apple-style-span\" style=\"line-height: 18px; font-weight: bold; \">Internet</span></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">hhtp://www.geocities.com/niloakpottery<strong>, &ldquo;Niloak Pottery Company&rdquo;</strong></span></span></p>\r\n<h3 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Lucida Console\', monospace, georgia; font-size: 14px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	&nbsp;</h3>\r\n<h3 class=\"rtecenter\" style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Lucida Console\', monospace, georgia; font-size: 14px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Journals</span></span></h3>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>&ldquo;Funeral of Luka Giovulnovich&rdquo;</strong>, August 22, 1902.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Courier Bulletin,&nbsp;</em><strong>&ldquo;Jalanovich&rdquo;</strong>, June 23, 1944.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Courier Bulletin,&nbsp;</em><strong>&ldquo;Well Known Ceramic Artist Dies in Belmont&rdquo;</strong>, June 23, 1944.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Biloxi News Paragraphs&rdquo;</strong>, May 30, 1910.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Biloxi boy has artistic talent&rdquo;</strong>, April 16, 1912.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;To Show Friends Their Art Work&rdquo;</strong>, May 21, 1913.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Biloxi High Doings&rdquo;</strong>, December 4, 1913.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Biloxi Youth Is Talented Artist&rdquo;</strong>, April 11, 1914.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Art Exhibit At Central School&rdquo;</strong>, May 22, 1914.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Biloxi youth makes pottery&rdquo;</strong>, March 13, 1915.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Art Exhibit is enjoyed by many&rdquo;</strong>, May 22, 1916.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Sablich-Jalanivich&rdquo;</strong>, June 6, 1918, p. 3.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Opening of Art Exhibit at Library&rdquo;</strong>, February 3, 1927.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Award Made by Jury of Gifted and Competent Artists for Gulf Coast Art Association Exhibition at Biloxi February 4&rdquo;</strong>, February 5, 1927.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Jalan Pottery Arrives&rdquo;</strong>, February 9, 1927.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Art Exhibits Closes&rdquo;</strong>, February 21, 1927.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Mrs. Frank Mueso Dies&rdquo;</strong>, July 2, 1929.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<em style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\">The Daily Herald,&nbsp;</em><strong style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\">&ldquo;Biloxi News&rdquo;</strong><strong style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\">, </strong><strong style=\"font-family: \'times new roman\', times, serif; font-size: 13.63636302947998px;\">March 20, 1933.</strong></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Manuel Jalanovich (sic) In California&rdquo;, ????</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Jalanivich-Weems&rdquo;</strong>, March 31, 1936.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;McGraw-Jalanivich&rdquo;</strong>, February 8, 1937, p. 8.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Mueso Funeral&rdquo;</strong>, February 29, 1940.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Jalanavich (sic) Gaining Fame As Potter&rdquo;</strong>, June 11, 1941, p. 7.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Visit Art Exhibit&rdquo;</strong>, May 31, 1949.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;Miss Dismukes Dies&rdquo;</strong>, February 18, 1952.</span></span></p>\r\n<h1 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 28px; font-weight: normal; margin-top: 5px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald</em>,&nbsp;<strong>&ldquo;Manuel Jalanivich Dies in California&rdquo;</strong>, June 19, 1944.</span></span></h1>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;J.M. Jalanivich&rdquo;</strong>, October 9, 1967.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Daily Herald,&nbsp;</em><strong>&ldquo;David W. Jalanivich Sr.&rdquo;</strong>, November 10, 1980.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Ocean Springs Record,&nbsp;</em><strong>&quot;The Biloxi Boys: Meyer, Ohr, and Jalanivich&quot;</strong>, September 5, 2002 to October 31, 2002.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Ocean Springs Record,&nbsp;</em><strong>&quot;Seymour&#39;s sculptures put faces in new perspectives&quot;</strong>, October 6, 2005, p.B4.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The San Francisco Chronicle,&nbsp;</em><strong>&ldquo;S.F. Potters Rise To Fame&rdquo;</strong>, May 8, 1919 or 1935?</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The San Francisco Chronicle,&nbsp;</em><strong>&ldquo;Clever Potters Bring Art To This City&rdquo;</strong>, December 17, 1922.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The San Francisco Chronicle,&nbsp;</em><strong>&ldquo;S.F. Women Reviving Old Art of Ceramics&rdquo;</strong>, November 1, 1937.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The San Francisco Chronicle,&nbsp;</em><strong>&ldquo;Death Splits Famed Team of Artists&rdquo;</strong>, June 21, 1944.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The San Francisco Chronicle,&nbsp;</em><strong>&ldquo;Funeral Notices&rdquo;</strong>, July 14, 1959.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The San Francisco Examiner,&nbsp;</em><strong>&ldquo;Funeral Notices&rdquo;</strong>, July 14, 1959.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Mrs. Mary Louise Sablich&rdquo;</strong>, February 14, 1991.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Sun Herald,&nbsp;</em><strong>&ldquo;Gertrude Trosclair Jalanivich&rdquo;</strong>, June 5, 1996.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;James Eugene (Jimbo) Sablich&quot;</strong>, September 23, 2005, p. A6.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><em>The Sun Herald</em>,&nbsp;<strong>&quot;Mr. Dewey P. Jalanivich, Sr.&quot;</strong>, December 8, 2006, p. A10.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	&nbsp;</p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\"><strong>Personal Communication:</strong></span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	&nbsp;</p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Gertrude Jalanivich Medlock-conversation at 13809 Plano Road, Gulf Hills, January 11-12, 2001.</span></span></p>\r\n<h2 style=\"line-height: 1.3em; padding-top: 3px; padding-right: 0px; padding-bottom: 3px; padding-left: 0px; font-family: \'Trebuchet MS\', \'Lucida Console\'; font-size: 22px; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Mark Jawgiel,&nbsp;e-mail January 31, 2002.</span></span></h2>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Joan M. Levy, San Mateo County Historical Museum, e-mail of her search of the Belmont, California telephone books from 1938-1946 on January 9, 2002.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Jeff Gunderson-e-mail from the San Francisco Art Institute, January 15, 2002</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">&nbsp;&lt;jgunderson@sfai.edu&gt;</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">James E. Sablich-taped interview in May 2002.</span></span></p>\r\n<p style=\"margin-top: 0.6em; margin-right: 0px; margin-bottom: 1.2em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 20px; \">\r\n	<span style=\"font-size:14px;\"><span style=\"font-family:times new roman,times,serif;\">Maxine McGraw Palmer-conversation at Byram, Mississippi on June 22, 2002.</span></span></p>\r\n', NULL, '2');
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('book', 0, 75, 78, 'en', 0, '<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>THREE HUNDRED YEARS of BILOXI ART</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Native American-</strong>crude coiled pots with some scriffito.</span></span></p>\r\n\r\n<p>&nbsp;</p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Colonial Biloxi-</strong></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Early French cartography-</strong>Maps of Biloxi Bay and environs.</span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Jean-Baptiste Michel Le Bouteux, </strong>“View of the Camp of the Concession of Monseigneur Law at Nouveau Biloxy, coast of Louisiana”, 1720.(The Newberry Library, Chicago, Illinois)</span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Gauld’s Map of 1768.</strong> &nbsp;In June 1768, George A. Gauld (1732-1782), a Scottish cartographer and surveyor, in the employ of the British Admiralty, made a map of coastal Mississippi.&nbsp; He was operating from HMS Sir Edward Hawke.&nbsp; During his reconnaissance and charting of the region, Gauld made many observations about Horn Island.&nbsp; He discovered that it was some sixteen miles in length, but in width no more than one mile.&nbsp; Orientation was nearly east-west.&nbsp; As regards to vegetation, Gauld noted that there were uneven groves of trees on the west end of the island.&nbsp; The middle was characterized by dense growth, and the eastern end of the sand bar was fairly devoid of tree growth.(Ware, 1982, p.107)&nbsp;</span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>U.S.&nbsp;</strong><strong>Map Survey of 1851</strong></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Richard Clague Jr. (1821-1873)-</strong>The Back Bay of Biloxi, 1862-a drawing and finished oil painting.</span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Mississippi Gulf Coast Art Association-</strong>founded in November 1926.</span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>MGCAA</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\">William Woodward (1859-1939), formerly of New Orleans, was the founder of the Mississippi Gulf Coast Art Association during his retirement years at Biloxi.&nbsp; Professor Woodward had relocated to Benachi Avenue at Biloxi in 1923.&nbsp; He had relocated from New England to the Crescent City with Ellsworth Woodward, his brother, to teach art at the World Business and Cotton Centennial held in 1884 and 1885.</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In mid-November 1926, he and interested parties met at the Biloxi Public Library and commenced this cultural body, which aspired to influence the future aesthetics of the Mississippi Gulf Coast.&nbsp; Among the charter members of the organization were: Mary Ethel Dismukes (1870-1952) and Louise Mallard (1900-1975) of Biloxi; Miss Sarah K. Smith (1878-1930+) of Gulf Park College; Dean Parkhurst Woleben (1891-1968) of Gulfport; and Ella Layden Roche, Edward C. de Celle, and Roderick Dempster MacKenzie (1865-1941) of Mobile.<em>(The Daily Herald, November 19, 1926, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Mississippi Gulf Coast Art Association held its first annual exhibit at the Biloxi Public Library from February 4<sup>th</sup> until February 20<sup>th</sup>, 1927, Miss Ethel Dismukes (1870-1952), then secretary of the organization, exhibited photography and oil paintings.&nbsp; Her “The Burden Bearer” was voted “the best-liked picture”.&nbsp; William Woodward won the gold medal for “Our Street”.<em>(The Daily Herald, February 3, 1927, p. 2 and February 21, 1927, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1927 Gulf Coast Art Association Exhibit</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Gulf Coast Art Association, which was led by Professor William Woodward (1859-1939) and Mary Ethel Dismukes (1870-1952), held its first exhibit at the Biloxi Public Library from February 4<sup>th</sup> until February 20<sup>th</sup>, 1927.&nbsp; The show, which was composed of oil paintings, water colors, pastels, lithographic drawings, block prints, sculpture, photography, pottery, metal work, and embroidery, was juried by Will H. Stevens of Newcomb College at New Orleans, Sarah K. Smith of Gulf Park College at Gulfport, Mississippi, and Edmund C. DeCelle of Mobile.<em>(The Daily Herald, February 3, 1927, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Those exhibiting at the Biloxi show were: <strong>Peter Anderson</strong> (1901-1984)-Ocean Springs; Gertrude Burton (Ocean Springs); Grace Cheeseman (Gulfport); Alethia B. Clemens (Biloxi); Edmund C. DeCelle (Mobile); <strong>Mary Ethel Dismukes</strong> (1870-1952)-Biloxi; Camille J. Ehrenfels (NOLA); <strong>Robert H. Holmes</strong> (1869-1949)-Ocean Springs; Dorothy Hopkins (Biloxi); Charles W. Hutson (Biloxi); Charles E. Hultberg (1874-1948)- (Biloxi); <strong>Manuel Jalanivich</strong> (1898-1944)-Biloxi/California<strong>; Louise Mallard</strong> (1900-1975)-Biloxi); William H. Muir (Gulfport); Anne Wells Munger (Pass Christian); Christine Northrop (Pass Christian); Mrs. Granville Osoinach (Gulfport); Sarah K. Smith (Gulfport); Miss C.R. Tibb (Biloxi); Clara Tucker (Biloxi); Alice Walsh (Gulfport); <strong>Louise Giesen Woodward</strong> (1862-1937)-Biloxi; and <strong>William Woodward</strong> (1859-1939)-Biloxi.<em>(The Daily Herald, February 5, 1927, p. 5)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">On opening night of the juried exhibition, the winning artists selected by the three jurors were as follows: Gold Medal sponsored by The Peoples Bank for the best oil painting, <strong><em>“A Western Scene”, </em></strong>by Charles E. Hultberg (1874-1948); Gold Medal given by the Biloxi City Commissioners for the best Mississippi coast scene, <strong><em>“Our Street”</em></strong>;byWilliam Woodward;and Ribbon for honorable mention was won by Edmund C. DeCille for <strong><em>“Mardi Gras”</em></strong>. <em>(The Daily Herald, February 5, 1927, p. 5)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">On February 8, 1927, three pieces of <strong><em>Jalan Pottery</em></strong> for the Biloxi exhibit arrived from California.&nbsp; They consisted of a large jardinière worth $150.00, and two pieces, a light blue bowl and a small jar, valued at $20.00 apiece.&nbsp; Manuel Jalanivich’s&nbsp; work was lauded for its form, color, and glazing.&nbsp; The ceramic work of Peter Anderson of the Shearwater Pottery at Ocean Springs was also praised.<em>(The Daily Herald, February 9, 1927, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\">The final award for the first Gulf Coast Art Association Exhibit was given by The First National Bank on the basis of votes placed by visitors to the show.&nbsp; The Gold Medal for the “most popular picture” was won by Miss Mary Ethel Dismukes for </span><em>“<strong>The Burden Bearer”</strong></em><span style=\"font-family:times new roman,times,serif; font-size:14px\">.&nbsp; Professor Woodward’s large oil painting of potters, Joseph Meyer and George Ohr, placed second.&nbsp; Miss Dismukes photograph titled </span><strong><em>“Sunshine and Shadow” </em></strong><span style=\"font-family:times new roman,times,serif; font-size:14px\">was third in popularity.</span><em>(The Daily Herald, February 21, 1927, p. 2)</em></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1927-Gulf Coast Art Association</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\">This show was juried by Will H. Stevens (1881-1949) of Newcomb College; Miss Sarah K. Smith of Gulf Park College; and Edmund C. de Celle of Mobile.&nbsp; Professor Woodward had a least two paintings in this initial exhibit of the MGCAA, ‘The New Orleans Art Pottery Company” and ‘Our Street’, which was awarded the gold medal for best Coast scene.<em>(The Daily Herald, February 3, 1927, p. 2 and February 21, 1927, p. 2)</em></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In April 1927, the Woodwards ventured to Charleston, South Carolina to attend the Southern States Art League annual convention.&nbsp; While in the Low Country, Professor Woodward painted the renowned Azalea blossoms of Magnolia Plantation and Gardens and visited the Terrace Azalea Gardens.&nbsp; At Easter, they visited with Eleanor W. Blosser and grandchildren in Atlanta.&nbsp; At Mobile, the Woodwards visited the Gulf Coast Art Association show and returned it to Biloxi.<em>(The Daily Herald, April 21, 1927, p. 2)</em></span></span></p>\r\n\r\n<h1 class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1928 Exhibits</span></span></strong></h1>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">At an exhibition of her works sponsored by the Woman’s Club and held at the Biloxi Public Library from February 23 to February 27, 1928, Miss Dismukes displayed an eclectic ensemble of approximately eighty art objects-over forty photographs, eighteen oil paintings, four watercolors, two pastels and craft work in china, copper, and wood.&nbsp; In addition, she delivered two lectures, <strong><em>History and Legends of the Gulf Coast </em></strong>and the <strong><em>Vieux Carre</em></strong>.&nbsp; By popular vote, visitors to her exhibition selected <strong><em>“Rosy Dawn” </em></strong>and <strong><em>“Reflections”</em></strong> as the best in her show.&nbsp; Miss Dismukes sold several pieces and received solicitations for portraits.<em>(The Daily Herald, February 22, 1928, p. 2, February 23, 1928, p. 2, February 25, 1928, p. 2, and February 27, 1928, p. 2)</em></span></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1928-Mississippi Gulf Coast Art Association-</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Mid-February 1928 was indeed a historic moment in the art history of Biloxi.&nbsp; There were two exhibits on simultaneously.&nbsp; Professor William Woodward had his own gallery showing while the MGCAA show was hanging in the Biloxi Public Library.&nbsp; The Woodward display consisted of about forty paintings, primarily of Biloxi.&nbsp; Some of his subjects were: Benachi Avenue at its Back Bay terminus; the Biloxi lighthouse; live oaks in front of the W.P. Kennedy domicile; shell roads in the vicinity of Solari’s fish house; and the elliptical shoreline of the Back Bay of Biloxi.&nbsp; An art critic from New York City so admired the color and composition of William Woodward’s ‘Spring time near Biloxi’, that he compared the Professor to Claude Monet (1840-1926).&nbsp; Mr. Woodward related that after he had moved beyond the Barbizon style that indeed Monet had been an inspiration.<em>(The Daily Herald, February 16, 1928, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Professor William Woodward opened the 1929 art association annual exhibition with a talk on art appreciation.&nbsp; He emphasized that art, excepting religion, is the most tangible element in our daily lives.&nbsp; Woodward lauded the Mississippi Gulf Coast Art Association for its inaugural efforts and selfless serving to promote cultural activities in this historic region.&nbsp; He emphasized that there were limitless, natural subjects to be captured on the canvas by local artists for as Professor Woodward stated, <strong><em>“art begins at home.”</em></strong>&nbsp; William Woodward was honored at this art show by capturing the Peoples Bank award for the best oil painting for his “Azaleas in Sunlight”.<em>(The Daily Herald, February 18, 1928, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">[More]</span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Pass Christian</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Mississippi Gulf Coast Art Association 2<sup>nd</sup> annual art show opened at Pass Christian on March 1, 1928.&nbsp; The Rafferty building was selected as the viewing venue at the Pass.&nbsp; This show will move to Mobile at a later date<em>.(The Daily Herald,&nbsp; March 1, 1928, p. 2)</em></span></span></p>\r\n\r\n<h1 class=\"rtecenter\">&nbsp;</h1>\r\n\r\n<h1 class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1929 Exhibits</span></span></strong></h1>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In mid-January 1929,the Biloxi Public Library was the venue of an art exhibit of the professional women artists of Mississippi.&nbsp; Among those showing their water colors, pastels, and oil paintings were: Mrs. W.Q. Sharp of Jackson, vice president of the Mississippi Art Association and worker in pastels and water color; Miss Mary Clair Sherwood, teacher at All Saints College at Vicksburg; Miss Charlotte E. Tibbs of Biloxi; Miss Betty McArthur, a teacher at M.S.C.W; <strong>Marie A. Hull</strong> (1890-1980) of Jackson who recently had three works accepted by the Philadelphia Watercolor Association and others at the Chicago Art Institute; Miss <strong>Mary Ethel Dismukes</strong> is exhibiting <strong><em>\"Lover\'s Lane, Ocean Springs\", \"The Waifs\", </em></strong><em>and <strong>\"Spring\"</strong></em>, which was sketched at City Park in NOLA; <strong>Adolyn Gale Dismukes</strong>, Mrs. George Dismukes, was showing \"Mt. Mckinley, Alaska\", \"Auroral Lights\", and \"Valley of Ten Thousand Smokes\"; Mrs. Anne Wells Mounger of Pass Christian and Miss Sarah K. Smith of Gulf Park College also sent paintings.&nbsp; A $20 prize for the most popular painting in the exhibit was sponsored by the First National Bank.<em>(The Daily Herald, January 14, 1929, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">When the Coast Zone of Woman’s Clubs meeting was held in the Biloxi Public Library on October 31, 1929, an exhibit of Miss Dismukes photographs were on display in the clubroom.&nbsp; The images were of local scenery appropriate for the occasion.<em>(The Jackson County Times, November 9, 1929, p. 3)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1930</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1931</strong></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1932</strong></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Miss Dismukes’ October exhibit</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In late October 1932, Miss Dismukes replaced her former “sidewalk” display of oil paintings and photographs in a store window on West Howard Avenue in Biloxi, with a new showing of her work.&nbsp; This photographic display dealt primarily with the Jefferson Davis family of Beauvoir.&nbsp; Some of these images were: the Beauvoir pavilion where Jefferson Davis (1808-2008) wrote <strong><u>The Rise and Fall of the Confederacy</u></strong>, Winnie;s piano; the Davis trunk; and the Episcopal Church of the Redeemer.<em>(The Daily Herald, October 31, 1932, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Gulf&nbsp;</strong><strong>Coast</strong><strong>Art Association</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The initial 1932 convening of the Gulf Coast Art Association occurred on January 18<sup>th</sup> at Gulf Park College.&nbsp; Dean Babcock (1888-1969), a resident of Estes Park, Colorado wintering at Biloxi, was the guest speaker and Henry C. Barrow (1895-1945), staff artist for <em>The Times Picayune</em>, displayed his pencil drawings of New Orleans’ scenery.&nbsp; Dean Babcock spoke of the history of wood cut prints, which had its origins in Japan.&nbsp; Mr. Babcock’s own work in block prints was an amalgamation of the later European method and that of the Japanese.&nbsp; His works on display were used to illustrate the principles in creating wood block prints.&nbsp; Barrow had made prints of pine and oak trees since arriving at Biloxi.<em>(The Daily Herald, January 20, 1932, p. 5)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Newcomb exhibit</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In September 1932, William Woodward, president of the Gulf Coast Art Association, had an exhibit of his Vieux Carre oil paintings in the recently refurbished Newcomb College gallery.&nbsp; These turn of the Century works featured such French Quarter landmarks as: the Cabildo, St. Louis Cathedral; the old French Opera House; and the signature Jackson Square.&nbsp; Most of these works had been viewed by Gulf Coast art aficionados either at local exhibits or in Professor Woodward’s Oak Park studio.<em>(The Daily Herald, September 20, 1932, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>‘New’ etchings process</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The first fall meeting of 1932 was held in late November at the home of Deaconess Mary Truesdell at 138 Fayard Street in Biloxi.&nbsp; Professor William Woodward delivered an address titled, ‘New Etching Processes”.&nbsp; In recent months, he had been working diligently on an exhibit in this medium.<em>(The Daily Herald, November 24, 1932, p. 2</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The sixth annual Gulf Coast Art Association fall exhibit was non-juried.&nbsp; William Woodward presented an oil portrait and several etchings.&nbsp; The ‘Solari Memorial Plate’, an etching of the Philip L. Solari (1868-1932) oyster house, wharf, and tree was very popular.&nbsp; For each Solari print sold, Professor Woodward donated one to a Biloxi school.&nbsp; Philip L. Solari, an Italian immigrant and Biloxi merchant, and his oak tree both expired in 1932.&nbsp; Ellsworth Woodward, his brother, made the Solari prints at New Orleans.&nbsp; ‘Deacon Reed’s House’, also an etching by William Woodward, was made from a sketch of this Massachusetts home, work shop, well and sweep.<em>(The Daily Herald, September 26, 1932, p. 2 and December 12, 1932, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>The Art Center</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In early December 1932, artists of the Mississippi Gulf Coast Art Association decided to commence an “Art Center” in Biloxi.&nbsp; It was located on the north side of West Howard Avenue between Reynoir and Fayard Streets, adjacent to D’Aquin’s Drugstore.&nbsp; The “Art Center” may have been the first artist public meeting place and artist co-op on the Mississippi Gulf Coast.&nbsp; In addition to rotating art exhibits and association meetings, the Gulf Coast Art Association planned to have a workroom in their building, with north light, which is considered excellent for drawing and painting.&nbsp; Classes and workshops were also planned for the workroom.&nbsp; The “Art Center” opened in late December 1932.&nbsp; Professor Woodward, William ‘Billy’ Logan, his grandson, and Charlotte E. Tibbs of Biloxi worked diligently to bring this project to fruition.<em>(The Daily Herald, December 6, 1932, p. 2, December 29, 1932, p. 2, and January 10, 1933, p. 6)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">William Woodward resigned from his very active role as president of the Mississippi Gulf Coast Art Association in January 1933.&nbsp; He had led the organization since its inception.&nbsp; Anne Wells Munger (1862-1945), a native of Springfield, Massachusetts and resident of Pass Christian, Mississippi, became acting president.&nbsp; Mrs. Munger wintered at Pass Christian and enjoyed painting during the cooler summers on Cape Cod in Massachusetts<em>(The Daily Herald, February 14, 1927, p. 2 and January 10, 1933, p. 6)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1933</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">February found the MGCAA holding a showing of etchings at the Art Center.&nbsp; Designated a ‘loan exhibit” because some individuals from the MGCAA loaned pieces from their private collections for the viewing pleasure of the membership as well as the public.&nbsp; Anne Wells Munger of Pass Christian and Cape Cod, Massachusetts &nbsp;</span></span><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>(The Daily Herald, February 15, 1933, p. 2)</em></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Anne Wells Munger of Pass Christian, Mississippi was elected president of the MGCAA at its annual meeting held in the Art Center on March 13, 1933.&nbsp; Professor Woodward whose motivation and leadership had guided the MGCAA since its inception in November 1926, was named president emeritus.&nbsp; Other elected officers were: Emma Langdon Roche, vice president; Mary Ethel Dismukes, secretary; and Deaconess Truesdell, treasurer.<em>(The Daily Herald, March 14, 1933, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The 1933 GCAA juried art show was held March 20-March 25 at the art studio on the Gulf Park College campus in Long Beach, Mississippi.-‘Autumn” and “Naval Reserve Park”-oils; “Captain Wooster’s Carpenter Place”, “Boats at Provincetown”, “Buck Sawyer”, and a “Coat of Arms”-etchings.<em>(The Daily Herald, March 21, 1933, p. 1)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Art Center at 512 West Howard Avenue officially closed its winter season in early May with a public tea.&nbsp; William Woodward, president emeritus, was present at this function.&nbsp; The Art Center closed for the summer months.<em>(The Daily Herald, May 2, 1933, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1934</span></span></strong></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\">Dorothy Hopkins left for Chicago on June 25th to spend the remainder of the summer studying at the American Academy of Art. &nbsp;She is becoming Biloxi\'s best known artist. &nbsp;Miss Hopkins has studied at NOLA and has had many exhibitions. She recently completed a portrait of Judge White and other works under the PWA.</span><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>(The Daily Herald, June 25, 1934, p. 5)</em></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1935</span></span></strong></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1935-Art Colony</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">From June 22 to August 17, 1935, an “art colony’ was held at the White House Hotel on Biloxi’s West Beach.&nbsp; Hans Wang (1907-1942+), a native of New Orleans whose parents were Norwegian immigrants, ran the art school.&nbsp; Mr. Wang resided at 4714 St. Peter Street in the Crescent City.<em>(The Daily Herald, January 28, 1935, p. 3 and March 25, 1935, p. 5)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Chairman Biloxi’s presidential ball</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In January 1936, Mayor John A.W. O’Keefe (1891-1985), appointed Miss Mallard chairman of Biloxi President’s Ball Committee.&nbsp; The President’s Ball was held on January 30<sup>th</sup> in honor of the natal anniversary of President Franklin D. Roosevelt.&nbsp; Funds raised from these dances were for the benefit of those disabled with infantile paralysis.&nbsp; The proceeds were utilized for research, acquisition of hospital equipment, and to pay for treatment of those crippled with this malady.&nbsp; In 1935, the President’s Ball raised more than $1 million dollars of which 30 per cent went to the Warm Springs, Georgia Foundation.<em>(The Daily Herald, &nbsp;January 13, 1936, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1938</strong></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>MGCAA</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Gulf Coast Art Association meeting for January 1938 had a change in venue.&nbsp; The Markham Hotel at Gulfport, Mississippi was selected for the January 17, 1938 art show.&nbsp; George Wilkinson, manager of the hotel, allowed the association the use of the mezzanine for their exhibits and the Gold Room for their lecture program.<em>(The Daily Herald, January 11, 1938, p. 5)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\">Anthony V. ‘Tony Ragusin (1902-1997) of the Biloxi Chamber of Commerce entered twenty-six images in the Mississippi Art Association exhibition in early April.&nbsp; Tony’s photographs depicted the fishing industry, fishing, birds, and bridges of the Mississippi Gulf Coast.<em>(The Daily Herald, &nbsp;March 31, 1938, p. 6)</em></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1941</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Biloxi Camera Club was organized in September 1941 with Mary Ethel Dismukes (1870-1952) as its first president.(The Daily Herald, September 19, 1941, p. 7)&nbsp;</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1943</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif\"><span style=\"font-size:14px\">The art work of Sergeant Harry Dix (1907-1968) of New York City&nbsp;and stationed at Keesler Field, and Tech. Sergeant Manuel Bromberg (b. 1917) formerly at Keesler Field, was to be displayed in the London National Gallery. &nbsp;Dix\'s works chosen for the exhibit were: \'Barracks Scenes\' and \'PX at Night\',while Bromberg;s \'Card Players and \'Tent Interiors\' was going to London. &nbsp;Captain Peter de Anna of Washington may also have his art work in the final selection.(The Daily Herald, October 20, 1943, p. 2)&nbsp;</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Private Birney Quick (1912-1981) of Duluth, Minnesota was selcted to paint murals at Keesler Field.(The Daily Herald, November 5, 1943, p. 2)</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1948</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Charles E. Hultberg (1874-1948), native of Sweden and retired from American Can Company and resident of Biloxi since 1922, died at his Porter Avenue residence.&nbsp; Mr. Hultberg won the People’s Bank gold medal award for the best oil painting at the 1<sup>st</sup> GCAA in 1927.<em>(The Daily Herald, February 5, 1927, p. 5 and November 20, 1948, p. 6)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1951</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">William Steene of Gulf Hills and Horace C. Russ of Lakeshore were jurors for the GCAA show held at the Markham Hotel’s Marine room in November.<em>(The Gulf Coast Times, November 8, 1951, p. 1)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>REFERENCES:</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald, </em><strong>“Organize Art Association”</strong>, November 19, 1926.</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Artist are Biloxi visitors”</strong>, November 19, 1926.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Gulf Coast Association”, </strong>November 30, 1926.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Opening of Art Exhibit at Library”</strong>, February 3, 1927.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Award Made by Jury of Gifted and Competent Artists for Gulf Coast Art Association Exhibition at Biloxi February 4”</strong>, February 5, 1927.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Art Exhibits Closes Saturday”</strong>, February 14, 1927.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Art Exhibits Closes”</strong>, February 21, 1927.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1928</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald</em>, <strong>\"Joseph Meyer Lived In Biloxi\"</strong>, January 4, 1928, p. 10.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Woodward Home”</strong>, February 15, 1928.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Two art exhibitions”</strong>, February 16, 1928.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Second annual art exhibition”</strong>, February 18, 1928.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Art Exhibit opens at Pass </strong>[Christian]<strong>”</strong>, March 1, 1928.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Biloxi News Paragraphs”</strong><em>, </em>July 23, 1928.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1929-1936</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,</em><strong>“Etching exhibit at Art Center</strong>, October 31, 1932.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,&nbsp;</em></span><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>“Biloxi News Paragraphs </strong>[Dorothy Hopkins]<strong>”</strong></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">, June 25, 1934.</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>Etching exhibit at Art Center”</strong>, February 15, 1935.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Summer Art Colony in Biloxi assured”</strong>, January 28, 1935.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><em>The Daily Herald,&nbsp;</em><strong>“Annual art show opens”</strong><span style=\"font-family:times new roman,times,serif; font-size:14.399999618530273px\">, April 9, 1935.</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Summer Art Colony”</strong>, March 25, 1935.</span></span></p>\r\n\r\n<div style=\"text-align: center;\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1937</strong></span></div>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Test need for Museum in Biloxi”</strong>, January 18, 1937, p. 2.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Museum supporters to meet”</strong>, February 24, 1937, p. 2.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Community Art&nbsp; Center to be discussed”</strong>, February 27, 1937, p. 5.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Museum supporters to meet”</strong>, March 13, 1937, p. 10.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1938</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Ragusin enters pictures”</strong>, March 31, 1938.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1941</span></span></strong></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,</em> <strong>\"Biloxi Camera Club organized\"</strong>, September 19, 1941.&nbsp;</span></p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1943</span></span></strong></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\">The Daily Herald, <strong>\"Keesler painting will be displayed in London Gallery\"</strong>,&nbsp;October 20, 1943&nbsp;</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"background-color:rgb(241, 237, 224); font-family:monospace,lucida console,trebuchet ms; font-size:12px\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Daily Herald, <strong>\"Artist to paint murals at Keesler Field\"</strong>, November 5, 1943.</span></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1948</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Charles E. Hultberg dies”</strong>, November 20, 1948, p. 6.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1951</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Gulf Coast Times, </em><strong>“William Steene honored by Art Association”</strong>, November 8, 1951, p. 1.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1959</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald</em>, <strong>\"</strong>[MacMahon]&nbsp;<strong>Gibbs outlines place of art in everyday life\"</strong>, July 23, 1959, p. 18.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">BILOXI ARTISTS</span></span></strong></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>SARAH K. SMITH</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Sarah K. Smith was born at Oakland, Alameda County, California in June 1878 to Reverend George H. Smith (1847-1920+) and Rachel Moorer Smith (1856-1920+).</span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>REFERENCES:</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,</em><strong>“Gulf Park again displays wisdom”</strong>, May 27, 1921, p. 8.</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,</em><strong>“Gulf Park College deserves to rank with strongest of Girls’ Schools”</strong>, August 1, 1921, p. 2.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,</em><strong>“Woman’s Club at Gulf Park College”</strong>, November 23, 1922, p. 5.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,</em><strong>“Detail of rotary art exhibit”</strong>, November 23, 1922, p. 5.</span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>CHARLOTTE &nbsp;E. TIBBS</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Charlotte E. Tibbs (1878-1971?) was born at New York. &nbsp;</span></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">Lived on Iberville Drive in Biloxi.</span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>ALETHIA B. CLEMENS</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Alethia Beatrice Clemens (1874-1960) was born September 6, 1874 to Bruno Richard Clemens (1830-1915) and Emma P. Savers (1843-1930).&nbsp; Her father was born at Hanover, Germany and was a ship pilot, Condederate war veteran, and former yacht racer for wealthy New Orleanians.&nbsp; Mrs. Clemens was born in Alabama.&nbsp; Bruno and Emma married in Harrison County, Mississippi in February 1860 and had five children: Emma Josephine Clemons (1861-1892) m. Albert Gerdes (1853-1917); Mary Alice Clemons(1863-1931); Edward Clemons (1866-1942); Noalee Clemons (1872-1936) m. Charles H. Delmas (1855-1938); and Alethia B. Clemens (1874-1960).</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Education</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Attended Sophie Newcomb College at New Orleans where she studied the normal art course from 1906 until her graduation in 1910.&nbsp; Alethia B. Clemens expired at Biloxi, Mississippi on January 13, 1960.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>REFERENCES:</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald, </em><strong>“Miss Clemens returns to Alexandria”</strong>, September 14, 1915.</span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><img alt=\"\" height=\"150\" src=\"/sites/default/files/u4/Mallard%2C Louise J. (1900-1975)2_0.jpg\" width=\"113\" /></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:georgia,serif\"><strong>LOUISE J. MALLARD</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Louise Josephine Mallard (1900-1975) was born March 22, 1900, at New Orleans, Louisiana, the daughter of George F. Mallard (1854-1926) and Julia Rousseau (1875-1947).&nbsp; Her parents married at New Orleans on June 14, 1893.&nbsp; Children: George F. Mallard II (1894-1916); Prudent Mallard (1895-1918); Julia Maria Mallard (1897-1899); Louise Mallard (1900-1975); and Albert Mallard (1901-1982) m. Evelyn McShane (1902-1960).</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1928 Mardi Gras</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Louise designed Mardi Gras floats using a Japanese influence.</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Pilot Club</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Louise Mallard anecdotal stories</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Louise hired a plumber to fix a leak in her house.&nbsp; Waited and didn’t show.&nbsp; Came late and knocked on the screen door and invited him.&nbsp; She had called down from upstairs where she sat on the commode with a umbrella in her hand above the leaking pipe!&nbsp; This was her method for emphasis the leak to the plumber.(Maria Mallard, June 27, 2008)</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Louise got tired of the canopy on her Mallard bed and cut the four posts to remove it.(Maria Mallard, June 27, 2008)</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In the 1940s, Alton Bellande (1912-1970), a young Biloxi Fuller Brush salesman, went to the Mallard home on Benachi Avenue to make a potential sales call.&nbsp; Louise welcomed him into her home, as their families knew one another.&nbsp; Alton observed dust coating much of the Mallard furniture and floors and anticipated making at least a brush sale.&nbsp; Miss Mallard was taken aback at his suggestion that her house was in need of a thorough cleaning.&nbsp; Bellande departed frustrated and scolded Louise with this comment: <strong><em>“Louise, you need more than brushes to clean this place.&nbsp; You need a large broom!”</em></strong>(Betty Bellande-Toland, June 28, 2008)</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\">Expired January 28, 1975.</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>REFERENCES:</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald, </em><strong>“photo”</strong>, February 21, 1928, p. 1.</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>Miss Mallard awarded cup”</strong>, May 1, 1935, p. 2.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em>, <strong>“Chairman Biloxi Presidential Ball”, </strong>January 13, 1936.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“photo”</strong>, June 7, 1936, p. 5.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Miss Louise J. Mallard”</strong>, January 29, 1975, p. A2.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald, </em><strong>“Albert Mallard”</strong>, April&nbsp;&nbsp;&nbsp; , 1982, p.&nbsp;&nbsp; .</span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Patsy Mallard Ellmer&nbsp; 875-2592</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Maria Mallard&nbsp;&nbsp;&nbsp; 209-0087</span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">DUSTI S. BONGE\'</span></span></strong></p>\r\n\r\n<p>&nbsp;</p>\r\n\r\n<p><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">REFERENCES:</span></span></strong></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>CHARLES KUPER</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>AUBREY H. GARDNER</strong></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Aubrey H. Gardner (1911-2004) was born February 10, 1911 in Tulsa, Oklahoma to George Gardner (1867-1930+) and&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; .&nbsp; Parents divorced before 1920. &nbsp;</span></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">Died July 1, 2004 in Ocean Springs, Mississippi.</span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>REFERENCES:</strong></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,</em><strong>“Gardner buys out Collins sign shop”</strong>, November 9, 1954, p. 14.</span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Ocean Springs News, </em><strong>“Art gallery resumes class”</strong>, January 13, 1966, p. 1.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">_________________________________________________________________________________________________</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong><strong><span style=\"font-family:georgia,serif\">MARY&nbsp; ETHEL DISMUKES</span> (1870-1952)</strong></strong></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><img alt=\"\" height=\"200\" src=\"/sites/default/files/u4/dismukes-beauvoir 1933.jpg\" width=\"300\" /></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>BEAUVOIR</strong> circa 1933</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">[image by Ray L. Bellande, June 2002.&nbsp; Property of the Biloxi School System]</span></span></p>\r\n\r\n<p>&nbsp;</p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Mary Ethel Dismukes was chosen by Professor Ellsworth Woodward (1861-1939), director of the Issac Delgadgo Museum of Art at New Orleans, to participate in the Government sponsored Public Works of Art project.&nbsp; Her commission, which commenced in mid-December 1933, was to paint in oils, of&nbsp;<strong>Beauvoir</strong>, the&nbsp;<strong>Church of the Redeemer</strong>, the monument commemorating the site where Iberville landed in 1699, and a phase of the fishing industry.&nbsp; Miss Dismukes commissioned ended on February 15, 1934.<em>(The Daily Herald, February 2, 1934, p. 6)</em></span></span></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\">Mary Ethel Dismukes (1870-1952) was born at Pulaski, Giles County, Tennessee, on April 13, 1870,&nbsp;the daughter of George R. Dismukes (1840-1909), a merchant, and Adella McDonald Dismukes (1846-1924).&nbsp; Her father expired at Pulaski, Tennessee in March 1909.&nbsp;&nbsp; She was present for his demise.<em>(</em>1880 Giles Co., Tennessee Federal Census T_9 1257, ED 111<em>&nbsp;and The Daily Herald, March 22, 1909, p. 1)</em></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Miss Dismukes came to Biloxi in 1897, with her family.&nbsp; She resided at 113 Lameuse Street with her mother.&nbsp; Her brother was George E. Dismuke (1874-1937).&nbsp; Miss Dismukes was a member of the Woman’s Club (Biloxi), Magnolia Art Club, Biloxi Tree Association.<em>(The Daily Herald, February&nbsp;18, 1952, p. 4)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Mary Ethel Dismukes, called Ethel, had studied at the Art Student’s League of New York under John H. Twachtmann (1853-1902), Clifford Carleton (1867-1946), and Kenyon C. Cox (1856-1919) from 1900 until she was hired by the Biloxi public schools in May 1902.&nbsp; Miss Dismukes was the first principal of an art department in the Biloxi educational system.&nbsp; Her hiring resulted in an art studio being incorporated into the new addition to the Biloxi Central School on Main Street.&nbsp; At Biloxi, those students choosing her course were instructed in charcoal drawing; pen and ink drawing; painting in oil, water color, and pastel; and china painting.&nbsp; Burnt wood etching or pyrography was also offered.<em>(The Biloxi Daily Herald, May 30, 1902, p. 8)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>George E. Dismukes and Adolyn Gale</strong></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">George Edward Dismukes (1874-1937) was a mining engineer.&nbsp; He was born at Pulaski, Tennessee on July 17, 1874, and educated in a private college there.&nbsp; George E. Dismukes married Adolyn Gale (1864-1953), a native of Memphis, Tennessee.&nbsp; His livelihood took him to Georgia, Alaska, California, Oregon and other mining districts of North America.&nbsp; Dismukes was an authority on gold mining and a mine appraiser.&nbsp; He expired at Ethel’s home at 113 Lameuse Street on August 18, 1937.&nbsp; George and Adolyn had lived with Miss Dismukes for approximately ten years.&nbsp; His corporal remains were sent to Memphis, Tennessee for burial in the Elmwood Cemetery.<em>(The Daily Herald, August 18, 1937, p. 2)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Adolyn Gale Dismukes was also an artist.&nbsp; In 1929, her oil paintings were exhibited in the Tennessee Painter’s Exhibit, an annual show, which was held at the Watkins Institute in Nashville.&nbsp; Since the 1890s, Mrs. Dismukes had traveled to Alaska with her husband.&nbsp; Works from this region dominated her exhibition as she had oil paintings titled:&nbsp;<strong><em>Bering Sea, Aurora Light,&nbsp;</em></strong><em>and<strong>&nbsp;Valley of The Thousand Smoke</strong>.(The Daily Herald, June 13, 1929, p. 2)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Adolyn G. Dismukes expired at Biloxi, Mississippi on July 22, 1953.&nbsp; She was the daughter of Thomas Gale (1816-1912), an Englishman, who founded the Lemon-Gale Dry Goods Company in Memphis.&nbsp; Colonel Gale had come to America in 1823, and spent his entire life in the South, primarily in Tennessee.&nbsp; Adolyn G. Dismukes’ corporal remains were interred in the Elmwood Cemetery at Memphis, Tennessee.<em>(The Daily Herald, July 23, 1953, p. 12)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1903 Art Exhibit</strong></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In late May 1903, Miss Dismukes held an art exhibit of her student\'s annual works at the Main School.<em>(The Biloxi Daily Herald, May 20, 1903, p. 6)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1904 Art exhibit</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Mary Ethel Dismukes</strong>, Biloxi High School&nbsp;<strong>art teacher</strong>, opened her studio in the high school building on November 15th for public viewing of the charcoal, pen and ink, oil, water color, and china painting that was done by her students and herself.<em>(The Biloxi Daily Herald, November 15, 1904, p. 5)</em>&nbsp;</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Biloxi School of Art</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Miss Dismukes spent the summer of 1909 at Pulaski, Tennessee.&nbsp;&nbsp;By June 1910, Miss Dismukes&nbsp;had opened a private art academy at 131 Lameuse Street, her family home.&nbsp; Classes in drawing and painting were held in the weekday mornings during the summer months.<em>(The Biloxi Daily Herald, September 4, 1909, p. 8 and The Daily Herald, May 30, 1910, p. 8)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-family:times new roman,times,serif; font-size:14px\">Dresden exhibit</span></strong></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\">In 1911, Ethel Dismukes traveled to the International Art Exhibit at Dresden, Germany.&nbsp; Dresden, a large industrial and arts center, is situated in east central Germany on the Elbe River.&nbsp; Dresden china is made at Meissen, fourteen miles to the northwest. (Webster’s, 1988, p. 343 and 748)</span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1913 Western Tour</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In early July 1913, Miss Dismukes ventured to the West Coast to reacquaint herself with relatives and friends residing there.&nbsp; Before her fall return to Biloxi, she planned side trips to the Mariposa and Calararus Valleys, as well as Yosemite and Yellowstone National Parks.&nbsp; While in California, Miss Dismukes went to San Diego, Los Angeles, and San Francisco.<em>(The Daily Herald, July 7, 1913, p. 7)</em></span></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Invite to Leipsic (Leipzig)</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In December 1913, the Biloxi city schools received an invitation to participate in the May 1914, International Art Exhibit at Leipsic, Germany.&nbsp; Leipsic, now spelled Leipzig, is a large industrial-cultural center in east central Germany, about 60 miles south east of Dresden.&nbsp; It is the site of Karl Marx University and the burial place of J.S. Bach.&nbsp; The quality of the art produced by Miss Dismuke’s Biloxi pupils made an excellent impression at Dresden, which secured an offer to exhibit at Leipsic.<em>(The Daily Herald, December 29, 1913, p. 3 and Webster’s, 1988, p. 660)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Retirement</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In May 1914,&nbsp;Ethel Dismukes retired from her art teacher’s status in the Biloxi public school system.&nbsp; The culmination of her career in education was marked by an exhibition of student works from all the city schools held at the Central school’s art department.&nbsp;&nbsp;Student artisans demonstrated their abilities in traditional art as well as stained glass window design, sofa pillow design, paper cutting, home design and interior furnishings.&nbsp; Miss Dismukes was lauded as having,&nbsp;<strong><em>“done magnificent work as instructor in this department”</em></strong>.&nbsp; She planned to hold private art classes after her teaching career ended.<em>(The Daily Herald, May 22, 1914, p. 2)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In June 1910, Miss Dismukes&nbsp;had opened a private art academy at 131 Lameuse Street, her family home.&nbsp; Classes in drawing and painting were held in the weekday mornings during the summer months.&nbsp; Miss Dismukes continued private art lessons well into her retirement years.&nbsp; She was a major force with William Woodward (1859-1939) in starting the Gulf Coast Art Association in the mid-1920s.</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Lameuse Street</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In June 1919, Miss Dismukes acquired a house and lot on the west side of Lameuse Street between Water Street and Beach Boulevard, from F.L. and Edith Stone.&nbsp; The Dismukes lot was forty-five feet wide and one hundred-one feet deep.(HARCO, Ms. Deed Trust Deed Bk. 124, pp. 69-70).&nbsp;</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In September 1935, Ethel Dismukes sold her house to Mrs. Geneva Adams Hale of Elkins, West Virginia.&nbsp; The consideration was $1500 cash.(HARCO, Ms. Land Deed Bk. 206, pp. 549-550)</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In September 1940, Ethel Dismukes and Geneva A. Hale recorded a lease purchase agreement in the Chancery Court of Harrison County, Mississippi.&nbsp; The rent payable to Grant and Tonsmeire, local attorneys, was $20 per month in advance on the 14<sup>th</sup>&nbsp;day of each month.&nbsp; Miss Dismukes was responsible for the water rent.&nbsp; She had an option to purchase the house from Mrs. Hale, for $1500 plus interest of 8% annually from February 11, 1933 to the date of purchase.(HARCO, Ms. Land Deed Bk. 234, pp. 566-567)</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In September 1941, Mrs. Hale vended her Lameuse Street property to Miss Dismukes for $2350.(HARCO, Ms. Land Deed Bk. 243, pp. 406-407)&nbsp;&nbsp;</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Ethel Dismukes sold her house to Mrs. Victoria S. Kornman for $12,600. (HARCO, Ms. Land Deed Bk. 243, pp. 406-407)</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>1926 Exhibit at Delgado Art Museum</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In the fall of 1926, the&nbsp;<strong>New Orleans Art Association</strong>&nbsp;held an exhibit at the Delgado Art Museum.&nbsp; Miss Dismukes, Biloxi resident and a NOLA Art Association member, had two entries in the show of twenty-seven artists.&nbsp; Her canvasses were titled&nbsp;<strong>\'Golden Glow\'</strong>&nbsp;and&nbsp;<strong>\'Rosy Dawn\'&nbsp;</strong>respectively.&nbsp;&nbsp;<strong>\'Golden Glow\'</strong>, a sylvan-landscape scene in the Biloxi area<strong>,&nbsp;</strong>was lauded by visitors for its strong color, while&nbsp;<strong>\'Rosy Dawn\'</strong>, was painted from the porch of the beach home of Mr. Jahncke of New Orleans, formerly the domicile of Mrs. E.R. Johnson.<em>(The Daily Herald, December 3, 1926, p. 9)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>The Gulf Coast Art Association and Art Center</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">William Woodward (1859-1939) was the founder of the Mississippi Gulf Coast Art Association during his retirement years at Biloxi.&nbsp; In mid-November 1926, he and interested parties met at the Biloxi Public Library and commenced this cultural body, which aspired to influence the future aesthetics of the Mississippi Gulf Coast.&nbsp; Among the charter members of the organization were: Mary Ethel Dismukes (1870-1952) and Louise Mallard (1900-1975) of Biloxi; Miss Sarah K. Smith (1878-1930+) of Gulf Park College; Dean Parkhurst Woleben (1891-1968) of Gulfport; and Ella Layden Roche, Edward C. de Celle, and Roderick Dempster MacKenzie (1865-1941) of Mobile.<em>(The Daily Herald, November 19, 1926, p. 2)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Mississippi Gulf Coast Art Association held its first annual exhibit at the Biloxi Public Library from February 4<sup>th</sup>&nbsp;until February 20<sup>th</sup>, 1927, Miss Ethel Dismukes (1870-1952), then secretary of the organization, exhibited photography and oil paintings.&nbsp; Her “The Burden Bearer” was voted “the best-liked picture”.&nbsp; William Woodward won the gold medal for “Our Street”.<em>(The Daily Herald, February 3, 1927, p. 2 and February 21, 1927, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-family:times new roman,times,serif; font-size:14px\">1928 Exhibit</span></strong></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">At an exhibition of her works sponsored by the Woman’s Club and held at the Biloxi Public Library from February 23 to February 27, 1928, Miss Dismukes displayed an eclectic ensemble of approximately eighty art objects-over forty photographs, eighteen oil paintings, four watercolors, two pastels and craft work in china, copper, and wood.&nbsp; In addition, she delivered two lectures,&nbsp;<strong><em>History and Legends of the Gulf Coast&nbsp;</em></strong>and the&nbsp;<strong><em>Vieux Carre</em></strong>.&nbsp; By popular vote, visitors to her exhibition selected&nbsp;<strong><em>“Rosy Dawn”&nbsp;</em></strong>and&nbsp;<strong><em>“Reflections”</em></strong>&nbsp;as the best in her show.&nbsp; Miss Dismukes sold several pieces and received solicitations for portraits.<em>(The Daily Herald, February 22, 1928, p. 2, February 23, 1928, p. 2, February 25, 1928, p. 2, and February 27, 1928, p. 2)</em></span></span></p>\r\n\r\n<h1 class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1929 Exhibits</span></span></strong></h1>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In mid-January 1929,&nbsp;the Biloxi Public Library was the venue of an art exhibit of the professional women artists of Mississippi.&nbsp; Among those showing their water colors, pastels, and oil paintings were: Mrs. W.Q. Sharp of Jackson, vice president of the Mississippi Art Association and worker in pastels and water color; Miss Mary Clair Sherwood, teacher at All Saints College at Vicksburg; Miss Charlotte E. Tibbs of Biloxi; Miss Betty McArthur, a teacher at M.S..C.W;&nbsp;<strong>Marie A. Hull</strong>&nbsp;(1890-1980) of Jackson who recently had three works accepted by the Philadelphia Watercolor Association and others at the Chicago Art Institute; Miss&nbsp;<strong>Mary Ethel Dismukes</strong>&nbsp;is exhibiting&nbsp;<em><strong>\"Lover\'s Lane, Ocean Springs\", \"The Waifs\",&nbsp;</strong>and&nbsp;<strong>\"Spring\"</strong></em>, which was sketched at City Park in NOLA;&nbsp;<strong>Adolyn Gale Dismukes</strong>, Mrs. George Dismukes, was showing \"Mt. Mckinley, Alaska\", \"Auroral Lights\", and \"Valley of Ten Thousand Smokes\"; Mrs. Anne Wells Mounger of Pass Christian and Miss Sarah K. Smith of Gulf Park College also sent paintings.&nbsp; A $20 prize for the most popular painting in the exhibit was sponsored by the First National Bank.<em>(The Daily Herald, January 14, 1929, p. 2)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">When the Coast Zone of Woman’s Clubs meeting was held in the Biloxi Public Library on October 31, 1929, an exhibit of Miss Dismukes photographs were on display in the clubroom.&nbsp; The images were of local scenery appropriate for the occasion.<em>(The Jackson County Times, November 9, 1929, p. 3)</em></span></span></p>\r\n\r\n<h1 class=\"rtecenter\">&nbsp;</h1>\r\n\r\n<h1 class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Woman’s Club</span></span></strong></h1>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Miss Dismukes served as chairman of the art department for the Biloxi Woman’s Club for several years.&nbsp; In March 1930, she presented a talk to this group titled, “the art of moving picture”.<em>(The Daily Herald, March 20, 1930, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-family:times new roman,times,serif; font-size:14px\">1932 Exhibit</span></strong></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In late October 1932, Miss Dismukes replaced her former “sidewalk” display of oil paintings and photographs in a store window on West Howard Avenue in Biloxi, with a new showing of her work.&nbsp; This photographic work dealt primarily with the Jefferson Davis family of Beauvoir.<em>(The Daily Herald, October 31, 1932, p. 2)</em></span></span></p>\r\n\r\n<h1 class=\"rtecenter\">&nbsp;</h1>\r\n\r\n<h1 class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1932 Exhibit GCAA</span></span></strong></h1>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The 1932 non-juried art show of the Gulf Coast Art Association was held in mid-December 1932, at the Biloxi Public Library.&nbsp; Fourteen member artists exhibited their oils, watercolors, pastels, etchings, and wood block prints.&nbsp; There were no craft works in the show.&nbsp; Dean Babcock of Denver, Colorado planned to donate three wood block prints and six prints to Biloxi High school, if they were desired.<em>(The Daily Herald, December 10, 1932, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-family:times new roman,times,serif; font-size:14px\">Art Center</span></strong></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In early December 1932, local artists decided to commence an “Art Center” in Biloxi.&nbsp; Located on the north side of West Howard Avenue between Reynoir and Fayard Streets, adjacent to D’Aquin’s Drugstore, the “Art Center” may have been the first artist public meeting place and artisit co-op on the Mississippi Gulf Coast.&nbsp; In addition to rotating art exhibits and association meetings, the Gulf Coast Art Association planned to have a workroom in their building, with north light, which is considered excellent for drawing and painting.&nbsp; Classes and workshops were planned for the workroom.&nbsp; The “Art Center” opened in late December 1932.<em>(The Daily Herald, December 6, 1932, p. 2 and December 29, 1932, p. 2)</em></span></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">&nbsp; &nbsp; &nbsp; &nbsp;</span></p>\r\n\r\n<h1 class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Photographic recognition</span></span></strong></h1>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">“Bellman Street Oak”, a photographic image made by Miss Dismukes won the Mississippi Award given by the American Forestry Association in their competition&nbsp;<strong><em>“Most Beautiful Photographs of Trees in America”</em></strong><em>.&nbsp;&nbsp;</em>A 1934, traveling exhibition of award winning photographs and other excellent images was planned by the American Forestry Association.&nbsp; They selected four additional photographs by Ethel Dismukes for this venue, which was limited to one hundred photographs.&nbsp; They were:&nbsp;<strong><em>“Ruskin Oak”, “Crawford Oak”, “Close Up of Crawford Oak”, and “Parkingham Oak”</em></strong><em>.(The Daily Herald, January 9, 1934, p. 2)</em></span></span></p>\r\n\r\n<h1 class=\"rtecenter\">&nbsp;</h1>\r\n\r\n<h1 class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">PWA 1934</span></span></strong><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>&nbsp;</strong> &nbsp;</span></h1>\r\n\r\n<h1><span style=\"font-family:times new roman,times,serif; font-size:14px\">Mary Ethel Dismukes was chosen by Professor Ellsworth Woodward (1861-1939), director of the Issac Delgadgo Museum of Art at New Orleans, to participate in the Government sponsored Public Works of Art project.&nbsp; Her commission, which commenced in mid-December 1933, was to paint in oils, of Beauvoir, the Church of the Redeemer, the monument commemorating the site where Iberville landed in 1699, and a phase of the fishing industry.&nbsp; Miss Dismukes commissioned ended on February 15, 1934.<em>(The Daily Herald, February 2, 1934, p. 6)</em></span></h1>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-family:times new roman,times,serif; font-size:14px\">1936 Exhibit</span></strong></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The 1936 juried art show of the Gulf Coast Art Association was held in the sun parlor of the White House Hotel.&nbsp; The forty-nine-piece show opened on March 1, 1936 and was available for public viewing for about one week.&nbsp;&nbsp;&nbsp; Miss Dismukes exhibited three photographs:&nbsp;<strong><em>“Inn by the Sea”</em></strong>&nbsp;(oil tinted);&nbsp;<strong><em>“Lover’s Lane”</em></strong>; and&nbsp;<strong><em>“Wind Swept”</em></strong>.&nbsp;&nbsp;</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Professor William Woodward of Biloxi showed the following:&nbsp;<strong><em>“Portrait of Patricia”</em></strong>&nbsp;(oil);&nbsp;<strong><em>“Biloxi Light”, “Ship at Sunset”, and Ship in Moonlight”&nbsp;</em></strong>(Rafaelle oil crayons); and&nbsp;<strong><em>“Benachi Avenue Bioxi”, “Oyster Wharf”, “Yellow Fever Quarantine”, and “Pass Christian”</em></strong>&nbsp;(etchings).&nbsp;&nbsp;&nbsp;Dean Babcock of Denver, Colorado presented several wood engravings.<em>(The Daily Herald, March 2, 1936, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>WPA images</strong></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In early December 1936, Miss Mary Ethel Dismukes spoke to the Gulf Coast Art Association at Biloxi.&nbsp; Her topic was about a photographic project that she and two other photographers in Mississippi were involved.&nbsp; Miss Dismukes was traveling in the southern counties of Mississippi making images to be used in the histories being written by the writer\'s group, probably for the WPA Federal Art Project, which was instituted in May 1936.&nbsp; Miss Dismukes photographs were taken of antiques, fire arms, elderly people, unusual people, i.e. \'the Whittaker negroes\' and the \'hot boys\', Caucasian with marked physical traits.&nbsp; She also spoke of the history of Biloxi.<em>(The Daily Herald, December 8, 1936, p. 5)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1941 </span></span></strong></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Miss Dismukes was a founder in September 1941 of the Biloxi Camera Club. &nbsp;She was its first president. Sidney Levine of Philadelphia was vice-president and John Lockett, treasurer. &nbsp;Their first meeting was in the Biloxi Community Center on September 18, 1941.</span></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">(The Daily Herald, September 19, 1941, p. 7)</span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1941 Exhibition</span></span></strong></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In what may have been her most versatile art showing, Miss Dismukes held an exhibition at the Biloxi Communicty House shortly before Thanksgiving 1941. &nbsp;The show featured watercolors, etchings, oil paintings, photographs hand-tined in both oil and watercolors, plain photographs [black and white], and craft work. &nbsp;Of special interest were her excellent study of Negro people and of the local, magnificent Live Oak trees. &nbsp;Miss Dismukes also took pleasure in creating wild flower images with her camera.(The Daily Herald, November 22, 1941, p. 3)</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><strong><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">&nbsp;1943 Art Week State Chairman</span></span></strong></p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In October 1943, the American Artists Professional League appointed Mary Ethel Dismukes as the Mississippi State chairman for national art week which was held Novemb</span></span>er <span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">1st through November 7th. &nbsp;Miss Alethea Clemens was the Biloxi chairman for the local event. &nbsp;The annex on the rear lawn of the Biloxi Community Center was the venue for national art week. &nbsp;Local and Mississippi coast artists participating were: Mrs. Albert Tee Austin; Mrs. Edgar Balthrope; Alethea Clemens; Mrs. George Dismukes; Mrs. Robert Drover; Sergeant William T. Dunn; Mrs. J.C. McNair; Sarah K. Smith; Charlotte Tibbs; and Estelle Parker.(The Daily Herald, October 21, 1943, p. 4 and NOvember 5, 1943, p. 3)</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Dismukes Art School of Art</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">The Dismukes Art School of Art was founded in the late 1940s. &nbsp;It was the vehicle through which she gave private art instructions at Biloxi. &nbsp;On November 27, 1948, Miss Dismukes opened her <strong>\'Little Art Gallery\'</strong> at 113 Lameuse Street in conjunction with the art of her students and invited exhibitors.<em>(The Daily Herald, May 31, 1949, p. 5)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Demise</strong></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Miss Ethel Dismukes died at Biloxi, Mississippi on February 18, 1952.&nbsp; She was survived by Adolyn Gale Dismukes (1864-1953), her sister in law.&nbsp; Miss Dismukes had been in St. Petersburg, Florida since September 1951 and had returned to Biloxi in early February.&nbsp; In addition to her many years serving as secretary of the MGAA, Ethel Dismukes was past president of the Woman\'s Club, assisted in the organization of the Magnolia Art Club, and the Biloxi Tree Association.&nbsp; Her corporal remains were sent to Pulaski, Tennessee for internment in the family cemetery.<em>(The Daily Herald, February 18, 1952, p. 4)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><img alt=\"\" height=\"361\" src=\"/sites/default/files/u4/dismukes-landing of Iberville.jpg\" width=\"500\" /></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>\"Landing of D\'Iberville\"</strong></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>\"Iberville landing painting evokes memories\"</strong></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">[written by Ray L. Bellande and published in&nbsp;<em>The Ocean Springs Record&nbsp;</em>on May 22, 2008]</span></span></p>\r\n\r\n<p class=\"rtejustify\">&nbsp;</p>\r\n\r\n<p class=\"rtejustify\"><span style=\"font-family:times new roman,times,serif; font-size:14px\">The recent showing of Iberville’s Landing, a landscape, oil painting, by Mary Ethel Dismukes in the Hancock Bank building on Washington Avenue, awakened in me journeys of another time.&nbsp; As a lad growing up in 1950s in the Back Bay section of Biloxi, we often crossed the Back Bay of Biloxi by motorcar.&nbsp; Invariably, my father would point to the cross and boulder in the St. Theresa Catholic School yard nestled on the margin of Back Bay and comment, “That is where Iberville landed.”&nbsp; Naturally, my siblings and I didn’t know nor were sure of who or what was an Iberville or a D’Iberville was?</span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Mary Ethel Dismukes (1870-1952), called Ethel, the artist, was a native of Pulaski, Tennessee. &nbsp;She had studied at the Art Student’s League of New York under John H. Twachtmann (1853-1902), Clifford Carleton (1867-1946), and Kenyon C. Cox (1856-1919) from 1900 until she was hired by the Biloxi public schools in May 1902.&nbsp; Miss Dismukes was the first principal of an art department in the Biloxi educational system.&nbsp; Her hiring resulted in an art studio being incorporated into the new addition to the Biloxi Central School on Main Street.&nbsp; At Biloxi, those students choosing her course were instructed in charcoal drawing; pen and ink drawing; painting in oil, water color, and pastel; and china painting.&nbsp; Burnt wood etching or pyrography was also offered.<em>(The Biloxi Daily Herald, May 30, 1902, p. 8)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Manuel Jalanivich and Alice Tee Austin</strong></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Manuel Jalanivich (1897-1944), a Biloxi native, became both a public and private art pupil of Miss Dismukes.&nbsp; He would become an acclaimed California potter and clay sculptor.&nbsp; Circa 1922, with his life partner, Ingvardt Olsen (1888-1959), a Danish ceramicist who had studied at the Royal Danish Copenhagen Chinese Kilns in Copenhagen, Denmark, Manuel started Jalan Pottery in San Francisco to produce commercial ceramic ware.&nbsp; It was identified by its large scale, simple form, color, style, and crackled glaze.&nbsp; Jalanivich created wheel-thrown forms and also did extensive clay modeling, while Olsen specialized in glazing.&nbsp; Olsen’s Persian or faience blue and “egg-plant” glazes were well accepted.&nbsp; W.F. Dietrich in 1928, described the Jalan Pottery as:&nbsp;&nbsp;<strong>Jalanivich and Olsen are making an attractive line of glazed pottery using a buff-burning body and lead glazes.&nbsp; Their output is hand-molded on a potter’s wheel.&nbsp; It is fired in a round kiln, approximately 3 feet inside diameter designed by them and built by the gas company, city gas being used for fuel.&nbsp; The clay, from California sources, is fired to 2000 F and the glaze to 1500-1700 F.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Jalanivich and Olsen marketed their ceramics well.&nbsp; In addition to their Bay area patronage, Gumps Department Store in San Francisco vended Jalan Pottery.&nbsp; Jalan’s adaptation to a Chinese-style form met with great success in San Francisco, as many affluent citizens were decorating their domiciles with teak furniture, Coromandel screens, lacquered chests, and Middle Eastern of Oriental rugs.<em>(Bray, 1980, p. 43)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Alice Tee Austin (1908-2001), nee Weir, who would reside on Front Beach near the Ocean Springs Inner Harbor, in the Parlin-Austin House for nearly sixty-years, was also a student of Miss Dismukes.&nbsp; She studied art contemporaneously with Manuel Jalanivich.&nbsp; Her ability as an artist was lauded at the May 1916 art exhibit held by Ethel Dismukes for her private students.&nbsp; Miss Weir’s paintings of a candle stick and wildflowers were noted by&nbsp;<em>The Daily Herald&nbsp;</em>columnist covering the event.&nbsp; Alice had also creatively decorated Miss Dismukes doorbell with raffia.<em>(The Daily Herald, May 22, 1916, p. 3)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Miss Alice T. Weir was also a pianist of note.&nbsp; She was under the tutelage of the Sisters of Mercy at the Sacred Heart Academy in December 1921, when her interpretation of Puerto Rican composer Juan Morel Campos’ (1857-1896) “Indilio’ was praised by critics as:. “played with perfect ease and carrying out a number of difficult passages.”&nbsp; While at Newcomb College in 1930, Miss Weir won first prize for a poster contest sponsored by the Louisiana Society for Prevention of Cruelty to Animals.&nbsp; While at Newcomb, she continued to paint in oils and water color and won awards at several art exhibits for her excellent works.<em>(The Daily Herald, December 15, 1921, p. 6 and May 27, 1930, p. 2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong>Retirement</strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In May 1914,&nbsp;Ethel Dismukes retired from her art teacher’s status in the Biloxi public school system.&nbsp; The culmination of her career in education was marked by an exhibition of student works from all the city schools held at the Central school’s art department.&nbsp; In June 1910, Miss Dismukes&nbsp;had opened a private art academy at 131 Lameuse Street, her family home.&nbsp; Classes in drawing and painting were held in the weekday mornings during the summer months.&nbsp; Miss Dismukes continued private art lessons well into her retirement years.&nbsp; She was a major force with William Woodward (1859-1939) in starting the Gulf Coast Art Association in the mid-1920s.<em>(The Daily Herald, May 22, 1914, pp. 1-2)</em></span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>William Woodward</strong></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In 1884, William Woodward had relocated to New Orleans from his native New England.&nbsp; Here he taught art as an associate professor at the new Tulane College and High School.&nbsp; Professor Woodward retired as&nbsp;<em>“professor emeritus of the Newcomb College of Art”</em>&nbsp;in 1921.&nbsp; He and his spouse retired to Biloxi, Mississippi in 1924, after a laudable career in the Crescent City.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Among his many accomplishments, William Woodward helped organize the Newcomb College; founded the New Orleans Art Pottery where he hired Joseph Fortune Meyer (1848-1931) and George E. Ohr (1857-1918); assisted in the design of the early building on the Tulane University campus; protested the destruction of the Cabildo; founded the Tulane School of Architecture; and was associated with the Vieux Carre Commission’s efforts to preserve the areas historical architecture.</span></span></p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>Iberville’s marker and the DAR</strong></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">In Chapter XI of ‘Broken Pot’, the unpublished historical narrative, of Schuyler Poitevent (1875-1936), who resided at 318 Lovers Lane in Ocean Springs, he relates the origin of the wooden cross and marker that in April 1920 were placed by the Gulf Coast Chapter of the Daughters of the American Revolution on the Back Bay of Biloxi in present day D’Iberville, then called North Biloxi or “across de la baie”, to commemorate the April 1699 landing of Pierre Le Moyne Sieur d’Iberville (1661-1706).&nbsp; The site chosen by the DAR was just east of the 1928 Biloxi Bay Bridge.&nbsp; Prior to selecting North Biloxi, this organization approached Schuyler Poitevent and suggested that his Biloxi Bay home on Lovers Lane be the site of the memorial to Iberville and Fort Maurepas.&nbsp; Mr. Poitevent vehemently opposed the idea.&nbsp; In response to this rejection, the local DAR chose to build their memorial in what would become the schoolyard of St. Theresa’s Catholic School.&nbsp; Fortunately this travesty has been removed and now rests ironically in a glass case in the Sacred Heart Catholic School on Le Moyne Boulevard at D’Iberville.</span></span></p>\r\n\r\n<p class=\"rtecenter\">&nbsp;</p>\r\n\r\n<p class=\"rtecenter\"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>1699 Historical Committee</strong></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">Iberville’s Landing by Miss Dismukes was acquired by the Walter Anderson Museum of Art in 2005?&nbsp; It was loaned to the 1699 Historical Committee for their April 25<sup>th</sup>&nbsp;soiree held in the Hancock Bank lobby.&nbsp; This event preceded the 2008 Landing of Iberville commemoration, which was held on April 27, 2008 on Front Beach with Dr. Strawford Hale Dees, representing Iberville and Dr. William W. Walker, as Bienville.&nbsp; This was the first \'Landing\' celebration since Hurricane Katrina in August 2005.<em>(The Ocean Springs Record, April 24, 2008, p. A1)</em></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\">&nbsp; &nbsp; &nbsp;The 1699 Historical Committee commenced the Iberville Landing event in early April 1974 when the 275<sup>th</sup>anniversary of French Canadian hero, Pierre Le Moyne, Sieur d’ Iberville (1671-1706) arrival and erection of Fort Maurepas at present day Ocean Springs was celebrated on Front Beach.&nbsp; The first cast of this reenactment included: Orey A. Young (1892-1986) who portrayed Iberville; Frank T. Pickel (1912-1982) as Bienville; and Marby R. Penton (1922-1995), as Commandant Sauvolle.&nbsp; The 1699 Historical Committee received its State charter in March 1971.&nbsp; Betty Bradford Milsted was president.(<em>The Ocean Springs News, March 11, 1971, p. 1 and April 11, 1974, p. 3)</em></span></span></p>\r\n\r\n<p>&nbsp;</p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>REFERENCES:</strong></span></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\">Patti Carr Black,&nbsp;<strong><u>Art in Mississippi</u></strong>&nbsp;(1720-1980), (University of Mississippi Press: Jackson, Mississippi-1998).</span></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\">Cantey V. Sutton,&nbsp;<strong><u>History of Art in Mississippi</u></strong>, (Dixie Press: Gulfport, Mississippi-1929).</span></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong><u>Webster’s New Geographical Dictionary</u></strong>, (Merriam-Webster Inc.: Springfield, Massachusetts-1988)</span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><strong><em>Journals</em></strong></span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>“Art Department”</strong>, May 30, 1902.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>“City News”</strong>, May 20, 1903.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>“City News”</strong>, November 15, 1904.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>“City News”</strong>, March 22, 1909.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Biloxi Daily Herald,&nbsp;</em><strong>“City News”</strong>, September 4, 1909.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Biloxi News Paragraphs”</strong>, May 30, 1910.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Leading Memphian Died Early Today At Home In Biloxi”</strong>, April 19, 1912.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Local News Paragraphs of Interest”</strong>, July 7, 1913.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Biloxi High School doings”</strong>, April 18, 1914.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Exhibit At Central School”</strong>, May 22, 1914.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Biloxi youth&nbsp;</strong>[Manuel Jalanivich]&nbsp;<strong>makes pottery”</strong>, March 15, 1915.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Class exhibits work of art”</strong>, May 7, 1915.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Exhibit is enjoyed by many”</strong>, May 22, 1916.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Gulf Coast Association”,&nbsp;</strong>November 30, 1926.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Gulf Coast Association”,&nbsp;</strong>November 30, 1926.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Artist from coast attracts attention at Orleans exhibit\"</strong>, December 3, 1926.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Opening of Art Exhibit at Library”</strong>, February 3, 1927.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Award Made by Jury of Gifted and Competent Artists for Gulf Coast Art Association Exhibition at Biloxi February 4”</strong>, February 5, 1927.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Jalan Pottery Arrives”</strong>, February 9, 1927.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Opening of Art Exhibit at Library”</strong>, February 3, 1927.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Exhibits Closes Saturday”</strong>, February 14, 1927.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Exhibits Closes”</strong>, February 21, 1927.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Exhibition of Pictures”</strong>, February 22, 1928.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Exhibit At Library”</strong>, February 23, 1928.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“&nbsp;Art Exhibit Great Success”</strong>, February 25, 1928.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Exhibit To Remain Open”</strong>, February 27, 1928.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Fine Arts Department Exhibit”</strong>, January 11, 1929.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Exhibit of Women Artists”</strong>, January 14, 1929.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Another Biloxian Exhibits”</strong>, June 13, 1929.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Woman’s Club Meeting”</strong>, March 20, 1930.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Miss Dismukes’ Exhibit”,&nbsp;</strong>October 31, 1932.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Center to Open”</strong>, December 6, 1932.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Exhibit Opens Sunday”</strong>, December 10, 1932.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Center Interesting”</strong>, December 29, 1932.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Biloxi Wins Recognition”</strong>, January 9, 1934.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Coast Artists Are Painting Scenes For PWA Art Project”</strong>, February 2, 1934.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Fifty pictures at art exhibit”</strong>, December 10, 1934.</span></span></p>\r\n\r\n<p><em>The Daily Herald,&nbsp;</em><strong>“Annual Art Show Opens”</strong><span style=\"font-family:times new roman,times,serif; font-size:14.399999618530273px\">, April 9, 1935.</span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Talks on Historic points of interest”</strong>, December 8, 1936.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Exhibit Excellent”</strong>, March 2, 1936.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“George Dismukes Dies”</strong>, August 18, 1937.</span></span></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,&nbsp;</em></span><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>“Exhibition of Pictures”</strong></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">, August 18, 1941.</span></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,</em>&nbsp;<strong>\"Biloxi Camera Club organized\"</strong>, September 19, 1941.&nbsp;</span></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,&nbsp;</em></span><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>“Miss Dismukes wins Chamber of Commerce Cup”</strong></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">, October 1, 1943.</span></p>\r\n\r\n<p><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,&nbsp;</em></span><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>“Miss Dismukes is art week chairman”</strong></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">, October 21, 1943.</span></p>\r\n\r\n<div style=\"font-family: monospace, \'Lucida Console\', \'Trebuchet MS\'; font-size: 12px; \"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,&nbsp;</em></span><span style=\"font-family:times new roman,times,serif; font-size:14px\"><strong>“Art exhibition attracting many visitors”</strong></span><span style=\"font-family:times new roman,times,serif; font-size:14px\">, November 5, 1943.</span></div>\r\n\r\n<div style=\"font-family: monospace, \'Lucida Console\', \'Trebuchet MS\'; font-size: 12px; \"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,&nbsp;</em><strong>“Opening art gallery”</strong>, November 13, 1948.</span></div>\r\n\r\n<div style=\"font-family: monospace, \'Lucida Console\', \'Trebuchet MS\'; font-size: 12px; \"><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,&nbsp;</em><strong>“Art Gallery opens”</strong>, November 23, 1948.</span></div>\r\n\r\n<div>\r\n<div><span style=\"font-family:times new roman,times,serif; font-size:14px\"><em>The Daily Herald,&nbsp;</em><strong>“Visit Art Exhibit”</strong>, May 31, 1949.</span></div>\r\n</div>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Ceramics Display”</strong>, October 1, 1949.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Fall Art Exhibit”</strong>, October 22, 1949.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Coast Art Exhibits Are Being Planned”</strong>, October 29, 1949.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Art Exhibit”</strong>, November 7, 1949.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Miss Dismukes Dies”</strong>, February 18, 1952.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Daily Herald,&nbsp;</em><strong>“Mrs. Dismukes Dies”</strong>, July 23, 1953, p. 12.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Jackson County Times,&nbsp;</em><strong>“Woman’s Club Notes”</strong>, November 9, 1919.</span></span></p>\r\n\r\n<p><span style=\"font-size:14px\"><span style=\"font-family:times new roman,times,serif\"><em>The Ocean Springs Record,&nbsp;</em><strong>\"Painting to be part of d\'Iberville commemoration\"</strong>, April 24, 2008, p. B4.</span></span></p>\r\n', '', '2');
